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Appreciation of Yulouchun·Evening makeup for brightening skin and snow

This poem is a representative work written by Li Yu during the heyday of the Southern Tang Dynasty. The first part of the poem mainly describes the grand scene of Spring Night banquet. The first sentence highlights the rich makeup and beauty of the concubines who "put on their evening makeup", thus writing the author's high interest in these bright and beautiful people. At the same time, the luxury of the night banquet is exaggerated from the beginning. After two sentences, the banquet begins, singing and dancing appear, and the author writes about the melodiousness of the music and the beauty of the utensils. For example, the word Shengxiao can give people a sense of exquisiteness and luxury, which is consistent with the extravagant hedonistic life and sentiment described in the word. "Blow" means "blow off", and "press" means "press hard". Not only can the author's indulgence and indulgence in luxury be seen in every word, but he also gives the music a strong emotional color very vividly. According to Ma Ling's "Book of the Southern Tang Dynasty": "In the heyday of the Tang Dynasty, "Nishang Yuyi" was the most important instrument. However, due to the chaos, Master Gu was absent from his duties, and his music became extinct. The later master obtained its score alone, and the musician Cao Sheng was also good at pipa. According to the score, it was rough The sound was obtained, but it was not perfect. The Queen of the Great Zhou Dynasty often changed into absurdities, and the new sounds became clearer and more audible. "Li Yu and the Queen of the Great Zhou Dynasty were both proficient in music, and their love was deep. What's more, "Neon Clothes and Feathers" was originally a famous piece during the reign of Emperor Xuanzong of the Tang Dynasty. It was lost first and then gained. It was then discovered and edited by Li Yu and Queen Zhou. It was naturally extremely joyful to play it in the palace at this time. Therefore, it is not only necessary to "press hard", but also to "sing thoroughly". From this, we can also imagine the author's indulgence and indulgence.

The second part of the poem describes the scene of the song ending and everyone returning home drunk after walking on the moon. The sentence "Linchun" clearly refers to fragrance, but implicitly refers to wind. The subtle fragrance drifts with the wind, and the poet's interest is waning. It comes from the word "who is more", which makes it more lively and interesting. The word "Drunk Pai" comes out straightforwardly, describing the state of drunkenness, and the description of full enjoyment and joy, which is extremely appropriate. At this point, the author has the appreciation with his eyes, the enjoyment with his ears, and the aftertaste of smelling the fragrance. In addition, the state of drunken shooting comes from drinking. It is the ultimate entertainment of sight, sound, fragrance and taste in one place. , feeling relaxed and excited, so it is "interesting" and addicted to it, unable to extricate itself. The last two sentences are written in a wine-drinking style, but they are full of meaning and the fun is not exhausted, so they have always been praised by people. "Zhou Shanren Ci Commentary" praised it as "Zhiyuye". Today's Ye Jiaying once commented on this sentence in detail: "The empress is really a person who knows the taste of life best. Moreover, the three characters of 'stepping on the horse's hoof' are written very vividly. For one thing, the word 'stepping' can be used both in sound and meaning. People think of the sound of a horse's hoof; moreover, instead of saying "horse's hoof" but "stepping on horse's hoof", it can give readers a double feeling. It is not only stepping with horse's hoof, but also stepping under the horse's hoof. In such a clear night, there is a moonlight, and the sound of success can be heard. This kind of innocent and indulgent writing brings readers an extremely real feeling. "Reading these two sentences, you can feel the author's infatuation and intoxication. You can see the beautiful scenery of the quiet and clear moonlit night, and you can also see the elegance and pleasure of the literati and poet in the author.

The writing style of the whole word is natural and unrestrained, the meaning is smooth and expressive, the language is bright and direct, and the situation is movingly described. The author started from personal palace life scenes. Although it has a relatively strong aura of wealth and nobility and fails to express profound ideological content, in just one article, he vividly expresses the scene of a grand banquet. The artistic description is vivid and lifelike. The description of the scene is delicate and moving, the emotions can be seen in the metaphors, and the distance can be seen in the simple white, which fully demonstrates the author's superb artistic skills. It is "a short poem written with great grace and grace".