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What is the song at the beginning of Episode 7 of Shushan War Chronicles and Swordsman Legend?

I don’t know if you are asking about TV series or games, so I will list them all

1. Love Wu Yufei forever (opening song)

2. Forget about time Hu Song (Ending Song)

3. Never Change Blue Birds and Flying Fish in This Life (Interlude)

4. Bachelor Hu Ge (Interlude)

5. Promise not to love you Cheng Zhongji (insert)

6. Prefer Zhang Yunjing (insert)

7. I will be my Wang brothers (insert)

8. You are my one The endless song Guo Hengqi (insert)

2. Soundtrack: (composed by Mak Zhenhong)

1. Ao Xiang Wanli (adapted from Yu Jian Jiang Hu)

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2. I am me

3. Shopkeeper

4. Sleeping in separate rooms

5. Breeze sleeves

< p>6. It’s tea, not wine

7. Death

8. The Way of the Sword (Adapted from the Swordsman Jiang Hu)

9. Swear

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10. Divine Realm

11. Nightshade - Thousand Years of Waiting

12. Secret

13. Extraordinary

14. Xuejian - Falling into the Mortal World

15. Suppressing Demons

16. Five Poisonous Beasts

17. Yuan Hong as General Yunting Feipeng

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18. Demons and Gods

19. Full Moon Night

20. Love in Jianghu: Conquering Demons and Conquering Demons

21. Heart in the Heart Pain

22. The same world

23. Divine Sword

24. Death

25. Changqing - All living beings are equal< /p>

26. Sedum - Armor

27. Thunderbolt Hall

28. Magic Flute Curse

29. Still don’t understand

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30. Chonglou-Jealous Heart

31. What is love

32. I am willing to do anything

33. Love in Jianghu ***Companion to the end of the world

34. Confusion

35. Subduing the dragon

36. Benefiting the common people

37. The color of the world changes

38. Reincarnation

39. Xiaoyaoyou

The third part of the above Fairy Sword TV series

The third part of the following game

Yujian Jianghu (game menu, Yujian flying map, Tangjiabao, Yuzhou before defeating Tang disciples, leaving Shushan at the end of Flower Garden, production group ending): The theme music of "Legend of Sword and Fairy III", It shows the ease and ease of flying with a sword and overlooking the earth across the mountains and rivers. Melodious, soft and unrestrained, it highlights the theme of this work - love, desire and freedom.

Liao Luofeng (Jianzhong): After the prosperity has faded, the eyes are full of traces of history, which combine the solemnity of the old palace and the decay of the current barren tomb. Sword Tomb theme music.

Desolate Snow (Jiuding Mountain, Xueling Town): Music with Tibetan style and nomadic characteristics, mixed with a rigorous, majestic and sacred atmosphere, expressing the style of the snowy plateau. Percussion instruments are used extensively, and the rhythm is melodious and unhurried.

Desolate Snow·Variation (Fengdu, Undersea City, Shuibixi Feng): The whole piece of music is smooth and sad, naturally showing a sense of desolation. During it, there is a rhythm similar to the sound of a watch, which strengthens the bleak and desolate feeling in the music. The feeling also brings out the characteristics of the game map-Fengdu.

Xiao Seshuang (Binhua, Deyang, Penglai Evil Sword Immortal Incident, Jingjing’s death, Tang Yi poisoned Sedum, the sacrifice of the four elders): music unique to Binhua and Deyang, with faint hints of guzheng in the music The sound of Yue's playing makes the whole piece of music exude the quiet and peaceful feeling unique to a southern town.

Lost Soul Rain (the story of Xuejian’s sacrifice in Shushan, Xuejian’s sacrifice in the dream of returning souls, and Sword Selection at the Sword Tomb): The unique background music after the heroine Xuejian’s sacrifice, with a strong sad atmosphere , it also means despair.

Liuhuaihong (Bishan, Divine Tree, New Immortal Realm, Divine Tree Returns to Shushan, Xuejian Resurrection): Music of the two realms of immortals, the long melody with a hint of hesitation, gradually turns to gentleness The lyrical colors are like mist spreading out, revealing the blue sky, the sun shining through the gaps in the clouds onto the sparkling water, and the rainbow shining through the mist of the waterfall. Presenting a quiet and peaceful atmosphere.

Yue Mizong (Xuejian's exploration of Baidu Tower, night exploration of Yong'an Dang, night exploration of Leizhou Governor's Mansion, night exploration of Huangquan Road, Xuejian's stealing of the antidote, tracking of the magic sword, Wan Yuzhi's escape, and danger in the Immortal Cave , Child Time Goes to the Outskirts of the Ghost Realm, Icewind Dale Encounters the Evil Sword Fairy): The music of night scenes is humorous and cheerful, with a sense of jumping, expressing the excitement of secret activities at night, with a hint of nervousness and eagerness to try.

Zimo Mulberry Fields (Anning Village, Manzhou): The tune is as light as a pastoral song, expressing pastoral scenery and harvest scenes. It is calm and calm with the joy of harvest and longing for the future, full of poetry and vitality. .

Zimo Mulberry Field·Variations (first experience of sea of ??grass and caves)

Linjiangxian (Ship, Penglai Royal Sword Hall, Leizhou, Tianmen of the God Realm): The foundation of Sizhu in the south of the Yangtze River The music is varied and combined with percussion instruments to create an atmosphere of Taoist music. It expresses the calm and tranquil life in the illusory world of gods and the inaction state of mind without desires or desires.

Looking at the Tide (Ship, Sea, Undersea City): The theme music of the river and sea labyrinth is unpredictable, with a strong sense of mystery, the style is majestic, the structure is compact and dense, and it is expressed in the face of the huge natural force. Situations of mutual induction.

Subduing Demons (Shushan Sect): The theme music of Shushan Immortal Sword Sect expresses the solemn and majestic momentum of the first sect in the world that has access to the six realms, and is full of rigorous, majestic and sacred atmosphere. He has a sense of mission to hold a sword to defend the law and support justice.

Secret Forest Blocks the Sun (Jiulong Slope, Ancient Vine Forest): The music is based on the playing of sheng and flute, reflecting the mysterious characteristics of the primitive dense forest.

Dongtian Paradise (Penglai Labyrinth, Xingsen, Lingshan Immortal Cave, Teapot): used in cave mazes, showing the deep winding paths, lights on and off, the dripping rock drilling environment, and the creatures lurking in the darkness. Taking the well as the sky, not knowing the darkness and the new moon, living in a state of ignorance and contentment.

Purple Crow Crow (Perak Hall, Lava Hell, Binhua fights in front of the disciples of Perak Hall, the Evil Sword Immortal seizes the demon-suppressing sword, encounters Luo Rulie in Icewind Valley, encounters the Evil Sword Immortal in the Sword Tomb, and fights against evil spirits Front): Used in the flame-themed maze, with intense melody and strong rhythm. With eerie anger. The passionate melody reflects the danger and complexity of the environment. (Note: Purple Crow Crow is a red gemstone.)

Sigh of Vicissitudes (Tangjiabao, Ancient Town): A melody with the ancient style of Qin and Han Dynasties, solemn and soothing, neutral and peaceful. It expresses the lamentation of the vicissitudes of history, the rise and fall of history, and the sadness of prosperity and decline.

Sigh of Vicissitudes·Variations (Dadukou, Icewind Valley, Defeat of the Heavenly Demon Emperor)

Tiesuo Demon Suppression (Shu Mountain Battle Pass, Demon Locking Tower, Soul-Returning Immortal Dream Encounters the Evil Sword) Immortal and Evil Sword Immortal cast swords to injure Sedum, before Shushan fights Evil Sword Immortal and the Four Elders): The theme music of the Demon Locking Tower expresses a solemn atmosphere, with agencies everywhere and the longing of demons. It creates a feeling of extreme tension and danger.

Demon Sword Jue (Well of Gods and Demons, Periphery of the Ghost Realm): The theme music of the demon world, weird and strange, embodies the values ????of the demon world having no future and no past, infinite expansion in the present, no desires and no undesirables, and a sense of jumping. Strong, with the weird flavor of the game world.

Buyun Dengxian (Ship on the Yangtze River, Old Route to Shushan, Preparing for War on the Ship): The melodious tunes of Qingyue use lofty and spacious musical language to express the scene of the immortal walking in the wind, enjoying the joyful life. At the same time, it also reveals the long and difficult process of cultivating immortality for mortals.

Water Bank Wind Embankment (Zhenjiang, Anxi): A light and melodious tune, reflecting a gentle and harmonious atmosphere, a picture of Jiangnan city life of people with small bridges and flowing water, in the spring breeze. The encounter and miss of Yangliu, Zhouji and Liushui...

Chu Tianyao (trading music, pawnshop management, antique appraisal mini-games)

Sword fighting (skiing mini-games, battle music, Bishan, Jiulongpo, Dadukou): Combat music expresses a relaxed and lively combat atmosphere. It is used in battles in some cute mazes, as well as in some BOSS battles with cute shapes and low hostility.

Sword War Variations (battle music, Ship Yangtze River, Ship Sea, Penglai, Lingshan Immortal Cave): Battle music expresses a relaxed and lively battle atmosphere.

Danger (combat music, some BOSS battles): Combat music, showing dangers and difficult battles, with a strong sense of rhythm. Suitable for tense and difficult battle situations and some powerful and evil BOSS battles.

Danger·Variations (combat music, some BOSS battles): Combat music, matching the dangerous and tense battles.

Demon Sword Slaying Demons (combat music: Jiuding Mountain, Shushan Old Road, Sacred Tree, Demon Locking Tower, Lava Hell, Icewind Valley, Sword Tomb): Combat music expresses refreshing and intense battles. Use it in complex maze situations with many continuous battles to express an upright battle atmosphere.

Demon Sword Slaying Demons·Variations (combat music: Ancient Vine Forest, Well of Gods and Demons, Caohai, Huangquan Road, Undersea City, New Immortal World): Combat music, used for refreshing and intense battles.

Yumantang (Sedum theme, Yuzhou, perfect ending): Sedum theme music, lively and cheerful, with a strong sense of jumping, expresses the cheerful mood of a carefree boy and his little desire for money and treasures. Greed and satisfaction, with a relaxed yet elegant feel.

Yumantang·Variation (the first part of the perfect ending): It uses relaxed and lively tunes to set off a festive and cheerful atmosphere, with a strong sense of rhythm and strong emotional appeal.

Resurrecting Grass (Snow View Theme): Snow View theme music, a stubborn, bright and noisy girl, whose smile reveals her inner helplessness and loneliness, the conflicting struggle between longing for care and reserved self-esteem, Wan Ruo Grass in the wind.

Resurrection Grass·Variation (preceding the ending of Snow View): Using lyrical and gentle musical language, it depicts the moment when a lively girl grows into a woman, perfectly blending strength and tenderness, giving it a stronger lyrical color . Used for snowy ending.

Cinnabar Transformation (Red Sunflower Theme, First Experience in a Cave): A straightforward, brisk and slightly playful melody that outlines an image of happiness, domineering, undisguised confidence, and strong possessiveness And a little bit of a seductive feeling. The theme music of Nightshade Nightshade.

The soft sound of water (Zixuan’s theme, the end of Zixuan’s ending): Zixuan’s theme music, gentle and soothing, with a soft and maternal feeling. Mixed with multiple complex emotions such as reluctance to let go of the world, helplessness to fate, dedication to lovers, etc., it is difficult to express even the words.

The Soft Sound of Water·Variations (the first part of Zixuan’s ending): A gentle and lyrical melody, a tranquil and comfortable image, showing a tranquil state of mind that is calm and as calm as still water, with a hint of confusion faintly integrated into it. . Used for Zixuan ending.

The Green Jade Case (Lan Kui Theme): The theme music of the princess Nightshade Nightshade, gentle and hesitant, helpless, pitiful feeling, slow rhythm, classical and lyrical.

The Sapphire Case·Variations (Solanum Solanum Ending): The deepest and strongest attachment, the ethereal transcendence of reality, uses a soothing and calm melody to describe the faint sadness of separation and the longing for the future. Used for nightshade ending.

Black style (appearance of Chonglou): Chonglou theme music, with strong rhythm changes, cool and intellectual color, showing the majesty and power of the characters, and a little bit of covered tender emotions.

Love ties (Binhua Jingxue is imprisoned, Binhua Xuejian leaves, Wan Yuzhi reveals the truth, Xuejian desires Tang Yi to save Jingtian, Yunting talks to Xuejian at night, Xuejian doesn’t want to go to God The tree, the well of reincarnation saves Xuejian, Shui Bixifeng joins hands in the underworld, and the ending of Hua Ying): The tunes with a sense of confiding express the harmony and beauty of two people being happy and spiritually connected.

Yi Ni Qing (finding Xuejian outside Binhua City, the plot of the sacred tree Xiyao, and the end of Xuejian) (the only piece of music from Sword of Sword 3 that inherits Sword of Sword 2)

Reincarnation (Introduction Animation): The introductory music of the game, combined with the animation, expresses the conflicting situation and sympathy between the two people in Fei Peng Chonglou. It also has a sense of emptiness and unreality of the memory fragments of the previous life in the dream, reflecting the reincarnation of the game. theme.