On the Qin Opera music style in pipa works? Yang Fulan? Summary Qin Opera consists of two parts: singing and instrumental music, which are divided into "literary field" and "martial field". The "Literary Field" mainly accompanies the actors' singing, while the "Martial Field" mainly uses percussion to highlight the changes in movements and shape the characters' personalities. Pipa was first used as accompaniment to Qinqiang music with its rich playing skills. Since the 1980s, the creation of national instrumental music has developed vigorously. Local opera and folk music materials have become the main source of creation for artists. The singing art in opera and the rhythm in instrumental accompaniment , Qupai are all sources of creation of Chinese national instrumental solo music. The first pipa work to explore the Qin Opera music style was Yan Huichang's "Homesickness" (1980). Another very representative work is "Love on the Wei River" (1984) by pipa player Ren Hongxiang, an educator at Xi'an Conservatory of Music; pipa player Qu Wenjun is another representative of pipa works created in the Qinqiang music style. The song "Sympathy for Qinchuan" (1981) is his first work exploring this type of music style. Later, he created a series of pipa works in the Qin Opera style such as "Xiao Suo Qiu Xi" (composed in 1992), "Qin Fu" (composed in 1992), and the concerto "Soul of the Plateau" (composed in 1994). There are also many pipa pieces created by composers that explore and apply the Qinqiang music style. The pipa concerto "Blessing" composed by Mr. Zhao Jiping takes the Qin Opera brand song "Sacrifice to the Spirit" as the material, and adds the unique "bitter sound" of Qin Opera music to vividly and exquisitely express the tragic life of Sister Xianglin. It is one of the representative works of contemporary pipa concertos. "Liu Si" composed by Hong Xiang and Liang Xin, Han Lankui's pipa concerto "Qilian Rhapsody", Chen Yi's "Dian", etc. all use elements of Qin Opera. one. The use of tunes Most of the pipa works in the style of Qin Opera music draw on the various tunes of Qin Opera. The adaptation of Qin Opera tunes is used in the creation of the main melody of pipa music, which can fully reflect the characteristics of Qin Opera's phonology. two. Expression of Qin Opera phonology In the performance and creation of Qin Opera style pipa works, the instrumentalization of Qin Opera singing melody is to transform the rhythm in the tune into operable and specific expressive performance techniques. It requires the use of complex Pipa performance skills, especially the left hand. A series of performance techniques to interpret the charm of the Qinqiang opera. For example: portamento, fluttering, stress and vibrato. three. The use of Qinqiang in pipa has promoted the integration of national music and the development of opera music and national instrumental music. ?