Music is an indispensable and organic part of sound films. It involves the development of the plot, the portrayal of characters, the setting of the atmosphere, the control of rhythm and even an important factor in the structure of the entire film. However, this film element should be used with caution, because it can easily force the audience's thinking into a narrow alley, and too much film music will deprive the audience of space for independent thinking.

The music in "The Bold Women of the Tang Dynasty" is also a masterpiece worthy of attention. They appear appropriately in the scenes, adding beauty and finishing touch to the cake.

In the use of musical instruments, Chinese classical instruments such as flute, harp, three-stringed instrument, banzi, panpipe, drum, etc. were chosen. The music played is very Chinese folk music; the arrangement of the melody and the filling of the lyrics Speculating and imitating the style of the Tang Dynasty is even more ancient and interesting: some express the scenery of Chang'an in the Tang Dynasty, such as "Pingkangli in Chang'an, a romantic swamp. There are three thousand households in the small hall and twelve brothels on the avenue", and there are also heroic heroic feelings. , the farewell song "Nine Songs of National Sorrow" with an ancient flavor that travels all over the world.

In terms of background music configuration, music plays an important role in the film: the combination of flutes and drums and the semi-tone theme melody is the sad and desolate emotional tone of the entire film, arousing deep sorrow; The intermittent sound sets off the purity of Taoist temples, the tranquility of the riverside, and the ambiguity of the boat; the joyful music played in Pingkangli in Chang'an is noisy but reflects the desolation behind human society; it is also used to express the characteristics of a woman's innocent and pure heart. Background music with human voices humming.

In terms of sound, the chirping of birds and insects in Yuxuanji Mountain Residence, the sound of water and rain by the river, the sound of swords clashing with gold and stone, and even the breathing of Yu and Cui when they are having sex are all very vivid, lifelike, and expressive, attracting attention. Human entry conveys the truth of the atmosphere and emotion of the environment in the play more accurately than visuals.