What are the representative traditional musical instruments of the Miao people? There are reeds, mang tubes, night flutes, sister flutes, flutes, suonas, ancient ladles, erhus, and yueqins.

What are the traditional musical instruments of the Miao people? The traditional musical instruments of the Miao people are as follows:

Wind instruments: include reed, mangtong, night flute, sister flute, flute, suona, etc.

Stringed instruments: mostly accompaniment instruments, mainly including erhu, Gudiaoqin, Yueqin, etc.

Percussion instruments: copper drums, wooden drums and leather drums.

Lusheng is one of the ancient musical instruments particularly loved by ethnic minorities and is a must-have musical instrument in national festivals. The Lusheng is a traditional reed instrument of the Miao people and is widely circulated in the Miao area. Lusheng is a symbol of Miao culture. The performance of Miao Lusheng integrates lyrics, music and dance, maintaining the originality and simplicity of Miao history, culture and art.

The Mang Tong is a single-reed air-sounding musical instrument of the Miao, Dong, Shui, Yao and other ethnic groups. It is also called the Di Tong, Mang Tong, and Lusheng Tong. In Miao language, it is called Guodong or Dongguomu, which means tube reed pipe. In Dong language, it is called Tongbu or Dong, which means big bamboo tube. Popular in Guizhou, Guangxi, Hunan and other provinces.

Night flute, called "Liao" in Miao language, is named after it is often played at night. It is a unique single-reed air-sounding instrument of the Miao people. It is made of a knotless thin bamboo tube with a length of about 50 cm, an outer diameter of about 11 mm, and an inner diameter of about 7 mm. There are 4 sound holes at the lower end of the tube, and a mouthpiece at the upper end for vertical blowing. On the front of the mouthpiece, there is a rectangular notch for clamping the reed. The reed is mostly made of thin bamboo or reed sheets. There is a semi-arc notch on the back of the mouthpiece. When playing, the airflow enters the tube from the arc-shaped gap and vibrates the reed to produce sound. When making night flutes, the bamboos used are of different lengths and the diameters of the pipes are different, so they are also divided into high, medium and bass. However, because the flute pipe is so small, it can only be played gently, and it can blow out two octaves.

What are the traditional musical instruments of the Miao people? Miao musical instruments include wind instruments, string instruments, and percussion instruments.

Wind instruments: include reed, mangtong, night flute, sister flute, flute, suona, etc.

Stringed instruments: mostly accompaniment instruments, mainly including erhu, Gudiaoqin, Yueqin, etc.

Percussion instruments: copper drums, wooden drums and leather drums.

Lusheng is the favorite and most commonly used folk multi-part music instrument played by reed pipes among the Miao people. It consists of six bamboo tubes of different lengths and filled with copper reeds of different sizes. There are sound holes. , when playing, just press the sound hole to produce different sound effects, forming harmony and harmony.

From the perspective of playing style, the reed can be divided into four categories: one is the pai reed (also known as the set reed); the other is the large reed and the small, which have two musical scales that are two octaves apart. The mother and son reeds are composed of reeds; one type is a pair of reeds (also called unison reeds) consisting of a pair of reeds with exactly the same tone, volume, and scale; the other type is a pair of reeds composed of a pair of reeds with an octave difference between the high and low scales. and the Mangtong Lusheng composed of nine to fifteen Mangtong tubes. There are two kinds of reed instruments. One is composed of four reed instruments with four octaves: treble, alto, bass and double bass. They are of different lengths. The long one is more than ten feet long, and the short one is more than a foot long. The treble reed has six tones, the alto reed has three tones, the bass reed has two tones, and the double bass reed has only one accompaniment tone; one is composed of six reeds: extra high reed, treble, alto, bass, and double bass. The trunk of the mango tube is hollowed out or made of bamboo, and a bamboo tube with a reed is installed inside; when used, the bamboo tube is played, accompanied by the harmonies of the drum inside the tube, and the sound is low, loud, powerful and deep. A mang tube has only one note. If it is not used to play tunes independently, it can only serve as an accompaniment for the reed.

Xiaotong: a wind instrument. It is popular in the southern part of Guangxi Zhuang Autonomous Region, as well as the Miao, Yi and Yao ethnic areas in Yunnan and Guizhou provinces. Made of small bamboo, with a total length of 30-40 cm, there are 5 to 7 sound holes on the bamboo tube, and the mouthpieces are different. There are sound holes on the top and back of the Xiao tube of the Yao people. The Yi people are similar to the Miao people in that they plug a wooden stopper at the top of the Xiao tube and open a sound hole at the back of the wooden stopper. It has a soft sound and is suitable for daily entertainment.

Mang tube: also known as "Lusheng tube". There are also those written as "Mang Tong". It is a wind instrument popular among the Miao and Dong ethnic groups in Guizhou and Guangxi. Install a reed at two-fifths of the lower end of a thin bamboo tube, and then put the reed tube into a large bamboo tube as its sounding tube. The large ones are about 200 centimeters, and the small ones are about 40 centimeters. The sound is deep and powerful, and the bass is played in unison with the Lusheng.

Suona is generally popular among the Miao people in southeastern Guizhou. The style is the same as that of the Han people. In some areas, it is equipped with a tuba, with five, six and eight holes. It usually has a complete set of tunes and a strong melody.

Miao Suona: a vertical double-reed instrument of the Miao people. The appearance is the same as the suona in the Han area, but it is large in size and has a deep and deep sound. It is often used in folk wind and percussion ensembles and is a very distinctive bass instrument. It is popular in areas inhabited by Miao people such as Junlian and Hongxian in Sichuan and Weixin and Yiliang in Yunnan.

It is said that in the Qing Dynasty more than 200 years ago, opera artists changed the small suona with three zhizi, which was popular in the south, into the alto suona with two jiezi. Later, they enlarged the size of each part proportionally, and then gradually It has developed into a big suona that is now loved by the Miao people.

When playing the big suona, because the pipe body is long and the top is light and the bottom is heavy, you need to sit down to play. The performer puts his left leg on his right leg and puts the suona bowl against his left leg. The vocal range of the Suona is from bB to B1, with two octaves. There are two types of performance: single playing and group playing (multiple people playing together). It is often used in weddings and funerals. Whenever the Miao family celebrates weddings or weddings or builds a house, folk artists will beat gongs and drums and come to the door to play music. Suona tunes are rough and simple, and are most suitable for expressing deep and steady melodies.

The large suona is composed of four parts: whistle, tip, sub-stem and bowl. It is entirely made of wood and is about 120 centimeters in length.

Suonashao uses wheat straw from wild wheat (also known as oil wheat). Its picking and production are very particular. It must be picked when the wild wheat is in bud, and the wheat straw needs to be evaporated, that is, using hot air during the day. Steam it once and put it on the open ground overnight to let dew drip on it, but don't expose it to rain. It can be used after being steamed nine times before being trimmed and processed.

The tip plays the role of connecting the whistle and the sub-rod. The first rod is a suona rod, which is made of a locally produced hollow wooden stick. There are 8 (7 in the front and 1 in the back) circular sound holes on the rod, which are called the first to eighth holes from bottom to top. The distance from the first hole (the bottom hole) to the bottom of the shaft is the same as the distance from the eighth hole (the back hole) to the top of the shaft.

The suona bowl is larger and made of locally grown... >>

A traditional musical instrument of the Miao people? What are the traditional musical instruments of the Dai people? Miao: Lusheng, Mangtong, Night Flute, Sister Flute, Flute, Suona, Erhu, Yueqin, etc.

Dai: Bi, Ding

I don’t know about the others

Sheng, a traditional musical instrument of minority ethnic groups: Han

Morin fiddle

Professional luthier En He has nearly 20 years of experience in luthier making. He has specialized in studying the sounding principles and carving art of the morin guther for many years, and has accumulated rich luthier making and tuning techniques. The morin guqin he made

The workmanship is fine, the sound is mellow, and it has a real prairie style, suitable for performances in various places. His matouqin is sold at home and abroad and is deeply favored by users. Over the years, he has collected various teaching materials, playing methods, and music of Morin Khuur

and provided them to Morin Khuur users or beginners, providing everyone with convenient conditions for learning Morin Khuur.

In the hundred gardens of Mongolian national music culture, the Morinouqin is ingenious and dazzling. When you come into contact with the affectionate and euphemistic Morin Khuur, you will naturally be attracted by its pure and beautiful tone and prairie-style playing, and understand the hardworking and simple character of the Mongolian nation.

Horse

The head harp, called Morinhuer by the Mongolians, is a representative musical instrument of the Mongolian nation. Morin Khuur also has the characteristics of fine structure and easy portability: a proud horse head stands upright, a slender piano rod is connected to a trapezoidal sounding box, and the two strings are separated

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On the left and right sides of the horse's head, there are two strings tightly pulled, and a bow separated from the body. Viewed from the front, the piano body looks like a transformed bust of a horse.

The timbre of the Morinouqin is simple, rich, and very close to the human voice. When playing, sit down and hold the sound box between your legs. In the early days

the Morinouqin was mainly used as an accompaniment to epic raps and folk songs. A folk song is a piece of Morinouqin music, and the sound of the Morinouqin can be harmonized with the human voice.

Especially with the Mongolian people The combination of Wuertu Tao (long-tune folk songs) has a more charming flavor of grassland culture. With the development of society, morinouqin has entered the palace of art.

Lusheng is the main musical instrument of the Miao people. It is made of bamboo tubes and comes in different sizes. Lusheng is an ancient reed instrument with a history of more than two thousand years. It is popular among various ethnic minorities in the south, among which the Miao and Dong people are the most popular. Although the Lusheng evolved from the gourd Sheng, its appearance is no longer similar to the Sheng. It consists of a sheng bucket, a sheng tube, a reed and a trumpet. The sheng pipe is made of fir or sycamore wood

It is hollowed out and has a long body with a mouthpiece at the thin end and a hole in the middle for installing the entire pipe. The traditional Lusheng has only 6 pipes

made of white withered bamboo of different lengths. They are divided into two vertical rows in the sounding box. Each empty tube has a sound hole near the sheng tube.

There is a sound hole at the upper end of the tube. *** ***The sheng tube of the sound box is inlaid with copper reed. When playing

When playing, the airflow enters from the mouthpiece, vibrates the reed, and produces sound by pressing the hole with fingers. The tone is clear and pleasant, and has both reed and pipe tone qualities. To a certain extent, it is close to Western water pipe instruments. timbre.

The significant difference between Lusheng, Sheng and Gourd Sheng is that at the sound hole at the upper end of the Sheng pipe, there is a bamboo buzzer or buzzer, or a bamboo stick. The piece is folded into a small triangular horn. It plays a good role in phoning, enlarging the volume, making the sound loud and beautiful, and the sound is beautiful and pleasant.

Hulusi and Bawu are both Yunnan ethnic minority musical instruments. ----Hulusi has a long history, and its origins can be traced back to

to

the pre-Qin era. , it is evolved from the gourd. The structure still maintains the legacy of ancient musical instruments. The number of Xiao Guan

is exactly the same as that of the three-pipe flute. The two auxiliary pipes do not have sound holes and are exactly the same as the ancient Xiao, but they produce a continuous five-pipe sound. The degree of interval

is very similar to the ancient "Yihe Zhongsheng". However, its main tube has seven sound holes, which are very similar to the flutes of later generations, which also shows its leap in history. ----The gourd flute is often used to play folk tunes such as folk songs, and is most suitable for playing

music or dance music with smooth melody. The tunes generally have more long tones, rich chorus, and music

< p> The sound is soft and harmonious, and can better express the performer's thoughts and feelings. Among them, the six-tube calabash flute can play single tone, double tone, single melody plus sustained tone, and two

harmonic melody plus sustained tone. It not only maintains the unique timbre and style of the original instrument, but also increases the volume, expands the range, and enriches the sound color and expressiveness.

Sanxian originated from the ancient string harp, which was the main accompaniment instrument for Yuan music during the Yuan Dynasty. The structure of the sanxian is relatively simple and can be divided into three parts: headstock, piano rod and piano drum. It is composed of headstock, pegs, saddle, piano rod, drum frame, membrane, bridge and strings. Some are equipped with transposition and shifting passes. The headstock is mostly in the shape of a shovel, which is the decorative part of the three-stringed string. It is usually inlaid with bone flowers or carved patterns. There is a string groove in the middle and a peg hole on the side of the groove. The three pegs are placed there. On both sides of the headstock. The piano rod is a semicircular column, with a smooth surface that is the fingerboard of the three-stringed instrument. The upper end is glued with a mountain pass, and the lower end is square and inserted into the drum. The most striking feature of the three-stringed instrument is that the piano rod has no frets. . ......>>

What are the musical instruments of the Miao minority? The musical instruments of the Miao minority include wind instruments, string instruments, and percussion instruments.

Wind instruments: include reed, mangtong, night flute, sister flute, flute, suona, etc.

Stringed instruments: mostly accompaniment instruments, mainly including erhu, Gudiaoqin, Yueqin, etc.

Percussion instruments: copper drums, wooden drums and leather drums.

Lusheng is the favorite and most commonly used folk multi-part music instrument played by reed pipes among the Miao people. It consists of six bamboo tubes of different lengths and filled with copper reeds of different sizes. There are sound holes. , when playing, just press the sound hole to produce different sound effects, forming harmony and harmony.

From the perspective of playing style, the reed can be divided into four categories: one is the Pai Lusheng (also known as the Tao Lusheng); the other is the large and small reeds whose scales are two octaves apart. The mother and son reeds are composed of reeds; one type is a pair of reeds (also called unison reeds) consisting of a pair of reeds with exactly the same timbre, volume and scale; the other type is a pair of reeds consisting of a pair of reeds with an octave difference between the high and low scales. and the Mangtong Lusheng composed of nine to fifteen Mangtong tubes. There are two kinds of reed instruments. One is composed of four reed instruments with four octaves: treble, alto, bass and double bass. They are of different lengths. The long one is more than ten feet long, and the short one is more than a foot long. The treble reed has six tones, the alto reed has three tones, the bass reed has two tones, and the double bass reed has only one accompaniment tone; one is composed of six reeds: extra high reed, treble, alto, bass, and double bass. The trunk of the awning tube is hollowed out or made of bamboo, and a bamboo tube with a reed is installed inside; when used, the bamboo tube is played, accompanied by the harmonies of the drum inside the tube, and the sound is deep, loud, powerful and deep. A mang tube has only one note. If it is not used to play tunes independently, it can only serve as an accompaniment for the reed.

Xiaotong: a wind instrument. It is popular in the southern part of Guangxi Zhuang Autonomous Region, as well as the Miao, Yi and Yao ethnic areas in Yunnan and Guizhou Province. Made of small bamboo, with a total length of 30-40 cm, there are 5 to 7 sound holes on the bamboo tube, and the mouthpieces are different. There are sound holes on the top and back of the Xiao tube of the Yao people. The Yi people are similar to the Miao people in that they plug a wooden stopper at the top of the Xiao tube and open a sound hole at the back of the wooden stopper. It has a soft sound and is suitable for daily entertainment.

Mang tube: also known as "Lusheng tube". There are also those written as "Mang Tong". It is a wind instrument popular among the Miao and Dong ethnic groups in Guizhou and Guangxi. Install a reed at two-fifths of the lower end of a thin bamboo tube, and then put the reed tube into a large bamboo tube as its sounding tube. The large ones are about 200 centimeters, and the small ones are about 40 centimeters. The sound is deep and powerful, and the bass is played in unison with the Lusheng.

Suona is generally popular among the Miao people in southeastern Guizhou. The style is the same as that of the Han people. In some areas, it is equipped with a tuba, with five, six and eight holes. It usually has a complete set of tunes and a strong melody.

Miao Suona: a vertical double-reed instrument of the Miao people.

The appearance is the same as the suona in the Han area, but it is large in size and has a deep and deep sound. It is often used in folk wind and percussion ensembles and is a very distinctive bass instrument. It is popular in areas inhabited by Miao people such as Junlian and Hongxian in Sichuan and Weixin and Yiliang in Yunnan.

It is said that in the Qing Dynasty more than 200 years ago, opera artists changed the small suona with three zhizi, which was popular in the south, into the alto suona with two jiezi. Later, they enlarged the size of each part proportionally, and then gradually It has developed into a big suona that is now loved by the Miao people.

When playing the big suona, because the pipe body is long and the top is light and the bottom is heavy, you need to sit down to play. The performer puts his left leg on his right leg and puts the suona bowl against his left leg. The vocal range of the Suona is from bB to B1, with two octaves. There are two types of performance: single playing and group playing (multiple people playing together). It is often used in weddings and funerals. Whenever the Miao family celebrates weddings or weddings or builds a house, folk artists will beat gongs and drums and come to the door to play music. Suona tunes are rough and simple, and are most suitable for expressing deep and steady melodies.

The large suona consists of four parts: whistle, tip, sub-stem and bowl. It is entirely made of wood and is about 120 centimeters in length.

Suonashao uses wheat straw from wild wheat (also known as oil wheat). Its picking and production are very particular. It must be picked when the wild wheat is in bud, and the wheat straw needs to be evaporated, that is, using hot air during the day. Steam it once and put it on the open ground overnight to let dew drip on it, but don't expose it to rain. It can be used after being steamed nine times before being trimmed and processed.

The tip plays the role of connecting the whistle and the sub-rod. The first rod is a suona rod, which is made of a locally produced hollow wooden stick. There are 8 (7 in the front and 1 in the back) circular sound holes on the rod, which are called the first to eighth holes from bottom to top. The distance from the first hole (the bottom hole) to the bottom of the shaft is the same as the distance from the eighth hole (the back hole) to the top of the shaft.

The suona bowl is larger and uses locally grown... >>

What are the traditional musical instruments of the 56 ethnic minorities? Sheng: Han

Morinouqin

Professional violin maker Enhe has nearly 20 years of experience in making instruments. He has specialized in studying the sounding principles and carving art of the Morinouqin for many years, and has accumulated rich experience in making and tuning the instruments. The Morinouqin he makes is exquisite in workmanship and has a unique sound. Mellow, with a real prairie style, suitable for performances in various places. His matouqin is sold at home and abroad and is deeply favored by users. Over the years, he has collected various teaching materials, playing methods, and music scores of Morin Khuur to provide them to Morin Khuur users or beginners, providing everyone with convenient conditions for learning Morin Khuur.

In the hundred gardens of Mongolian national music culture, the Morinouqin is ingenious and dazzling. When you come into contact with the affectionate and euphemistic Morin Khuur, you will naturally be attracted by its pure and beautiful tone and prairie-style playing, and understand the hardworking and simple character of the Mongolian nation.

The Morin Qur, called Morinhuer by the Mongolians, is a representative musical instrument of the Mongolian nation. The Morin Khuur also has the characteristics of fine structure and easy portability: a proud horse head stands erect above, a slender piano rod is connected to the trapezoidal sounding box, and two pegs are separated on the left and right sides of the horse head. Two strings, and a bow separated from the body. Viewed from the front, the piano body looks like a transformed bust of a horse. The timbre of the Morin Qin is simple, rich and very close to the human voice. When playing, sit down and hold the sound box between your legs. The early Morinouqin was mainly used as an accompaniment to epic raps and folk songs. A folk song is a Morinouqin song, and the sound of the Morinouqin can be combined with the sound of the human voice. Especially when combined with the Mongolian Urtu Dao (long-tune folk songs), it is even more It has the charm of grassland culture. With the development of society, morinouqin has entered the palace of art.

Lusheng is the main musical instrument of the Miao people. It is made of bamboo tubes and comes in different sizes. Lusheng is an ancient reed instrument with a history of more than two thousand years. It is popular among various ethnic minorities in the south, among which the Miao and Dong people are the most popular. Although the Lusheng evolved from the gourd Sheng, its appearance is no longer similar to the Sheng. It consists of a sheng bucket, a sheng tube, a reed and a trumpet. The sheng pipe is made of fir or sycamore wood

It is hollowed out and has a long body with a mouthpiece at the thin end and a hole in the middle for installing the entire pipe. There are only 6 traditional reed pipes. They are made of white withered bamboos of different lengths. They are divided into two vertical rows. In the sounding box, each empty pipe is placed close to the sheng pipe. There is a sound hole at the top of the tube, and a sound hole at the upper end of the tube. The sheng tube of the sound box is inlaid with copper reeds. When playing, the airflow enters from the mouthpiece, vibrates the reed, and produces sound by pressing the hole with your fingers. The sound is clear and sweet, and has both reed and pipe sound qualities. To a certain extent, it is close to the sound of Western water pipe instruments. The significant difference between Lusheng, Sheng and Gourd Sheng is that at the sound hole at the upper end of the Sheng pipe, there is a bamboo buzzer or buzzer, or a bamboo piece is folded into a triangular trumpet. It plays a good ringing role, enlarging the volume, making the sound loud and beautiful, and the sound quality is beautiful.

Hulusi and Bawu are both Yunnan minority musical instruments. ----Hulusi has a long history, and its origins can be traced back to the pre-Qin era. It evolved from the gourd sheng. Transformed.

The structure still maintains the legacy of ancient musical instruments. The number of flute tubes is the same as that of the three-tube flute. The two auxiliary pipes do not have sound holes, which is exactly the same as the ancient flute. The continuous fifth intervals produced are just like the ancient flute. The "Yihe Zhongsheng" is lifelike. However, its main tube has seven sound holes, which are very similar to the flutes of later generations, which also shows its leap in history. ----The gourd flute is often used to play folk tunes such as folk songs, and is most suitable for playing music or dance music with smooth melody. The tunes generally have more long tones, rich chorus, soft and harmonious music, and can It is better to express the performer's thoughts and feelings. Among them, the six-tube gourd flute can play single tone, double tone, single melody plus sustained tone, and two harmonic melody plus sustained tone. It not only maintains the unique timbre and style of the original instrument, but also increases the volume, expands the range, and enriches the sound color and expressiveness.

Sanxian originated from the ancient string harp, which was the main accompaniment instrument for Yuan music during the Yuan Dynasty. The structure of the sanxian is relatively simple and can be divided into three parts: headstock, piano rod and piano drum. It is composed of headstock, pegs, saddle, piano rod, drum frame, membrane, bridge and strings. Some are equipped with transposition and shifting passes. The headstock is mostly in the shape of a shovel, which is the decorative part of the three-stringed string. It is usually inlaid with bone flowers or carved patterns. There is a string groove in the middle and a peg hole on the side of the groove. The three pegs are placed there. On both sides of the headstock. The piano rod is a semicircular column, with a smooth surface that is the fingerboard of the three-stringed instrument. The upper end is glued with a mountain pass, and the lower end is square and inserted into the drum. The most striking feature of the three-stringed instrument is that the piano rod has no frets. . The qingu is also called a drum or a drum head. It is a three-stringed drum sounding box. The drum...>>

Hulusi, the traditional musical instrument of the Dai people

Ancient China What are the musical instruments? my country's national musical instruments have a long history and are of various types. The musical instruments and oracle bone inscriptions unearthed in the Yin Ruins in Henan Province prove that in ancient times more than 3,000 years ago, the working people of our country created twelve kinds of musical instruments, including bells, chimes, drums, and bells. , by the Zhou Dynasty and the Spring and Autumn Period and the Warring States Period from the 11th century BC to 221 BC, the types of musical instruments had increased to more than 80 types.

my country’s ancient musical instruments are divided into eight categories according to the materials used in their production: gold, stone, soil, leather, silk, wood, gourd and bamboo, which are called "eight tones".

Gold: like chimes, cymbals

Stone: like chimes

Earth: like xun

Leather: like drums

Silk: such as qin and harp

Wood: such as Qia

Gu: such as Sheng and Yu

Bamboo: such as Xiao, flute, pipe, etc. Chi

How many musical instruments were there in ancient China? Musical Instruments

Open categories: Music, Piano, Guitar, Guzheng, Violin

――National Musical Instruments――

National musical instruments are divided into four categories: Body sound instruments ; membrane-sounding instruments; air-sounding instruments; and string-sounding instruments.

1. Body-sounding instruments

(1) Percussion body-sounding instruments: dingdong, wooden stick qin, rhyme board, kino bamboo tube, bamboo qin, gong, clang, singles , gongs, bronze drums, triangles, wooden fish, Cantonese version, xylophone, aluminum piano, etc.

(2) Mutual sounding instruments: sticks, bronze mirrors, bamboo clappers, bamboo poles, cymbals, cloth cymbals, breast cymbals, head cymbals, two cymbals, small cymbals, cymbals, big cymbals, Chai, Si Ni, cymbal, small cymbal, bump cup, bump bell, waist bell, kuosuke, bench, other stone, other stone, bone board, etc.

(3) Percussive musical instruments: pestle, bamboo pounding tube, bamboo tube, Yao bamboo tube, aga, etc.

(4) Shaking musical instruments: Lianxiang stick, Sabayi, Reba bell, Panling, Vajra bell, Yao bell, Shaman bell, shaking bell, string bell,

Bronze bells, eight-treasure bronze bells, master swords, etc.

(5) Comprehensive musical instruments: bamboo reeds, Dandao reeds, iron reeds, Xibe iron reeds, etc.

2. Membrane-sounding musical instruments

(1) Hammer-beating membrane-sounding musical instruments: big drum, paigu, Zhonglao of the Zhuang people, Yao people’s big drum, Shui people’s big drum, Shui people’s big drum, plugu, Luedou, Guanglong, Xianjiang, Yao monkey drum, Miao monkey drum, waist drum, flat drum, pig mouth drum, ginger drum, war drum, flat drum, eight-tone drum, book drum, fire drum, Rudong, small drum, Taiping drum , Rimu, Huangu, Tiigugu, Dama, Nagra, Damaru, Jiangu, Shengu, Na'egu, Dabur, Bamboo drum, etc.

(2) Membrane-beating musical instruments: Sherpa drum, octagonal drum, tambourine, dabu, yellow mud drum, changgu, Guangya, Guangtun, etc.

(3) Mixed membrane-beating instruments: tambourine (commonly known as snakeskin drum), round drum, side drum, double-sided drum, stick drum, bee drum, Wangdu, etc.

3. Air-sounding instruments

(1) Lip-vibrating air-sounding instruments: horns, copper horns, steel horns, conches, deer flutes, trombones, tubes, tubes, cloth Tomoe, wait.

(2) Vocal instruments: acacia flute, etc.

(3) Edged air-sounding instruments: Hujia, Zhuangdi, Naiyi, transverse flute, Paixiao, short flute, tube flute, nose flute, Sibuxue, eagle flute,

< p> Bone flute, Turen, Zhitong Xiao, Bulia, Bagidiudong, Liedu, Diguizhen, Kuluo, double-tube nose flute, Zhaling, Awu, Di Laono, Niwawu, Roe Deer Whistle, flute, xun, etc.

(4) Breathing instruments: night flute, dong flute, saixiao, prize, wageluo, xionglin, sunaiyi, doulu, bass doulu, pacific flute, rattle, may. Xiao, bamboo flute, bamboo bamboo flute, le rong, sister flute, double-barreled dong flute, Bo Xiaohu, Jue Zhenjie, etc.

(5) Single-reed air-sounding instruments: Bawu, Ju, Ju Xiang, Miao Di, Mang Tong, Bamboo Leaf Flute, Ma Bu, Ju Lu, Cun Di, Dong Dong Kui, Pen Guan, Da Dilong, Juduohe, Bolu, Jujian, Lilie, Liluo, Dilie, Juer, Julangbulang, Mangdi, Meidu, Qizhen, double-barreled Bawu, double-barreled 筚langdao, 筚 General, decisive, double-barreled bamboo flute, double-barreled Mabu, Fichak, Huanda, Hulusi, Lusheng, Pai Sheng, treble Sheng, alto Sheng, bass Sheng, Konoha, etc.

(6) Double-reed air-sounding instruments: Balaman, Bobo, Xijuozhen, Xiaomudi, Suernai, Changsuona, Jialing, Bolie, Miao suona, Bai suona, and Yi Suona, Bai, Leyou? Lelang, Dongba, Kuosinanyi, Shuangzhen, Changji, Double-tube muffled flute, ***, Shuanglelang, etc.

4. Stringed instruments

(1) Percussion stringed instruments: dulcimer, bamboo qin, bamboo qin, qiang, etc.

(2) Plucked stringed instruments: guzheng, Liuqin, Ruan (big Ruan, Zhong Ruan, Xiao Ruan), Guqin, butterfly zheng, Xuanqin, Jiaqin, Yatuoga, Wuxianqin, Duxianqin, five-string pipa, Naxi pipa, Huobusi, Hulei, Kaomuzi, Sugudu, Zhamunian, Danbul, Saiyitur, Biyue corbels, Dutar, Kashire Wapu, Dolangre Wapu, Rewapu, Barangzikumu, Kumuriyi, Akendongbula, band Dongbula, Yueqin, Guizhou Xianning Yi Buyi Yueqin, Yi four-stringed instrument, Miao four-string instrument Xian, Dong large pipa, Dong medium pipa, Dong small pipa, Qibuer, large sanxian, Longtou sanxian, Yi small sanxian, Lahu small sanxian, Lisu sanxian, Saiding, Zhuang sanxian, Qianshi sanxian, Yi large sanxian , Yi Zhongsanxian, Miao Sanxian, Tianqin, vertical harp, phoenix-headed harp, double-row harp, wild goose pillar harp, modulated harp, caron, bowed harp, Dabia, Dai Ding, Tuofu Xiuer, Dongbul , Fitekna, shamisen, etc.

(3) Bow-stringed musical instruments: Erhu, Zhonghu, Laohu, Gaohu, Jinghu, Banhu, Morinouqin, Bini, Yazheng, Pagoda... >>