The method of learning guzheng well 1. Reasonable arrangement of practice time is the beginning and key to effective practice.
(1) Fixed-time training: Because people's physiological functions are often controlled by biological clocks, fixed-time training can form the habit of getting excited by music at regular intervals. In this way, practitioners can quickly enter the training state, thus achieving time-saving and efficient results. It goes without saying that the so-called amateur exercise has the opposite effect.
(2) Continuity: Continuous class and practice is the only way to keep learning and making progress. Do you need one when you want to continue your interrupted study and practice? Warm up? The process can re-enter this state. This kind of learning can only waste a lot of time and greatly reduce the effect and function of learning musical instruments.
Therefore, the most time-saving way to learn guzheng is to do it no matter how busy you are at work, no matter how tight you study, no matter how tired your life is, even if your progress is slower and your practice time is less? On time? ,? Continuous? . As the saying goes:? Not afraid of slowness, afraid of standing? That's the truth.
Methods of learning guzheng well II. Clarify the purpose of the exercise.
If you want to practice time-saving and effective, you must be clear about the purpose of practice. Practicing aimlessly for hours without making progress will not only upset you, but also make you lose confidence because you doubt your ability.
So before you practice, you should calm down and think about it: what is the technical difficulty of this exercise? What problems need to be solved? What is the teacher's prompt in class? What is the ideological nature of music? Then according to your own ability and the time of this exercise, you can solve as many problems as you can. This kind of practice is much more valuable than that kind of repeated practice without purpose.
Method 3 of learning guzheng well. Learn to practice silently.
Silent practice means practicing without musical instruments. Meditation is a kind of practice method that relies on inner experience, and its effect is very amazing. Because there is no technical burden when practicing silently, you can imagine it in your mind according to the details of music, such as speed, strength and expression. This kind of practice can not only enhance the memory of music score, find out the weak links in practice, but also strengthen the understanding of music and enrich the feeling of music.
In addition, meditation practice is not limited by place and time, and can be practiced at any time. Silent practice can make your practice get twice the result with half the effort
Method 4 of learning guzheng well. Combination of visual spectrum exercise and back spectrum exercise.
When learning a song, we must clearly realize that this song, which has been played countless times, is correct. Wrong repetition can only be a bad habit that cannot be changed.
? Visual spectrum practice? In order to accurately play every note and every rhythm. ? Recite exercises? To do this? Have an answer? Show the music smartly and calmly. Therefore, it is essential to learn instrumental music and practice sight reading and memorizing music.
When you learn a song for the first time, after you have passed the silent practice before practice, you can practice the song carefully. When the visual spectrum can play the music completely, you can practice memorizing the music. In order to ensure its correctness, after being able to recite the spectrum, we should practice reading the spectrum, find out the mistakes and correct them.
Method 5 of learning guzheng well. Combination of slow training and fast training.
When practicing quick paragraphs and phrases with complicated skills, it is necessary and effective to slow down once or twice to practice slowly. However, when practicing nocturnes with uncomplicated skills, we should not consider the specific situation and adopt the method of slow training. Because, in essence, if you slow down a piece of music, it becomes another piece of specious music. After a long time, it will not only make practitioners lose their ability to understand music correctly, but also gradually weaken their initiative and sense of music performance.
The correct practice method is the combination of slow training and original speed performance. In the early stage of learning a new work, once the rhythm is completed, we should consider the correct speed requirements. Practice some phrases with complicated skills slowly to ensure the correct fingering. After the movements of the left and right hands are coordinated, you should start practicing at the original speed. Only by playing at the original speed can we really understand the music, find out the shortcomings and technical problems, and find out where we really need to practice slowly. Remember, when you are in contact, you should focus on the important and difficult points, practice the easy and difficult points carefully, and practice slowly and quickly.
The method of learning guzheng well. Practice of left-handed vibrato skills that can not be ignored.
In the performance, the pronunciation of the left and right hands is obvious, and mistakes are easy to be detected, so people often put all their energy into the plucking of the left and right hands when practicing. There is nothing wrong with this, but it is a big mistake to ignore the practice of left and right hand vibrato skills.
Is the left hand just right in guzheng performance? Yin, knead, press and slide? Is Zheng music expressive? Soul? Where is it? ? With rhyme as a consonant, phonology complements each other? It is the characteristic of guzheng music, and the application of left-handed vibrato technique largely determines the artistic level of a guzheng player. Without the use of left-handed vibrato, Zheng music lost its luster. Because the technique and expression of left-handed vibrato are not so specific and full of aesthetic attributes, it is actually the most difficult to practice the left-handed vibrato technique well. Therefore, when practicing, we must carefully consider the technique of left hand trembling, and we must not ignore it.
How to learn guzheng well? 7. Don't despise playing technology? Simple? Music or passage.
Some Zheng music works, when you look at the music score, you will know that their skills are relatively simple, so people often ignore their practice and serious analysis and research.
In fact, in guzheng music, some songs that seem to have simple playing skills are just songs with full style, characteristics and charm, which can be played carelessly? Donkey's head is not right? Yes Because these songs are generally slow, we should not only grasp the left-handed kneading method of style, but also pay attention to the accurate rhythm, the presentation of syntax, the purity of timbre and the control of strength. Therefore, when learning this kind of music, the focus of practice is only different from those fast and powerful skill exercises, and more is to strengthen the analysis of the style and expression of the music.
Methods of learning guzheng well Eight, pay attention to the training of etudes.
In the study of guzheng, people often only pay attention to playing a few tunes, but ignore the training of etudes. This is a very prominent problem for people who study guzheng.
Nowadays, due to the continuous development of guzheng art, there are higher requirements for the strength, speed, skills and music content of playing. Use music to finish the work? Our practice methods have been difficult to adapt, and the training of etudes has inevitably become an irreplaceable and important means for us to improve our playing skills. Because etudes are generally targeted, we can learn, consolidate or improve some playing skills and methods through repeated and specialized individual exercises. In addition, when training etudes, it is usually purely technical practice. Without the burden of melody and music performance, we can focus more on mastering the technical requirements such as touching angle, timbre pursuit and strength control, so the effect of technical training is particularly high. Therefore, only through special exercises can we effectively overcome the technical burden of difficult skills.
The method of learning guzheng well. Reviewing the old and learning the new is helpful to continuous improvement.
At present, among many families who have studied Zheng? Bear breaking corn? This phenomenon is very common. Many people learn the latter key, but lose the former key. Whether it is analyzed by values or measured by learning effect, it can be said that it is not worth the candle. In the process of learning, we should review old songs as an important means of continuous improvement. Reviewing old songs can not only accumulate a lot of performances for us, but also train and improve our memory ability. More importantly, through review, we can gain new experience and understanding in those old tracks, so as to continuously improve our playing skills and understanding of music.
For example, the Shandong Bantou Song Fengxiang Song, which even beginners don't care about, is a ditty with only 20 bars, but there are nearly 30 rising and falling tones in it. When we are beginners, it is generally good to master the rhythm and intonation of sliding. After having a certain foundation, we can learn from it that sliding has different speeds, and how to make the sliding process of sliding smooth, so that we can truly realize that this is an excellent sliding etude. This kind of playing ability can never be achieved overnight, and it can only be continuously improved by reviewing the past and learning new things.
The method of learning guzheng well. Adjust your mental state and learn to practice passionately.
The purpose of practice is to play, which is very different from practice. For example, when you practice at home, you can correct your practice mistakes repeatedly, but playing on the stage is completely different, and there is no chance of regret at all.
Because the players on the stage will be very excited, they are much more nervous psychologically and physically than usual when practicing. Music that is usually practiced thoroughly will often make the player's brain blank or full of mistakes because of nervousness. Therefore, in addition to creating performance opportunities on the stage, we should also pay attention to adjusting our mentality when practicing complete music, imagine ourselves playing on the stage of a concert hall, and make ourselves in an exciting performance state when practicing. Regular psychological training can not only improve the physical and psychological tension and improve the effect of formal performance, but also improve the practice effect and confidence and self-awareness due to the excited state of concentration during practice. Why not make this multipurpose thing?