The original text, translation and appreciation of "Zuiweng Pavilion" in Lesson 24, Grade 9 1 Chuzhou is surrounded by mountains. The mountains, forests and valleys in the southwest are particularly beautiful. At first glance, it is lush, deep and beautiful, and that is Langya Mountain. After walking six or seven miles along the mountain road, I gradually heard the gurgling sound of running water and saw the running water pouring out between the two peaks. This is a brewing spring. When the mountain goes around and the road turns, a pavilion with four corners tilted stands on the spring like a bird spreading its wings. This is the Zuiweng Pavilion. Who built this pavilion? It's a monk on the mountain, Ji Xian. Who named it? The satrap was named after his nickname (drunkard). The satrap and his guests came here to drink, and they were drunk after only a little drink; And the oldest, so since the number "drunkard." The meaning of drunkenness is not to drink, but to enjoy the beautiful scenery of mountains and rivers. Enjoy the joy of mountains and rivers, grasp it in your heart and pin it on drinking.
Just like when the sun rises, the fog in the Woods clears; When clouds gather, the valley looks dark; Whether it is dark or bright, the change is different. This is the scene in the mountains in the morning and evening. Wild flowers are in full bloom and have a quiet fragrance; The handsome trees are flourishing, forming a shade; The sky is crisp, the water surface drops, and hidden stones appear. These are the four seasons in the mountains. Go in the morning and return at dusk. The scenery of the four seasons is different and the fun is endless.
As for those who sing on the road with things on their backs, they all come and go to rest under the tree, say hello in front and answer later; The old man walks with his back bent, and the children are led by adults. Pedestrians coming and going are all playing Chuzhou people. Fishing near the stream, deep fish fat in the stream; Wine is brewed with brewed spring water, with a clear fragrance; Wild game and wild vegetables are placed in front of us in disorder, which is a banquet for the satrap. The fun of drinking at parties is not music; The projection is successful, the chess player wins, and the interaction between the wine glass and the wine crumbs is mixed; Those who sit up and down loudly are happy guests. An old man with an old face and gray hair sat drunk in the middle of the crowd, but the satrap was also drunk.
Soon, the sun set and the figure dispersed, and the guests followed the satrap back. The Woods are thick with leaves and clouds, and birds are singing everywhere. It is the birds that jump happily after the tourists leave. But birds only know the happiness in the mountains, but they don't know the happiness of people. However, people only know the happiness of playing with the Taishou, but they don't know that the Taishou regards the happiness of Chuzhou people as their own happiness. People who are drunk and can be happy with everyone, and who can describe this pleasure with articles when they wake up, are the satrap. Who is the satrap? It's Ouyang Xiu from Luling County.
Original text, translation and appreciation of Zuiweng Pavilion in Grade 9: poetic and picturesque —— Comments on Zuiweng Pavilion by Ouyang Xiu
His Zuiweng Pavilion is a beautiful essay. This essay is poetic and unique in style, which is really rare in China's ancient literary works.
Beautiful artistic conception. Good prose should be poetry, creating beautiful artistic conception. The so-called artistic conception, including meaning and context, is an artistic picture that permeates the author's subjective feelings. Excellent prose should have beautiful pictures, giving readers a unique aesthetic feeling and pleasing to the eye. The ideological meaning of Zuiweng Pavilion is a word of "music", which is the music in "drunkenness", like a colored line, connecting various pictures. And "the meaning of drunkenness is not wine" and "care about mountains and rivers". Indulge in trees and mountains is the author's real intention. The conception of prose is like setting up a notebook, and the author writes a beautiful "environment" according to this "meaning", so as to achieve the blending of emotion and scenery and the harmony between meaning and environment. The author describes the realm of prose from these aspects.
First, the beauty of mountains and rivers. In the author's pen, the distance of Zuiweng Pavilion is a landscape painting. There are mountains, springs, forests and pavilions. But the author does not use ink in isolation, but interweaves it together, which is both beautiful and diverse. The "magnificent" Langshan Mountain is picturesque and winding. With mountains as the background and spring all around. Shenlin Road is winding, and the spring flows winding, so "there are pavilions on the spring" here, close to the mountains and waters, showing the clearness of the mountain spring, and pavilions just stand by the spring, which means another scenery. In this way, without mountains, the brewing spring is not beautiful; Without spring, Qingshan is lonely. Without a pavilion, the mountain spring is eclipsed; With springs, pavilions are more interesting. The mountain springs depend on each other, and the spring pavilions set each other off. In a painting, there are all kinds of landscapes and pavilions, which reflect colors and form a poetic and beautiful realm.
Second, the beauty of change in the morning and evening. The author wrote about the beautiful scenery of Zuiweng Pavilion changing in the morning and evening. "The rising sun rises, flowers bloom in the forest, clouds return to the cave, changes are bright, and sooner or later in the mountains." On Dongshan Mountain, the sun shines directly on the earth. The lush forest was originally shrouded in gauze-like fog, but after the sun shone, the fog disappeared and showed a fresh green color. In the evening, as the sun sets, the cave is in complete darkness. The author vividly described the different scenery in the morning and evening. Because morning and evening are different, the tone and atmosphere of the author's pen are different. In the morning, there is a quiet and fresh breath, and at night, there is a dark image and a hazy atmosphere. The author's observation of landscape changes is thorough and meticulous, and his brushwork is like silk, and he writes different realms according to different scenes.
Third, the change of the four seasons is beautiful. The author not only wrote the scenery in the morning and evening, but also spread the pen and ink around the Zuiweng Pavilion to describe the monotonous scenery of the four seasons, the same scenery, a brushwork and a modality. What are the benefits? ! Ouyang Xiu always pays attention to the dynamic and static changes of things in this essay. Let's talk about the dynamic and static contrast between scenery and scenery first. The majestic Wolf Mountain is static, the gurgling spring is dynamic, the mountains are lush and pleasing to the eye, and the sounds are beautiful, which set each other off. "The Woods are overcast, singing above and singing below", and the silence of the trees contrasts with the singing of birds, which complement each other. Let's talk about the contrast between the scenery and the characters. "Sunset in the mountains, the characters are scattered, and the guests are smooth." The setting sun resting on the top of the mountain is its quietness, the figure moves away and returns to dusk one after another is its movement. Static scenery and dynamic people set each other off. Finally, the dynamic and static contrast between the characters. "The loser sings on the way, and the walker rests on the tree." There is singing and resting, and there is movement and silence. "All the guests are happy when they sit up and make noise. The white hair is white, and the middle one is too drunk. " In contrast to the noisy movements of the guests and the quiet silence of self-restraint, it is full of life. Due to the author's comparison in many aspects, the artistic conception of the prose is vivid and vivid, and the scenery, water color, human feelings and drunkenness are integrated into one painting, each with his own feelings.
Exquisite structure. Prose, as the name implies, should be scattered, but it is not irrelevant. Be scattered with God, scattered but not chaotic. The ingenious structure of Zuiweng Pavilion deserves serious study.
Gold thread and beading. The Drunken Pavilion seems to be messy, but it is not messy at all, although sometimes the mountains are covered with cloth, sometimes the water flows into the box, and sometimes the human feelings are vividly on the paper. The first reason is that the author has a gold thread in his hand. This golden thread is the author's subjective feelings-"music" and "music" in drunkenness. Because of this, the beginning, inheritance, transformation and combination of the article are all dominated by the ups and downs of the author's subjective feelings and experiences. Writing about mountains and rivers is to express the joy of "winning the heart"; The endless journey of tourists is written to show the joy of human feelings; It is the expression of "the joy of feasting" to write the wine-making spring as wine and set up wild vegetables and flowers. Writing songs and flying in the forest is to show the "joy of birds" and also to show the "pleasure of swimming" of satrap narcissism. I'm happy about everything, and I enjoy it. The full text is happy because of the scenery, and lyrical because of joy. In this way, writing all the way down is not a fragmented fragment, but a unified whole, just like a golden thread wearing a thousand pearls and jade, and a condenser collecting thousands of rays of sunshine. It is precisely because of a focus and a main skeleton that the dispersion of writing will be transformed into characteristics and appear calm and balanced. The more dispersed, the richer the flesh and blood of prose, the more vitality and content of prose.
The winding path leads to a secluded place. There is such a saying in "Zuiweng Pavilion": "There is a pavilion at the peak." It is appropriate to use this sentence to describe the structural characteristics of this essay. The author's writing of different scenes and colorful scenery at four o'clock in the morning can be described as ingenious and painstaking. The author put a lot of thought into writing the location of Zuiweng Pavilion. He didn't say it directly, but wrote it zigzag. At the beginning of the article, there are five layers of pen and ink, "all the mountains around Chu", one layer; "Southwest Group Peak", the first floor; Deep show "Lang", the first floor; Gurgling spring, first floor; "Pavilion with wings", first floor. The five layers of pen and ink are not evenly divided, but baked and dyed layer by layer, step by step. The third feature of the structural arrangement of Zuiwengting is to use a large lens and a long lens first, then push it into a small lens and a short lens, and finally jump into a special lens. The article begins with: "Who's the name? Taishou calls himself. " But the satrap is also "whose name"? Press the table temporarily, bury seeds, and urge people to read. It was not until the end of the article that he said, "Who is the satrap? Fuling Ouyang Xiu also. " Play the photo effect from beginning to end. For example, "Taishou Music" echoes "The Music of Mountains and Rivers", and the music comes from mountains and rivers, so Taishou Music has a basis. "White-haired, self-effacing, Taishou drunk" takes care of "Taishou and guests come here to drink, drink less and get drunk, reaching the highest age". Old age, and beautiful scenery, too drunk. Another example is "the sunset is in the mountains, and people are scattered". Because the season is late, it just takes care of the above-mentioned "returning at dusk" and concretizes this sentence. Paying attention to echo and care everywhere will make the internal structure of the article clear, rigorous and meticulous, and impeccable.
Excellent language. Zuiwengting's language is very distinctive, with beautiful style, concise words and sonorous syllables, which is perfect, with beautiful pictures and music.
First of all, the language of Zuiwengting is highly generalized and rich in meaning. The most prominent thing is that the idea of "getting drunk is not for the sake of wine" and "getting to the bottom" advocated by the author in this paper has been used by contemporary and later writers. For example, when Su Shi wrote about the scenery on the river at the turn of autumn and winter in his famous poem "Red Wall Fu", he directly borrowed the word "getting to the bottom". Moreover, due to the author's clever use of words and extensive generalization, "the meaning of drunkenness is not in wine" and "getting to the bottom" has evolved into a stable and standardized idiom, which has played its extended significance.
Secondly, the language of Zuiweng Pavilion is concise, crystal clear and fluent. This is the result of the author's good observation of things, incisively capturing the essential characteristics of things and refining them. For example, there are morning sentences, such as "Fish near the stream, the stream is deep and fish is fat" and "Brewing spring wine, spring fragrance and wine fragrance".
Although the author was influenced by parallel prose, he did not eat it, but created it, melted to the bottom of the pen and became natural. No affectation, no affectation. This makes the tongue feel smooth; Listening, I feel clear, rhythmic and musical.
Ouyang Xiu played a special role in the literary innovation movement in the Northern Song Dynasty. He swept away the flashy literary trend in the Tang and Five Dynasties and established a fresh, beautiful, vigorous and euphemistic literary style. This "drunken pavilion" is the best artistic practice advocated by his literature.
Lesson 24 Original Text, Translation and Appreciation of Zuiweng Pavilion 3 Zuiweng Pavilion is a masterpiece of Ouyang Xiu, which makes people fondle it. The most important reason is its optimistic mental outlook. At the time of writing, the background was that Ouyang Xiu failed to participate in Fan Zhongyan's political reform and Ouyang Xiu was demoted. This article was created when the author relegated Chuzhou. The main line running through the full text of Zuiweng Pavilion is the word "Le". Drunkenness and happiness are unified, "drunkenness" is the appearance, "happiness" is the essence, and writing drunkenness is for Syaraku. The composition of scenery in the article is very heavy, so it is not surprising that the word drunk has been mentioned many times. Because since you write about pavilions, you should write about the scenery of pavilions; Because the pavilion is named "Drunken Weng", I want to write the meaning of naming, which is a necessary foil. The article begins to write Langya, whether it is "hiking" or "listening to the sound of water", there is a word "music". After breaking the title sentence "the meaning of drunkenness is not in wine, but in mountains and rivers", I added another sentence, and then I understood the main line of the full text from "the joy of mountains and rivers" In the following, "the joy of mountains and rivers" is slightly expanded, and the scenes of mid-evening and four o'clock are written, and it is pointed out that "the joy is endless", which makes readers feel immersive. However, it is not surprising that everyone has experienced this kind of "fun". The connotation of "music" will deepen when people travel to Chu, have a feast with the satrap and entertain guests, because not only the satrap and guests, but also the people of Chu can indulge in the scenery, which is unusual. It is also meaningful to end this happy scene with "being too drunk", which shows the tone of "being drunk". The following is carried out from two aspects; First, write about the natural scenery around the pavilion to express the author's intention of indulging in the landscape with "endless joy"; Secondly, writing the scene of Chuzhou people enjoying the fun with the officials, trying to write the quiet life of Chuzhou people and the mode of all the guests enjoying the fun, and specially shaping the image of Taishou drunk, using this vivid genre painting to show the political clarity from the side, and also expressing the author's political ideal of "enjoying the fun with the people".
This article is also very distinctive in the use of language, which is scattered, changeable in rhythm, sonorous in tone and easy to recite. First of all, the language of this article is highly generalized and rich in meaning. The most prominent thing is that "the meaning of drunkenness is not in wine" and "getting to the bottom" initiated by the author in this paper have been used by contemporary and later writers. Secondly, the language of Zuiweng Pavilion is concise and accurate. Thirdly, the language of the drunken pavilion is cadence and sonorous. Almost all the papers end with "Ye", which is the same throughout. There is no sense of repetition, but it is ingenious and has the charm of singing and sighing.
The original text, translation and appreciation of four famous literary works in Lesson 24 of Grade 9 have attracted many anecdotes about writing. This interesting situation in the history of literature is very typical in Ouyang Xiu's Zuiweng Pavilion. An anecdote about the beginning of Ouyang Xiu's article in Zhuzi Customs Record is almost as famous as the article in Zuiwengting Ji. The story is that Ouyang Xiu's original manuscript of Zuiwengting Ji said: "At first, Chuzhou was surrounded by mountains, and all the crosses were counted. Later, it was changed, and only the words' Chu and Chu are surrounded by mountains' were said." We can really feel that the beginning of the article is concise and powerful (but later it was pointed out that Ouyang Xiu's description was not true, saying that there were no mountains except Langya. See Qian Zhongshu's View and Lang Ying's Seven Repairs. We might as well regard it as a writer's brushwork, so we don't have to worry too much about it. From Simian Mountain of Chu Ci to Heart with Wine, it can be said that it is the first part of the overall structure of the full text. It is not difficult to see that the author's brushwork is very particular. His description clues are: gradually narrowing the field of vision from the panorama, from the mountains to the "southwest peaks" of "forest and You Mei", and then to the "beautiful" Langya Mountain (Langya Mountain, ten miles southwest of Chu County, the Eastern Jin and Yuan emperors were the king of Langya, and once avoided this mountain. Ouyang Xiu's writing style, from large to small, goes deep at different levels, which helps to arouse readers' interest in being there and exploring the scenery. Further down, the author also wrote the person who built the pavilion with declarative sentences, named himself "Zuiweng Pavilion", and explained the origin of the word "Zuiweng Pavilion". It seems that Ouyang Xiu doesn't drink much, so "drink less and get drunk", but this has contributed to the whole theme of "The meaning of drunkenness is not in wine, but also in water" (having fun with the people). So the author writes that birds know the happiness in the mountains, but they don't know the happiness of people. People know the pleasure of playing with Taishou, but they don't know that Taishou is happy because he can make Chuzhou people happy, and he can be happy with Chuzhou people when he is drunk. After waking up, he can describe the happiness of Chuzhou people in the article, which is "Lu Ouyang Ling Xiu Ye".
Zuiweng Pavilion is a prose work. People who "remember" are those who are "arrogant and drunk". Therefore, when he demoted Yiling, he was "guarding his duty and not drinking". Interestingly, however, ten years later, his image in Chuzhou changed. This magical transformation undoubtedly has a realistic background, and also reflects the traces of Ouyang Xiu's ideological changes, because after that, the taste of drunkenness has become a regular theme in Ouyang Xiu's poems.
In addition, "Zuiwengting Ji" uses parallel prose in a large number, and the syntax is neat and changeable, which not only makes the article more sonorous, but also forms a unique parallel prose style.