In the following fourteen sentences, when copying music with the help of the phonology of language, various vivid metaphors are used to enhance its vividness. The big string is like rain, which not only uses the overlapping word "noisy" to describe the sound, but also uses "like a downpour" to visualize it.
The same is true of "whispering as a secret". That's not enough. "Humming, whispering-and then mixing together" reproduces the interlaced features of two melodies, such as "like a shower" and "like a whisper". If we use the metaphor of "like pouring large and small pearls into a plate of jade", the visual image and auditory image will be exposed at the same time, which is dazzling and dazzling.
The melody is constantly changing, and there are two artistic conceptions: first "slippery" and then "astringent". "Off-site" sound is light and smooth, which is like "flower bottom", and the beauty of visual image strengthens the beauty of auditory image. The sound of "choking" is sad and choked, which is like "flowing under the ice" The coldness of visual image intensifies the coldness of auditory image.
From "indifference" to "silence" is a process of "silence". The poet's quatrains of "Going into mourning and hiding deeply, silence is better than sound" describe the artistic realm with lingering sound and endless meaning, which is amazing. At this point, I thought it was over. Who knows that "sadness and dark hatred" has accumulated infinite power in the process of "the voice gradually subsided" and cannot be suppressed. In the end, just like the "silver bottle bursting", the water slurry burst, and like the "iron horse standing out", the sword roared and suddenly pushed the undercurrent of "Ningjue" to a climax.
It was only at the climax that I received a painting and came to an abrupt end. Although the song is over, the soul-stirring and soul-stirring musical charm has not disappeared. The poet takes the environmental description of "the east boat is quiet, the west is quiet, and we see the white autumn moon entering the heart of the river" as the side lining, leaving readers with a broad space with lingering charm.
Such a vivid reproduction of the ever-changing musical image makes us have to admire the author's artistic talent. But the author's talent is not only reflected in the reproduction of the musical image, but more importantly, through the ever-changing musical image, it shows the ups and downs of the pipa girl and makes a musical rendering for the following story.
Just like after the invitation, the details of playing the pipa were omitted; After the song, she also omitted the "inquiry" about her life experience, and made a transition to "soliloquy" with two sentences describing portraits: the expression of "thoughtful" was obviously related to inquiry, reflecting the contradiction between her inner desire to speak and her desire to rest.
A series of actions and expressions such as "letting go", "inserting strings", "tidying clothes", "getting up" and "smoothing her face" show her psychological activities of overcoming contradictions and freeing her mind from her chest. After soliloquy, I wrote a gripping elegy for the pipa girl's half-life experience in a lyrical style of resentment, admiration and tears, which complemented the music of Let Her Heart Share Everything with Our Heart Little by Little, and completed the image-building of the heroine.
The image of the heroine is extremely vivid and true, and it is very typical. Through this image, the tragic fate of musicians and artists who were insulted and damaged in feudal society was deeply reflected. In the face of this image, how can you not shed tears of sympathy!
Extended data:
This poem is touching, narrates events and describes characters, and is full of lyrical colors. The section of seeing guests off means "autumn wind rustling", "sad parting" and "soaking in the moon over the river", which creates a sad atmosphere for the environment. This is the first time for a pipa girl to play. When the poet described the pipa girl's playing skills and tunes, he let his feelings and hatred run through.
Self-narration is the root of "sadness and resentment", which is full of all kinds of sadness brought by past ups and downs. The poet lamented his own experience, set off his feelings with the environment everywhere, and fully described the sad feelings of wandering.
At the end of the paragraph, the sad string sound and the crying sound complement each other, which is the grief of the poet. The whole poem uses few allusions, and the language is concise and clear. Shortly after the poet's death, Li Chen wrote a poem to mourn him, saying, "The child can sing Song of Eternal Sorrow, and Hu Er can sing Pipa.