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Hua Chenyu's road to music is getting wider and wider as ignorant teenagers cross mountains and seas.

What is the most important thing for a musician?

Is it a philosophical text, a melody that has been circulating for three days, or a singer's emotional release?

But the last thing we should ignore is the spirit hidden in our bones.

These spirits went beyond the original category of music, wrote stories and blossomed beautiful flowers.

When you enjoy the wonderful singing, you will benefit a lot, let you sprout good ideas and keep your body and mind from fatigue.

Hua Chenyu entered his golden age, not only with the continuous improvement of his music level, but also with the progress of his ideological realm.

Not long ago, I wrote an article entitled: I analyzed more than 30 songs of Hua Chenyu, wrote 654.38+ million words, and summed up 654.38+02 words.

Indeed, with the deepening of Hua Chenyu's works, it constantly brings me surprises.

These music may not be popular in the street, and some people may find it inconspicuous.

Perhaps, some people don't want to take the time to understand, listen and feel.

It's hard to hear the works about "thinking" because the ears are full of saliva songs.

Music caters to all tastes, and we need a quiet ear.

Loneliness, domineering, ethereal, philosophy, personality, warmth.

The above words 12, which I summarized for Hua Chenyu, are widely distributed in his works.

However, the word philosophy is very broad.

Bullfighting, Coming, Salt of the Earth and other works. These seem to have gone beyond the scope of music and told us something like a documentary.

It is public welfare and the positive energy of appeal. Record it in songs, so that more people can care and love it.

The road in Hua Chenyu may not be smooth.

The process of crossing mountains and seas with loneliness and thorns is a reflection on oneself and the surrounding environment.

He wrote more than 50 music criticism articles in Hua Chenyu, and now his memories stand beside him like a movie.

They present various colors and express different spirits. So I can only list a few songs to briefly explain Hua Chenyu's continuous progress in music.

For Hua Chenyu, the tower of music stands tall, and the first meaningful one is Dust in Fireworks.

I am who I am, and I am who I am, just a firework that clears the dust.

This is an attitude, a positioning.

For this reason, I specially wrote an article entitled: An in-depth analysis of Hua Chenyu: semi-recluse, which stems from spiritual yearning, and he is no longer a scholar.

It seems to be a lonely song, which seems a little depressing.

And this special feeling of oppression will make you think seriously and release your feelings.

Walking in the special atmosphere created by Hua Chenyu, we have asked ourselves more than once whether what we care about is really worth caring about.

Don't rejoice in things, don't grieve for yourself.

With positioning and standards, the pace will become more and more firm in the future.

For example, Alien is not a traditional alien, but an enterprising spirit.

Another example is the "West Western jackdaw Teenager", a stubborn and free-spirited teenager.

Inject fresh vitality and be full of youthful positive energy.

This spirit includes many things.

The praise of kindness in The Gift of Cosmo makes us feel Hua Chenyu from a new angle.

Especially when this album was released, the music at that time was mostly music works of love between men and women.

Huahua's move is very bold. He is him. What he wants to express is his idea.

Lonely and miserable people kneel in front of candlelight, and inferiority and kindness blend.

Quasimodo was isolated because of his ugly face, but his heart was full of warmth.

Such a description will inevitably cause us to think.

This kind of loneliness can continue to extend, such as "I am still a few kilometers away from loneliness" and "we are all lonely". These emotions are actually widespread.

He was silent, silent; Who can understand his pain?

Every time I hear such a sound, I always get lost in thought.

Or "The Tree of God", "Coming" and "Bullfighting".

Hua Chenyu thinks from the angle of fraternity and appeals to people to be kind to life according to the present situation.

The interpretation of public welfare is absolutely meaningful.

Of course, Hua Chenyu's artistic conception goes far beyond this.

For example, the ethereal spirit of giant deer and ephemera makes us yearn for freedom and beauty.

No fighting, no fighting, no irritability and desire.

Let your heart calm down.

Or the warmth and personal feelings of "talking to children on Mars" and "I really want to love this world", few people can really understand the meaning.

However, those who found these treasures were immersed in them.

Throughout Hua Chenyu's works, we can clearly feel his progress.

This progress is not only the improvement of music level, but also a broader mind and deeper thinking.

Then, move on.

-End-

Analysis of People and Works Volume 393: Hua Chenyu's Music and the Way of Music

Writing | Xiangma Scholar