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In history, as a talented folk singer and a young soprano, what is the story of Xu Jingjing?
Xu Jingjing, teacher, soloist of Oriental Song and Dance Troupe, talented folk music performer, young soprano and famous singer.

The story brought us a concert called "For Love". This concert was held in poly theatre in 215 when she graduated with a master's degree. She studied under Professor Wang Shikui for five years as an undergraduate, and then under Professor Ma Qiuhua as a graduate student, so this is also a small summary of a small stage in her life. So look at the songs selected in it, which are also very rich. There are all kinds of songs, folk songs, some original songs of her own, and some artistic songs that she likes very much, which she thinks are very nice. One of the most basic and core contents of China's national vocal music singing should be some local folk songs, ethnic minority folk songs and operas. When they were in college, they all studied folk songs from different places, including some postures they had to learn in class and some manipulations in performance. So we mentioned such a folk song of ethnic minorities and places. At this concert, we saw a song called Bells, which we don't often hear. This song is a "Korean" folk song, and then when they usually perform, they will find that there are many particularly beautiful songs from North Korea and Japan, as well as some Indian songs from Southeast Asia, so she will choose some of these beautiful songs to learn by herself. Because this song "Bells" was a dance program in a group at that time, they danced with bells and then wore "Korean" costumes and big skirts. It's beautiful, Xu Jingjing. After seeing the program, she was deeply moved by this song, so she turned this original dance soundtrack into her own vocal music, and then won the "Golden Bell Award" in various competitions. There are also some solo concerts of her own, and she also sang this song. So it should be a little difficult for her to learn Korean folk songs, or to learn this work, at least in terms of language. But in terms of language, she feels that every singer who meets a different song, whether it is a Chinese song or a foreign song, really needs to learn from its original taste, because its language, including its vocal position, has a great influence on this song. For example, in the first few words of Bells, the lyrics are to the effect of 336. This is beautiful, beautiful, beautiful scenery of 3, miles. It is these words that she remembers when many senior students came to sing because she would be invited to class. Then she helps them to listen, because the students trained by their conservatory of music are all people who like to use high positions on it. Many of them are, but she thought, you have heard of Arirang. It's a little down, and it's a little remix. She is looking for their style of speaking and singing, so it is still different. We should learn from them, that is, from their different styles in different songs, that is, to be closer to the tone of "Korean", so this is the characteristic of every language.

During the whole concert, we also saw an art song, which is very classic, "A Answer to Li Shuyi". It is a very classic Suzhou Pingtan, an artistic song created in Suzhou Pingtan style. She remembered that this song was from 213. She participated in the CCTV Young Singer TV Grand Prix, and then she was selected into the CCTV final from Shanghai Division, and finally she was promoted to the only national vocal player. That's the song she sang at that time. She remembers that when she first learned this song, its language and writing, especially Suzhou dialect, were too difficult to learn, so she went to Cheng Guilan, the teacher of the former General Political Department Song and Dance Troupe, to learn it, because she had many old songs like "Beauty of Taihu Lake", which was very familiar to everyone and was her masterpiece. Then when she went to study in Xu Jingjing, she taught her word for word, so I (he).

There is also Three Chapters of Qingpingdiao, which is a typical one among a series of new poems and artistic songs about China written by Mr. Zhao Jiping. At that time, even if it was short, she chose to put it in the concert. What does she think? Because she listened to the original song at that time, she felt it had a special charm. Although it is short, its ups and downs of melody and the content of the song deeply touched her, Xu Jingjing. Then, she invited pipa (accompaniment) Sun Ying and bamboo flute accompaniment Hu Shuai to support her at the concert. At that time, she thought the concert was very effective. It should be said that in the past two years, Mr. Zhao Jiping has written a set of classical poems, classical themes and classical elements from our Book of Songs, including Guan Ju, which we are very familiar with, and injected them into our new artistic expression. Besides artistic songs, this group can see that she participated in an opera called Xi Shi. At the concert, I chose this opera of the National Centre for the Performing Arts in 29, which was written by Zou Jingzhi and composed by Lei Lei. Then she chose this aria "Flowers in Spring", because after watching this opera, Xu Jingjing was deeply moved by the heroine's patriotic feelings and her heroic feelings in ancient times, and then she liked this song at that time. So what's the difference between expressing the excerpts of an opera and the artistic songs we sang before?

She said that when she sang Xi Shi and Flowers in Spring, she did a lot of work on the desk of this song. She thinks that when people sing excerpts from a drama, it is not only the outline, theme and significance of the whole screenwriter story, but also the different sections and paragraphs of each song. Singing musicals is a great challenge for singers and actors. Yes, it is full. Including your figure, dancing, and then your line skills and performance, this is a very comprehensive performance. Our most accurate evaluation of musicals now is that you can see all the performances you can see on the stage in musicals. This is one of the reasons why many of our young friends are willing to pursue musicals.

actually speaking of art nouveau songs, we can see that there was another one called "bosom friend" and another one called "Zhao Jun" in her concert at that time. These two songs, bosom friends, are Li Guyi's classic aria a long time ago, that is, everyone is familiar with them and likes them very much, and so are younger generations. This song 131 is mainly its lyrics, which contains many memories of their possible youth and the background of this song at that time; Another "bosom friend" was composed by Deng Yao, her piano artistic director in Xu Jingjing at that time, and another was composed by Bao An. At that time, the first singer of this song was one of her senior sisters, and the arranger was Andy, which is also a very powerful arranger in China now. She listened to the demo of this song when she was

, and she especially liked it. Therefore, when the names of these two works are put together, they also sound very classical in China, especially Zhao Jun, which is a song with the theme of "One Belt, One Road", but it is not like the kind of crying and crying written by the older generation of artists, so the song Zhao Jun is included in the "Golden Bell Award" concert, and many people like to sing it. Xu Jingjing said that especially for their generation, it is necessary to inherit the fine traditional culture and pass it on. In fact, there is a lot of work to be done.

Then what is the appropriate song for me (him) in this concert? Of course, it is the song "I will be you when I grow up", which should be familiar to many vocal music lovers. This song was composed by Wang Yougui, and then written by Song Qingsong. She once thanked her teacher for cultivating her for many years, and thanked her alma mater for cultivating her for such a mood. When singing, she felt like crying later. Therefore, in addition to the tutors of our main business, there should be many teachers who are helpful to Xu Jingjing xu teacher. She thinks that singers still need to learn more, and teachers are very modest to learn the strengths of each family, because when each teacher has his own advantages and characteristics or his many years of experience on the stage, you are very grateful. At that time, she invited teachers Yan Weiwen, Lv Jihong, Song Zu Ying, Li Danyang and Wang Yougui, and so on. At that time, the host was Ren Luyu, who said that the concert today was comparable to the CCTV Young Singers TV Grand Prix and the judges. Hearing this guest really feels like the feeling on the judges' bench. In addition to these big coffees under the stage, there are also big coffees on the stage to help her out, as well as teacher Liao Changyong. When I came to Shanghai, naturally, our Shanghai teacher Liao Changyong cooperated with her, and she was very lucky at that time. This song was also selected by the Publicity Department of the Communist Party of China, the Ministry of Culture and the State Administration of Radio, Film and Television as the third batch of songs of "Chinese Dream" at that time, and then this song was lucky enough to be selected, called "Remember Homesickness". Therefore, this work was also reproduced in the concert. This song was composed by her lover Hu Shuai, and then was written by teacher Chen Daobin. At that time, this song was written for teacher Liao to listen to, and then he was very satisfied with this song. Then, when he was in the recording studio, teacher Liao finished recording it again, and he came out. They all felt particularly good. There was nothing to be changed. I didn't expect that such a work could be formed after recording it again, but he did. So in fact, at such a graduation concert, I believe that Mr. Liao is also very willing to be such a supporting guest. Mr. Liao also expressed his respect for his teacher, Mr. Zhou Xiaoyan, at more than one concert.