How to step on the drum of ballroom dancing in men's leading dance
The morning wind is like bathing petals like rain, when you want to dance hard against the morning light; The lights are on, and the flowers are bright. When you think through the twilight. Activities? When you look at your body; Gao Peng got together and took the wine to the wind. When you are encouraged by applause and want to show your dancing; The lights are dim and the music is playing. When you slowly enter a ballroom, you try to speak and say a few good words, and finally a lady dances for you. I think at this time, you will be elated, full of lofty sentiments, make up your mind, secretly gird your arms and dance endlessly, always want your other half to appreciate and recognize your dance steps, always want onlookers to cast envious eyes, and always want onlookers to praise you for your charming dance steps, smart dance steps and superb dance skills. But to be honest, in most cases, this has not happened, but it does. Often a song ends, or a song ends, and the person you dance with will run away. There are many reasons for embarrassment, but sometimes a lady will leave you with a seemingly simple but complicated social dance thinking question: why don't you step on the dance?
Generally speaking, drumming in music is the stress point in music, for example, drumming in sailor dance or DJ dance is the stress point, tango, drumming, dadada, drumming, drumming is the stress point, Latin dance, one, two, three A (and)-four, three A (and). In ordinary ballroom dancing, the division of labor between male and female dancers is clear. In terms of pace, men are left and women are right. In most cases, the stress point in the song requires men to step on their left foot and women to step on their right foot. But even if you follow this rule, why do people accuse you of not stepping on the right time in ballroom dancing? Mainly due to the following reasons:
Listening to the drum skills of ballroom dancing, different origins of dance creation lead to different dances.
Different types of ballroom dancing, different dancing methods, different origins and different local characteristics make it difficult for different factions to integrate and unify. Take jitterbug as an example. Although their drums are drumming, drumming, drumming and drumming, the dance method of Tianjin people is very different from that of Beijing people, and the popular three-step step in the south of the Yangtze River is also very different from that of the northern Jitba inside and outside the Great Wall. So let Yang Yi and Zhu Liping take a jitterbug. As a result, I still don't know who will say who won't step on it, especially some controversial ballroom dancing methods. Due to the historical and cultural background and popularity, the individual differences of recipients or teachers have great local characteristics when dancing. It is basically an illusion for people thousands of miles away to ensure seamless cooperation for the first time, unless everyone learns the national standard.
Listen to ballroom dancing drums. 2. Different dance music productions have an influence on the dancers' on-the-spot stepping.
Only when a piece of music is specially produced by professionals, and the drums, beats, speed, etc. In the original music, it is distinguished and deleted according to the type of dance music, but the dance music to be expressed is suppressed so that the dancers can be heard and danced. Not all songs can be used as dance music, so from this perspective, it is very difficult to learn to dance in karaoke bars. Although singing and dancing are not separated, singers are not necessarily good at dancing. That's the reason. Similarly, due to the differences in dance music, or the creator's consideration of the length and structure of dance music, there may be different considerations when suppressing dance music in order to keep what some songs must keep, and the original song must be modified, which brings difficulties to the dancers' cognition of stepping on the spot. In addition, in the internet age, many dance music in the square are downloaded from the internet, or pirated CDs and dance music are not standardized, which leads to some dancers' different understandings. It is normal to have differences, because dance and song are not a chicken that lays eggs, and there must be songs first, then dance, and songs are relatively static, while dance is ever-changing. A tango song is always beating drums and screaming. . . . Basically, this law is followed from beginning to end, but the steps of listening to songs and dancing are ever-changing, and the routines of different people are different, so naturally there are more or less differences. So when you watch a teaching video, or a ballroom dancing video, a tune comes to an abrupt end, and the dancer's steps suddenly stop. After the dance, the dancers remained motionless like sculptures, and the whole dance was described by them as seamless, tacit and natural. Those are all arts or performances, and the audience doesn't know how many times they have practiced like acrobatics. In reality, if you don't find someone,
Listen to the drum skills of ballroom dancing 3. The disharmony of dance movements leads to the difference of beat.
A dance music, the more the master dances, the more difficult the pattern, and the better the master dances. To outsiders, they don't seem to step on the spot. Similarly, two strangers are holding hands, a male dancer and a lady in a tie. If the lady's understanding is not high and she hasn't seen some tricks, she will not understand his leading gestures, so that she can't do all the necessary actions, and the two people will be uncoordinated. Generally speaking, ballroom dancing usually has advanced tricks, which are not designed according to the original drum beat. Some moves need to wait for the beat, that is to say, although the drum has been knocked. Wait for the next beat to change. For example, the commonly used patterns include the man leading the woman exploring the sea, the rhythm of the lower back, the flashing shape of the woman and so on. Other dance steps need to combine one or several stress points, such as the step in the slow third and the heavy blow in the slow third. Such a blow may take two steps, slow down by four miles, fast, fast, slow-slow, after men and women are in two places. In the first slow beat of the second xi bar, men and women put down their outer feet and kicked up their inner feet at the same time, but this slow beat made two movements, such as sailor dance and fast four-key. If you lead the lady to do a Latin action, that's not bad. After a basic step, the left hand leads the lady to turn to the right and step up, so that the lady can hold the man's right shoulder with her left hand, and at the same time, the man's right hand picks up the lady's right hand and starts to do cha-cha. Just right, just right. I'm afraid I have to beat three or four times, and then throw the lady out with my right hand to do the sea exploration mode. The man will take small steps with her right hand and pick up the lady's right hand with her left hand. Then it is incomprehensible for amateurs or people who are not deeply involved in dancing that such a just model is used in sailors' music. No wonder people want to say you; How to dance without stepping on it?
Listen to the drum skills of ballroom dancing 4. The misunderstanding of dancers leads to the contradiction of drumming.
These two dancers are strangers. As for the length of time he (she) danced before, it is not known how to dance, that is to say, the dancer who is eager to learn dance is not written on his (her) forehead. What level is unknown. Some people dance all their lives, but they always say that they dance much better. In fact, they are really dancing. The audience around her is nothing more than a few old ladies or grandfathers in their seventies and eighties. Slow three just takes three steps of uniform size and dances slowly and coherently. You can join hands with such people to dance a trick, or do something rhythmic and explore the sea. Just waiting for him to evaluate you. There are also some beginners, similar to the first-grade primary school students, who have just learned the basic steps. You have been dancing for several years, and you are a senior. You're not on the same level anymore. Dancers or beginners have a wrong understanding of drums. If you play a few tricks, you need to combine or separate drums to satisfy your dance movements. This is almost impossible. So sometimes it's not the reason why you don't step on it.
Then, how can you step on a little bit in ballroom dancing, and build as much space and time as possible for your lady to show her dancing, so that she can dance well? Here are my immature suggestions:
First, it is your compulsory course to be familiar with and master the drums in ballroom dancing.
Every piece of ballroom dancing is played after being suppressed by professionals, and the drums are very clear. If you want to dance well, you must know the category of each tune before you can dance to the music. Dancers are required to decode the drums in their minds in the shortest time, determine their ownership, and then lead the ladies to dance. This is a compulsory course for every dancer. As a musical drum, it is a traffic light that guides the dancers to dance. Without this, dancers can't dance I often see that some ladies' dance halls are slow and can't distinguish four points. She dances whatever others dance, and whoever helps her dance a song blames others for not stepping on it correctly. This is really a problem. Some time ago, I wrote an article on how to understand the drums of ballroom dancing, which was reprinted by many people online. I don't want to repeat it here. If you really want to dance well in ballroom dancing, this course is compulsory.
Second, a good attitude is the key for men to step on time and lead the dance well.
There is a problem that must be pointed out here, that is, in ballroom dancing, men are always in the dominant position. No matter how the world changes, no matter how women's social status improves, no matter how beautiful the ladies are dancing for you, if you want to dance well, you must cooperate well. If you want to cooperate well, you must follow the dancers and take them with you, so men must stand tall, and it is not up to them to decide whether they are at home or at work. It says here that they must keep their word and never leave. Taking on the heavy responsibility and asking a lady not to dance with you can only show that she is afraid of making a fool of herself and can't dance. It's normal to be rejected once or twice. It doesn't make any sense. The world is so big, it's hard to find a toad with one leg, and people with two legs are everywhere. Therefore, the revolutionary martyrs have long said: It doesn't matter if you don't dance. As long as you dance well, you will miss her and others. Some men take this very seriously, but it is really unnecessary. How can I dance well? It's not a competition, you can't get medals and bonuses, and your mentality is not good. This is why ordinary men can't dance well without stepping on the drum. Some men give up on themselves once they are shut out, and then run home and look in the mirror and ask their wives. Am I really that ugly? Some men cling to beautiful ladies like steamed buns, and some men don't want to lead ladies. When the other person's eyes drift over, they will be full of energy, disarm and flee. How can such a dreamer understand the drums in the song? Some people pay a lot of money for their favorite partners and try to bend their eyebrows and backs. I really don't know about us. I don't understand.
Third, stepping on the spot is a man's secret.
As mentioned above, due to the different division of labor between male and female dancers, male dancers have the responsibility of leading and directing, so gestures must be half a beat faster than female dancers, hands must be fast, hands must not be as soft as lambs, and they must be decisive, quick and clear, and half a step faster than her.
Fourth, find a partner.
In order to finally solve this problem, male dancers must find a female partner. This is a happy ending for an ordinary dancer from ignorance to superb dancing skills, from obscurity to criticism, from ordinary dancing to endless variety shows, which attracted applause from onlookers and finally shocked the audience. Of course, due to well-known reasons, some people don't find a partner, and some people call it dancing. In fact, they are secretive, with more partners, divide and rule, and scientific management. Some people, such as public hibiscus, are spotless and dance with their partners under the cover of ballroom or night for fear of offending others. I don't want to say much here, and I didn't want to write so much originally.