Duixie is a Tibetan. After Duixie was introduced to Lhasa from Tingri, Lazi and other places via Shigatse, it was deeply loved by people from all walks of life, especially the upper class and urban residents. As a result, it continued to flourish, and "the style of its music and dance gradually evolved. Variation, the simple rustic flavor has been reduced, and it has become more beautiful and delicate."

"Duixie" was first spread in the Yarlung Zangbo River Basin, a circle dance in the entire area from the high-lying Shigatse west to Ngari, and later gradually became popular in Lhasa. It is the earliest dance accompanied by a six-stringed harp instrument.

Inheritance value:

As a Tibetan culture and art, Ganzi tap has been passed down for hundreds of years and has made positive contributions in enriching dance forms and strengthening cultural exchanges. As a dance As a performance form, Ganzi tap has artistic appreciation value.

When excavating and sorting out folk tap dance resources, it can be traced back to the development history of the modern Kham and even the Tibetan people in Tibetan areas and the evolution of Tibetan Buddhism. Ganzi tap provides historical materials for people to study the origins of Tibetan culture.

As a dance art heritage, Garze tap has evolved and developed over a long period of time, and has formed a variety of different forms and patterns of tap. It is an important part of the cultural life of the Garze people. one.