Both headphones and speakers can be used. The following is my personal opinion.

The first stage: Play low-frequency music (I used human voices) at normal volume for 2 hours, and then switch to the maximum safe volume for 2 hours. Here's a reminder: If you can't find a low-frequency disc, you can also use pure music with a calmer melody instead, such as Richard Clayderman's "Star Serenade".

The second stage: Use the mid-frequency to highlight the track and play it continuously for 10 hours at normal volume.

The third stage: use high frequency to highlight the track and play it continuously for 10 hours at normal volume.

Stage 4: Use full-frequency tracks and play continuously for 12 hours at normal volume. At this point, most of the music cooking work has been completed, and you can enter the rest period: play your favorite music at normal volume for more than 4 hours a day. After using it continuously for 1 month, the sound burning work of the speaker is officially completed.

It can be said that the process of baking the box is relatively long, and patience is very important. But as long as you cook with the mood of appreciating music, you will naturally not feel dry and boring. Now I will start to talk about my specific feelings at each stage of cooking.

Music used in the first stage: Zhao Peng's album "Editors' Choice". Time: 4 hours.

Zhao Peng has always been known as the bass prince. His warm and magnetic bass is very approachable and his voice is not artificial. This kind of deep and deep vocal sound is very suitable for opening up the low frequency of the speaker. Be sure to use slow-paced music for the first time, even low-frequency music. In this process, Zhao Peng's relaxed and mellow tone is revealed without any modification, and the singing voice is natural and smooth. Each song can create a peaceful state of mind, especially the guitar love song "The Wind and Flowers" "Love" is even more simple and unpretentious, with ups and downs of melody, and it can't help but express the inner feelings of love. After 4 hours, I feel that the low frequency is cleaner than when I first took it out of the box. It may also be my psychological effect. After all, I am good at restoring music details, and the original sound is very pure.

Music used in the second stage: Tsai Chin’s songs "The Forgotten Time" and "The Ferry". Time: 10 hours.

This process is relatively long, and it is impossible for anyone to keep listening to the speakers. I only listened to it for an hour, and the rest was to let the speakers play these two songs in a loop until they were finished. The effect when listening to vocals is surprising. Tsai Chin's vocals appear relaxed and broad. The vocal performance is very real, the resolution is very high, and the texture of the instruments basically has no sound coloration. In general, this set of boxes can truly restore the original appearance of the music, without being tepid or hot, allowing you to truly feel that the band and singers are standing in front of you.

In the song "Forgotten Time", the beginning part of the a cappella singing, the mid-range used to burn the speakers is just right. Judging from the listening experience, the vocal restoration effect is very good. When listening to this piece of music, the layers of the vocals and the background music are relatively easy to distinguish. Generally speaking, the intermediate frequency of HI-FI boxes can achieve good results without burning it, but in order to make the box and amplifier run together well, this process cannot be omitted.

Music used in the third stage: "Opera 2" by Vitas and "Only Time" by Enya. Time: 10 hours.

The next step is to burn the treble part. When it comes to high-pitched vocals, I'm afraid no one's voice can compare to Vitas. His vocal range is beyond what can be described by dolphin sounds, it's so ghostly. If a pair of boxes can guarantee that there will be no cracking of the Vitas treble, then the high frequency part of this box is definitely remarkable.

The process this time is basically the same as the second stage. When you hear the climax of "Opera 2", the clear and full high frequency expresses Vitas' legendary five-octave range with ease, pure and clear. The sound seemed to make me surrounded by ghostly voices in The Phantom of the Opera, or like the moment when a Romanian vampire zombie crawled up. Maybe I'm over-describing it this way, but I did feel a little selfless at the time. Maybe it was because the tone was restored too realistically.

Enya’s voice is pure and flawless, pure and spiritual, and her voice is as beautiful as an angel’s breath when she utters every word. It is completely different from Vitas’s sharp and shrill high-pitched voice. After a true and natural replay, the mysterious and ethereal atmosphere of Enya's voice was completely released, like a breeze, whimpering sadly in the ears, flowing into every corner of the night. Close your eyes and let Enya's pure and innocent singing voice float gently in your heart like blue smoke, flow quietly like clear water, and let the essential purity, vastness and profundity of life in the depths of your life gently flow into your heart. I surround. . In short, this is a sound that truly resonates with the listener's heart. Since I started cooking it at night, I deliberately turned down the volume for fear of disturbing my neighbors. Maybe it would be better to hear it if I turned it up.

Music used in the fourth stage: "Vienna New Year Concert 1999". Time: 12 hours.

Now we are only one step away from the completion. Speaking of full-range repertoire, it has to be symphony. I used the CD "Vienna New Year's Concert 1999". Although it has been several years since the version performed by Maazel conducted, there are still bits and pieces of memories at the scene, especially when the old man picked up the violin and played the Paganini Waltz in person, I couldn't help but feel admiration.

The sword is everlasting, and the string rasping, vibrato, plucking, and vibrato can be played cleanly and neatly, coupled with an excellent sense of presence. The virtuosic works are very good when played back, with a sense of speed and the ability to express the mid- to high-frequency parts of the violin, which is his strength. After listening to it for about 2 hours, I felt that this HI-FI system was already operating very flexibly, and then I let it play continuously for 10 hours. I believe that the sound will be more mellow and sweet in the future.

Baking in the speakers is a process that gradually brings the speakers into a good state. It usually involves letting the equipment work continuously for a certain period of time. The sound characteristics of speakers that have not been "baked" or not "baked" enough can be described as "tight, cold, hard, and rough", while the "baked" products are mellow, smooth, and It is much more delicate, just like a new wine with incomplete fermentation compared with an old wine. Their taste is still very different. The word "煲" is used very vividly, which means that it should be carefully handled. It is not suitable to "fry", "explode", and even less "burn". Instead, it should be simmered slowly and work slowly to produce fine work. Listen to it for a few hours every day and use it naturally. After a few months, you will probably have completed the process of setting the box in and entered the stage of beautiful sound. I am impatient and don't have enough spare time. I just want to cook and enjoy listening to music as soon as possible, so I used this quick method to cook.

No matter which method is used, the process is not the main thing. The key is to be able to enjoy it and enjoy it. This is the most important thing!