Yu Hua is one of the best novelists I think. Of course, I don’t need to say that he is also the best novelist. This can be seen from the fact that his books have been translated into many languages. Yu Hua's book itself has great appeal. More importantly, his book not only narrates stories, but also constantly reveals the pain of social development in history. He is telling a tragedy, which belongs to society and everyone in it.
1. "To Live"
"To Live (New Edition)" tells the tragic life experience of Fugui, a rural person. Fugui was originally a wealthy young man, but he was addicted to gambling and eventually lost all his family fortune and became completely impoverished. His father was angered to death by him, and his mother fell seriously ill due to poverty. Fugui went to seek medicine, but was captured by the Kuomintang on the way to be a young man. After several twists and turns, I returned home and found out that my mother had passed away long ago, and my wife Jiazhen worked hard to raise their two children. Since then, more tragic fate has befallen Fugui again and again. His wife, children and grandsons have died one after another. In the end, only Fugui and an old cow are left to depend on each other. However, the old man is still alive, as if he is more free and strong than before.
2. "The Story of Xu Sanguan Selling Blood"
"The Story of Xu Sanguan Selling Blood" is a novel written by Yu Hua in 1995. "The Story of Xu Sanguan Selling Blood" depicts life in suffering with broad tenderness, and expresses people's desire to survive in the face of misfortune in the form of a fierce story. The novel tells the story of Xu Sanguan who relied on selling blood to overcome the difficulties in life and overcome the storms imposed on him by fate. However, when he got old and knew that no one wanted his blood, his spirit collapsed.
3. "Blood Plum Blossoms"
"Blood Plum Blossoms (2012 Edition)" contains five short stories by Yu Hua: "Blood Plum Blossoms", "Classical Love", "Past Events and Punishment" ", "This document is for the girl Yangliu", "Ancestors".
4. "Brothers"
"Brothers" tells the story of what happened after the encounter between two eras. The former one is a story during the Cultural Revolution, which was a story of mental fanaticism, instinctive repression and The era of tragic fate is equivalent to the Middle Ages in Europe; the latter is the current story. It was an era of ethical subversion, impetuous indulgence, and all kinds of creatures, even worse than Europe today. It would take a Westerner four hundred years to experience these two vastly different eras, but a Chinese would only need forty years to experience it. Four hundred years of turbulence and change were condensed into forty years. This is a precious experience. The link between these two eras is these two brothers. Their lives are fissioning, their joys and sorrows are erupting, and their fates are as earth-shaking as these two eras. In the end, they must reap the consequences of their grudges.
5. "Shouting in the Drizzle"
"Shouting in the Drizzle" is a classic text in the 1990s and Yu Hua's first full-length masterpiece. The novel describes the growth and spiritual journey of a young man from Jiangnan. The structure of "Shouting in the Drizzle" comes from the feeling of time, or to be precise, the feeling of time in memory. The narrator travels freely through the three time dimensions of past, present and future, and remembers the time. The fragments are interspersed, assembled, and assembled into a complete piece.
6. "A Kind of Reality"
Yu Hua once said that the three works in "A Kind of Reality" record the madness I once had. Violence and blood are everywhere in the words. Surging like a wave, this is a narrative starting from a nightmare and arriving at the nightmare. For this reason, some people thought that what was flowing in my veins was not blood, but ice
7. "Thriller"
Yu Hua's experience enabled his writing to constantly awaken his memory, He believes that such a memory does not only belong to me personally, but may be an image of an era, or the imprint of a world deep in a person's heart. It is a scar that cannot be healed... "Thriller" is one of his novels. set. "Thriller" contains three novellas by Yu Hua, representative works of Chinese avant-garde novels. "Accident" reveals the contingency and repetition of fate; "Death of a Landlord" shows the fate leading to no return; and in "Trembling", a poet who was teased by fate has no choice but to express joy in a painful way ...These stories about destiny are both realistic and inner.
8. "The Seventh Day"
"The Seventh Day" won the Chinese Literature Media Award for Outstanding Writer of the Year. Warmth and indifference, good and evil, reality and absurdity, reality and nothingness are intertwined into a fable of the times. Yu Hua writes all the kindness and sadness of the Chinese people.
9. "I am as timid as a mouse"
The book "I am as timid as a mouse/Yu Hua's Works" selects three of his short stories and short stories: "I am as timid as a mouse" "Rat", "Summer Typhoon" and "April 3rd Incident". What these works record is another life path of the author. Different from the real life path, it is possible to restore it and is accurate. Although the passage of time will make the paper yellow and the writing is unclear, every time it is republished, it takes on a new look and regains its distinctive image. These novels reflect many aspects of modernism. They embody profound humanistic care and return this concern about the human condition to the basic and simple nature.
10. "The Boy in the Dusk"
It includes the short stories "Explosion in the Air" and "Bounce" written by Yu Hua, the author of the contemporary Chinese classic "Alive", from 1986 to 1998. "The Game" "Why No Music" "Why Did I Get Married" "Appendix" "I Have No Name" "Hot Summer" "On the Bridge" "Their Son" "The Boy in the Dusk" "The Triumph of Woman" "Friends" ***12 articles.
11. "No life is a pity: Yu Hua's classic prose"
If Yu Hua's novels are world-renowned great works, then the prose is a better reflection of his art. Thoughts are closest to Yu Hua in real life. This book is a collection of Yu Hua's prose works. It is divided into three major chapters: "A Memory Comes Back", "Literature·Music·Travel" and "Living to Tell", which includes recollections and reflections on past events, unique insights into literature and music, and what is seen, heard and felt during travel. and reflection on society and history as a whole. As Yu Hua said: "This is my writing, starting from the daily life of Chinese people, passing through politics, history, economy, society, sports, culture, emotion, desire, privacy, etc., and then returning to the daily life of Chinese people.
12. "No Road Is Repeated"
This collection of essays includes "A Journey of Warmth and Mixed Emotions" "Music Influenced My Writing" "No Road "It's Repeated" three volumes. "No Road Is Repeated (2012 Edition)" includes Yu Hua's "Popular Music", "Coke and Wine", "Fear and Growth", "Son and Shadow", "Son of Consumption" and "The Birth of a Son". "The Battle between Father and Son", "Childhood in the Hospital", "In the Wheat Field", "Why I Write", "Internet and Literature", "Literature and the Nation", "No Road is Repeated" and other essays
13. ."A Journey of Warmth and Mixed Feelings"
This set of essays includes three volumes of "A Journey of Warmth and Mixed Feelings", "Music Influenced My Writing" and "No Road Is Repeated". Yu Hua's more than ten reading essays were serialized in the "Reading" magazine column. As a novelist and a reader, he uniquely interpreted the master's classic works and carefully studied their narratives, techniques, and passions. He was obsessed, excited, and yet calm. Thinking. Every time I read those great works, I will be taken away by them... It is a journey of warmth and mixed feelings! They take me away and then let me go back alone... When I come back, I know They have been with me forever!
14. "Music has influenced my writing"
"Music narratives and literary narratives are sometimes so similar; they both It hints at the aging of time and the rebirth of time, as well as the ever-changing space; they all experience the beginning of the paragraph, the ups and downs of emotions, the launch of the climax and the echo at the end. The intensity and crescendo in music are like the shades in literature; the harmony in music is like the multi-layered dialogue and description in literature; the cadenza in music is like the magnificent scenes in literature. Parallel sentences. In a word, their narratives exist reasonably because they are flowing, just like roads exist for walking.
The difference is that the path of literature seems to continue on the ground.