Chorus conductor points:
1, the chorus conductor should have the correct posture.
Be sure to master the beat point, which is the basis of command. Only when there is a beat can there be "control", and only when there is control can the value of command be reflected. The hitting point is a prerequisite for commanding actions, and it is one of the signs to judge whether there is a certain command level. Preparatory shooting, starting shooting, closing shooting, shooting in the second half, speed control, consistent pronunciation and so on are all inseparable from shooting points.
2, there must be a variety of schemas.
Command mode usually has three forms: curve, straight line and point. Curves are the foundation. Command patterns are closely related to the diversity of command languages.
3. Master the combination of point, line and surface.
Some short and jumping songs are often embellished at the beginning, which is more concentrated and powerful, and the pattern will appear "soft". Such as "Without * * *, there would be no new China", "On Taihang Mountain" and "Guerrilla Song". Many songs combine dots and lines for better effect, such as "We are Walking on the Road".
4. The concept of melody line.
In order to make the chorus feel musical, it is often necessary to run the command action according to the melody line. The melody of a song has ups and downs, and the beat position and schema composition of the conductor often flow with the melody line.
Melody lines are roughly divided into high position, middle position and low position. Middle-the gesture is in the chest range; High position-the gesture is within the range of head and head; Low position-the posture is at and below the waist.
Extended data:
Music beat classification
1/4 beat: 1/4 beat is a beat of four notes, and each bar is 1 beat.
2/4 beat: 2/4 beat is a beat of a quarter note, with 2 beats per bar, and there can be two quarter notes. Strong and weak.
3/4 beat: 3/4 beat is a beat of 4 quarter notes, with 3 beats per bar, and there can be 3 4 quarter notes. Strong, weak, weak.
4/4 beat: 4/4 beat is a beat of 4 beats per bar, which can have 4 quarter notes. Strong, weak, second strong, weak.
3/8 beat: 3/8 beat is a beat of eight notes, and each bar can be a big beat, but there are actually three beats. There can be three octaves. Strong, weak, weak.
6/8 beat: 6/8 beat is a beat of eight notes, and each bar can be divided into two big beats, but in fact, each bar has six beats and can have six eight notes. Strong, weak, weak; Second strongest, weak, weak.
References:
Baidu Encyclopedia: Music Beat