Song title: Happy Song Genre: Jiangnan Silk and Bamboo Musical style: "Inversion variation" Instruments: Erhu, pipa, dulcimer, flute, Xiao, Sheng, Ban Performance form: Ensemble Popular area: Southern Jiangsu, Music style in western Zhejiang and Shanghai: The biggest feature of Jiangnan Sizhu is its exquisite playing style. When playing in an ensemble, each instrument part is both individual and harmonious, and its polyphonic texture writing is very distinctive. Most of the music comes from folk music for weddings, funerals and temple fairs, and some are classical tunes that have been circulated among the people for a long time. Aesthetic feeling: The first variation at the beginning of the music gives people a beautiful, lyrical, elegant and clear influence. The second variation in the middle part of the music not only continues the musical mood of the first variation, but also incorporates cheerful and lively elements; The last part - the main song, forms the climax of the music, and its mood is cheerful, lively and festive. In short, he expresses the extremely joyful mood of people during the festival. Title: Sunrise Genre: Symphony Format: Trilogy Instruments: Timpani, Violin, English Wind, Trumpet, Piccolo Performance Form: Symphony Music Style: Distribution Area: United States Aesthetic Feeling: The introduction is played by the soft and weak rolling of timpani The tonic begins, the violin follows with overtones, and then the clarinet plays a slowly ascending scale, and three trumpets then join in intermittently, creating a chirping sound. Against this background of music, the flute plays two cadenzas with the characteristics of the theme music. The first line is very similar to the chirping of birds in the morning, and the second line is intended to depict the hazy morning scene.

Part one. The accompaniment music continues to maintain the atmosphere of the introduction. The British pipe is used first, and then the flute is used to play the theme music of the sunrise: the last long note of this music is repeated each time by the carillon and piano. The fragments of the theme seem like echoes coming from the canyon.

The middle part of the music shifts to the key of G major, and the ascending scale is played by the horn, then by the woodwind section and piano, and continues in the form of an ascending pattern, and then the theme melody is played by the strings. , the melody is transferred to D major and played in canon form. Then the music suddenly became bright and energetic, especially the occasional carillon sound, which was more like the twinkling light of the morning sun.

Recapitulation. The music turns to the dominant key, theme and variations. These two melodies appear in the high register in a polyphonic way. Then the melody that cuts off the music forms a complex polyphonic relationship with the theme in the middle, and then turns back to D major. tune. At this point the music gets very intense. Finally, the music stopped on the long note of the dominant seventh chord in the key of E major. At this time, the harp began to play continuously, pushing the music to a climax. We seemed to see the dazzling sun rising to the sky.

Epilogue. The main motives of each part of the theme are gathered into a polyphonic form, which appears in the full performance of the band. The music appears very active and full of joyful emotions. Finally, the music turns to presto and ends with brilliant sound.