The Girl Country appears in the fifty-fourth chapter of "Journey to the West" - Dharma Xing comes to the West to meet the Girl Country. Xin Yuan plans to get rid of the fireworks.

Plot summary:

Tang Seng and his apprentices arrived at the Daughter Kingdom. The king of the Daughter Kingdom took a fancy to Tang Seng and wanted to recruit him as his husband. Tang Seng insisted and refused to agree. Wukong asked Tang Seng to pretend to agree first and then save him later.

When the king of the daughter country was having an affair with Tang Seng, the scorpion spirit appeared and captured Tang Seng to marry him. Wukong and Bajie went to challenge, but were stabbed by the scorpion spirit's horse-killing poison. At this time, the Pleiades star officer came and killed the scorpion spirit. The four masters and disciples exchanged customs clearance documents with the daughter country and left the daughter country.

The Scorpion Spirit: is a monster that appears in the classic novel "Journey to the West". She is as beautiful as a flower. She has practiced martial arts for many years and has strong martial arts. She uses a three-pronged steel fork, breathes fire from her nose, spits smoke from her mouth, and has magical powers. It is vast and has boundless power. She had been listening to the Buddha's sermon at Leiyin Temple.

Tathagata pushed her casually, and she turned around and pricked Tathagata Buddha with the horse poison stake. Tathagata was in unbearable pain and was anxious for Vajra to take her , she is indeed in Pipa Cave near Xiliang Women's Kingdom. When Tang Seng's master and apprentice passed through the Kingdom of Daughter, she swept away Tang Seng in a whirlwind, tempting him in every possible way, hoping to make the couple happy, and repeatedly defeated the monkey and pig to join forces.

Extended information:

The creative background of "Journey to the West":

In the first year of Zhenguan (627 years) of Emperor Taizong of the Tang Dynasty, the 25-year-old monk Xuanzang from Tianzhu ( India) walking tour.

After setting off from Chang'an, he passed through Central Asia, Afghanistan, and Pakistan, going through many hardships and obstacles, and finally arrived in India. He studied there for more than two years and served as the keynote speaker at a large-scale Buddhist scripture debate, where he received praise.

In the 19th year of Zhenguan (645), Xuanzang returned to Chang'an and brought back 657 Buddhist scriptures, which caused a sensation. Later, Xuanzang's oral account of his journey to the West was compiled into twelve volumes of "The Records of the Western Regions of the Tang Dynasty" by his disciple Bianji. But this book mainly tells the history, geography and transportation of the countries seen on the road, without any stories.

When it comes to the "Biography of Master Tripitaka of Daci'en Temple in the Tang Dynasty" written by his disciples Huili and Yancong, it adds a lot of mythological color to Xuanzang's experience. From then on, the story of Tang Monk's Buddhist scriptures began It is widely spread among Chinese people.

The Southern Song Dynasty has "The Tripitaka of the Tang Dynasty's Searching for Buddhist Scriptures", the Jin Dynasty version has "The Tripitaka of the Tang Dynasty", "Peach Club", etc., and the Yuan Dynasty dramas include Wu Changling's "The Tripitaka of the Tang Dynasty's Searching for Buddhist Scriptures from the West", and the unknown person's "Erlang Shensuo" "The Great Sage Qi" and so on, all of which laid the foundation for the creation of "Journey to the West". It was on the basis of Chinese folklore, scripts and operas that Wu Chengen completed this great literary masterpiece through painstaking re-creation. ?

Wu Chengen (disputed), the author of "Journey to the West" from the Ming Dynasty, lived in the middle and late Ming Dynasty and went through five periods: Xiaozong Hongzhi, Wuzong Zhengde, Shizong Jiajing, Mu Zonglongqing, and Shenzong Wanli. The social situation in the middle and late Ming Dynasty was very different from that at the beginning of the founding of the People's Republic of China. Politically, class contradictions,

ethnic contradictions, and contradictions within the ruling class were intensifying and becoming increasingly acute; ideologically and culturally, the Enlightenment thought was rising. , the idea of ????liberating human nature was rising, citizen literature was developing increasingly vigorously, the creation of novels and dramas entered a period of comprehensive prosperity, and the sprouts of capitalism emerged economically.