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Dickas's information
Dickas p.

Paul dukas (1865~ 1935)

French composer. 1865 was born in Paris on 1 year 10, and died in the same place on 1935. /kloc-started learning music at the age of 0/3. /kloc-at the age of 0/6, he entered the Paris Conservatory of Music, where he studied piano with G Matthias, harmony with T du bois and composition with E Giraud. 1888 won the second prize for his oratorio "Willada" in Rome. 1889 military service 1 year, after returning to Paris, concentrate on writing. 1892, his overture Polec Special was a success. This work shows his creative personality, but it contains the influence of Wagner and Frank. 1896 composed a symphony in c major, inherited the lively tradition of g bizet and e laluo, and was close to l van Beethoven in profound thought. The slow movement is also reminiscent of R. Schumann. 1897 Conducted and performed his symphonic scherzo "The Magician's Disciple" for the first time in the Chinese Music Association. This is an orchestra with the theme of Goethe's narrative poems. The description and title of the music are very appropriate, the structure is rigorous and the instruments are complex. It is still the favorite program of orchestras all over the world, which influenced later Stravinsky and Debussy. His three-act opera "arianna and Blue Beard" (1907) based on maeterlinck's plays does not focus on the stage plot, but focuses on the expression of musical emotions. Its symbolism is divorced from the tradition of French romantic opera, and it ranks alongside Debussy's Prias and Melisand as modern French lyric opera. In addition, his ballet music fairy (19 1 1) is also very popular. Dickas is also a music critic. From 1902 to about 15, he kept writing for the newspaper and expressed some views on music, which attracted public attention. 1910 ~1912 is professor of orchestral music at Paris Conservatory of Music, and 1927 is professor of composition at Paris Conservatory of Music. Xian Xinghai 1930 studied in his class when he went to the Paris Conservatory of Music, which was highly valued by Dickas.

The composer of the symphonic poem The Magician's Disciple is French composer Dickas. And Dickas is the teacher of the famous people musician Xian Xinghai.

The Magician's Disciple was written by Descartes according to the narrative poem The Magician's Disciple by the German poet Goethe.

Appreciating symphonic poetry is characterized by music based on a literary work, which has a certain story and is easy to understand.

I obviously felt the shocking effect of wind instruments, especially trombone, in the scene of The Magician's Disciple.

The general process of teaching is:

The famous composer Xian Xinghai → Descartes, his teacher → magician's disciple → symphonic poem → story → Goethe → How to show different scenes (student dialogue) → Musical instruments → Listening to music → Explaining in sections → Appreciating with pictures → Students' feelings and understanding → Summarizing and emphasizing.

Dickas (1865— 1935) is a French composer. 1 866 65438+1October1was born in Paris,1May 935 17 died in the same place. /kloc-started learning music at the age of 0/3. /kloc-at the age of 0/6, he entered the Paris Conservatory of Music, where he studied piano with G Matthias, harmony with T du bois and composition with E Giraud. 1888 won the second prize for his oratorio "Willada" in Rome. 1889 served in military service for one year, and concentrated on writing after returning to Paris. 1892, his overture Polec Special was a success. This work shows his creative personality, but it contains the influence of Wagner and Frank. 1896 wrote a symphony in c major, which inherited the lively tradition of g bizet and e larro and was close to l van Beethoven in profound thought. The slow movement is also reminiscent of R. Schumann. 1897 Conducted and performed his symphonic scherzo "The Magician's Disciple" for the first time in the Chinese Music Association. This is an orchestra with the theme of Goethe's narrative poems. The description and title of the music are very appropriate, the structure is rigorous and the instruments are complex. It is still the favorite program of orchestras all over the world, which influenced later Stravinsky and Debussy. His three-act opera arianna and Blue Beard (1907), which was adapted from maeterlinck's play, focused on the expression of musical emotion, not the stage plot. With its symbolic technique, it broke away from the tradition of French romantic opera, and ranks as the double wall of modern French lyric opera with Debussy's Priya and Melisand. In addition, his ballet music fairy (19 1 1) is also very popular. Dickas is also a music critic. From 1902 to about 15, he kept writing for the newspaper and expressed some views on music, which attracted public attention. 1910-1912 is professor of orchestral music at Paris Conservatory of Music, and 1927 is professor of composition at Paris Conservatory of Music. From 1930, Xian Xinghai studied in his class, which was highly valued by Dickas.