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The influence of traditional ethnic music on modern pop music

The influence of traditional ethnic music on modern pop music

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Chinese national instrumental music has a relatively far-reaching history. In the process of creating modern pop music, if instrumental elements are combined with modern music, the true meaning of the music can be reflected.

At present, the times are constantly developing, and modern pop music is gradually beginning to rise in our country. However, the development time is very limited, and the technology and style of modern pop music are not so mature. This article mainly conducts a specific analysis of the impact of Chinese traditional ethnic music on modern pop music. It is hoped that more musicians can realize the indispensability of traditional ethnic music styles in the pop music trend and integrate them in future music creations. Elements of traditional folk music.

1. The status of my country’s national music in the current music stage

National music is widely used and highly valued. National music is a kind of traditional folk music in my country. Its music style and music form are deeply loved by the masses. It can be said without shame that national music is a symbol of the characteristics of the Chinese nation and a national treasure. It should be valued and loved by the people. At the same time, we also need to continue to carry it forward. China is a multi-ethnic country, and each ethnic group has different musical characteristics. For example, the music of Tibet is both high-pitched and broad, and the music of the Qinghai-Tibet Plateau is high-pitched. This kind of music with national characteristics that is closely related to people's lives can easily make people like it. The playing style is also constantly changing in the national musical instruments. The form of folk music ensemble can only be performed with the national musical instruments in the past. Now the national musical instruments are cooperated with the musical instruments of various countries and combined into large bands. The existence of national musical instruments It is unique. According to the various characteristics of national musical instruments, music creators will arrange pop music with a more musical soul.

2. The influence of national music elements in modern pop music

At present, in the process of creating pop music, national music elements provide good materials, combining two different The music is perfectly combined, which not only enriches the connotation of pop music, but also promotes the development of pop music. The elements of national music are introduced below.

1. Elements of vocal music

China has very rich elements of national vocal music and various artistic characteristics of the excellent Chinese culture. If you combine ethnic and popular music, you can add a variety of cultural elements to pop music, and the cultural context of the music will be different, which will play a certain role in arousing the audience's excitement.

2. Instrumental elements

Chinese national instrumental music has a relatively far-reaching history. In the process of creating modern pop music, if instrumental elements are combined with modern music, the music can be reflected the true meaning of. For example, the song "Chrysanthemum Terrace" uses two traditional musical instruments, Pipa and Jinghu, during the performance, which adds artistic conception to the music itself and allows people to feel the subtleties of national instrumental music.

3. Folk art elements of opera

In Chinese opera, there are many different types of folk art elements, and each type of opera has its own unique flavor. At present, popular music is still very monotonous, but in order to change this factor and incorporate elements from opera into it, it can meet the needs of the audience. In the song "The Drunken Concubine", the creator has well integrated opera into it. During the music process, the audience can have a good understanding of the beautiful situation and let more people have a better understanding of our country's opera art. understanding.

3. Integration of ethnic music into modern music

In recent years, many creative musicians have integrated traditional ethnic music into modern pop music. The specific ways of integration are mainly There are four types. First, in the process of creating popular music, add elements of opera and folk art, which not only enriches the music itself, but also brings extraordinary enjoyment to the audience; second, combine pop music with distinctive local folk songs, such as , the song "Kangding Love Song" attracted many listeners in this way, which not only allowed people to understand the local traditional culture, but also allowed the listeners to experience the charm of music fusion creation; thirdly, in the process of pop concerts, The performance of ethnic instrumental music is indispensable. This combination has a strong appeal to the broad audience and allows them to truly enter the music; fourth, the music of ethnic minorities must be combined with modern pop music.

4. The impact on modern music creation

1. The forms of popular music have become diversified

Nowadays, the forms of popular music in our country are diverse, and most of them The songs were gradually forgotten by people due to their lack of characteristics. Facts show that disappearing into the altar of pop music is the destined end of these music.

In order to prevent this cycle phenomenon from occurring, music creators began to use various elements to create distinctive music. For example, in "The Voice of Chinese Dream", many contestants have incorporated national music. These fresh elements have brought new impetus to modern music and made the music fuller.

2. Make modern music more fulfilling

During the performance, national music is unpredictable, sometimes rough and sometimes quiet, and the music styles in various places are not based on traditional music models. . Each national musical instrument can reflect a different style, including high-spirited, happy, and sad. The use of different musical instruments in each song can reflect a different style, allowing the audience to feel the heritage of traditional Chinese culture. Rich national culture runs through traditional national music, and humanities and arts are closely related to it. With the gradual development of history, the forms of national music began to enrich. In this way, music creators began to integrate elements of different ethnic groups into pop music, which not only made modern pop music grow more fully, but also carried forward China's traditional national culture. Our country's traditional ethnic music has its own unique characteristics and profound and complex characteristics. Therefore, whether you are a music veteran or a newcomer, you need to work hard to continuously explore and grow on the road of music creation.

References:

Wang Lei. National music elements in Chinese pop music [J]. Cultural Education Forum, 2012(23): 2.

Extension : Detailed explanation of paper format requirements

Paper format requirements

(1) The full text must be submitted, and the manuscript must be typed in Word. The word count should not exceed 5 words.

(2) It should be complete and concise, with pictures, curves and tables involving the main points indispensable, and the text should have a "conclusion" part. If the content of the manuscript is unclear or the article is too long, the editor has the right to delete it.

(3) Please arrange the paper structure in the following order:

1. Headline (first line): three black fonts, centered.

2. Name (second line): small three-character regular script, centered.

3. Author’s unit or mailing address (third line): Arrange in order of province name, city name, and postal code, in small three-character regular script.

4. Keywords. 4 keywords need to be listed in small three-character regular script font. The first keyword should be the name of the secondary subject. The subject classification standard follows the national standard; after the keywords, please list the registration number of the author's individual member of the national society affiliated to the China Association for Science and Technology

5. Text. Small size 4 Song font. The units of measurement used in this article are all in accordance with international standards or national standards and are written in English, such as km2, kg, etc. Years, years, months, days, and numbers in the text are always expressed in Arabic numerals.

See the table below for the styles of titles, figures, and tables at all levels in the text:

Tables; title style

Title level font size format instructions

The title of the first-level title, number 3, is marked with the Song Dynasty in the center.

The title of the second-level title, number 4, has 2 characters in bold and left blank, with a single line of Chinese characters plus a pause, such as "一,"

The third-level title has 2 characters in imitation of Song font size 4 with left space, and Chinese characters occupying a single line plus brackets, such as "(一)"

The fourth-level title has 2 characters in small 4-size boldface with left space, and Arabic numerals occupy a single line. The lower dot, such as "1."

The fifth-level title is a small four-size Song style with 2 characters on the left and 1 character on the right. Arabic numerals are added to the text in brackets, such as "(1)" is allowed Untitled paragraphs

Figures, tables, notes and reference styles

Description of content font size and format

Figure title number 5 is arranged in Song style under the figure, centered, single The figure numbers are arranged in serial order, such as "Figure 1; Figure 2"

The figure annotation is under the title of the figure in Song Dynasty in small number 5, centered, followed by the serial number and arranged in serial order, such as "1."; "2."

Table title No. 5 is in boldface and is in the middle of the table. The unit of measurement can be followed by a slash. The combined unit needs to be added in brackets, such as "Table 2 Maximum power/kW of several engines" "Table 5 Speeds of Several Vehicles/(km/h)" The table serial numbers are sorted according to the flow, such as "Table 1", "Table 2"

The small number 5 in Song font at the top of the table column is in the center of each column, and the measurement The unit format is the same as above

Figures and texts/tables should be written in Song style in small size with 1 word before the first line. Punctuation can be used in the paragraph, but no punctuation is needed after the paragraph

6. References. There must be references. The 4-character "References" should be used as the title, with five black fonts, centered, and other fonts with Wu Song. Name, year and month of publication, page number (if there are more than two authors, separate the authors with commas)

(2) Journal: author name. Article name. Journal name, year, volume (issue), page number .

7. Author introduction. Please include the author introduction in five black fonts from the left, followed by the author introduction font. Within 1 word, include name, name of the national society you participate in, individual member registration number of China Association for Science and Technology, work unit, telephone number, fax, e-mail, etc.

Extension: The inheritance and development of traditional ethnic music culture

1. Foreword

China’s ethnic folk music is an important part of the world’s ethnic music and is also A treasure of our country’s traditional culture. According to statistics, there are about 300,000 folk songs collected so far. National music plays an extremely important role in my country's traditional culture and also has an important historical position.

2. Understanding of National Music

National music exists as part of my country’s traditional national culture. National music comes into being with the existence of a nation. It changes not only due to changes in the means of life, customs, and natural conditions, but also changes under the influence of national politics and historical background. Because of their own beliefs, living habits, and customs, especially social groups with the same language, each ethnic group will form a national culture in a specific area that adapts to the social environment and natural environment. Therefore, the formation of national music has its own specific national characteristics.

3. Inheritance of traditional national music culture

Chinese writing has a history of more than 5,000 years, but the history of music can be traced back even further. The bone flute is the earliest musical cultural relic currently possessed by our country, with a history of 7,000 to 8,000 years ago. Traditional ethnic music culture includes folk art music, folk songs, dance music, opera music, etc. According to statistics: there are thousands of types of folk songs, 1,500 varieties of folk dance music, more than 200 types of opera music, and more than 300 types of folk art music. Colorful traditional music constitutes a valuable asset of Chinese traditional culture. Wealth, precisely because of the diversity of types and forms of traditional Chinese folk music, it has become a wealth of traditional music culture that no other country can match.

The thinker Dong Zhongshu once pointed out: "Happy people change people's customs and customs. It is also easy to change people, and it is also effective to transform people. Therefore, the sound comes from harmony and is based on emotion, connected to the skin, and the taste is in the bone marrow." That is, Through "harmony of voice" and "harmony of heart", "political harmony" and "harmony" can be achieved. For the Chinese, music comes from the heart, is an expression of the human spirit, and has a profound impact on anyone's soul.

4. Briefly describe the history and current situation of the national music culture of Maguan County

The national music of Maguan County has a long history and is known for its tradition. It is recorded in many chronicles and classics of Yunnan Province and prefectures and counties. Ni Tui, a historian during the Qianlong period of the Qing Dynasty, wrote in "Dian Xiaoji Lusheng": "In Song Dynasty (964-968), he paid tribute and summoned him. He asked about geographical customs and ordered him to perform a native dance. One person played the ladle sheng, which was called Shuiqu. , that is, the Lusheng. "In the old days, Maguan was the county of Jinsang County. The Lusheng dance mentioned in the article is still danced by the Miao people today. The "Kaihua Prefecture Chronicles" published by the Qianlong Emperor of the Qing Dynasty records that the Nong people "married privately through singing, and then discussed finances with their parents." This custom is very common among the Nong people of the Zhuang ethnic group in Maguan.

The national music culture of Maguan County has been inherited and developed with the care of the party and the government. Every time they go out on the streets or during festivals, compatriots of all ethnic groups in the county sing folk songs and play ancient music, which has been a spectacle that has lasted for decades. Music workers in Wenshan Prefecture have collected many precious folk music materials. And on this basis, he created batch after batch of excellent musical works. For example, the Miao song "Huashan Ballad", which was very influential in the province in the 1980s, was composed using elements of Miao folk songs from Maguan. It won the national song composition award for "Singing Beautiful Yunnan". It spread to the United States, Guyana and other countries on the other side of the ocean. The Dai music in Maguan is completely different from the Dai music in Xishuangbanna and Dehong. It has a unique style and is called "peculiar mountain Dai music".

5. Innovate national music culture on the basis of inheritance

Traditional folk culture is ancient, but it is fragile in the face of the advanced scientific world. Under the influence of increasingly developed modern civilization, traditional culture is often unable to resist the impact of powerful modern communication media. Many traditional customs and handed down arts quietly withdrew from the stage of history under this background. Therefore, national music culture should innovate on the basis of inheritance. Especially in today's globalized cultural context, a healthy cultural ecology should be "diversified, constructive, and endless." Only when traditional civilization and contemporary background are organically integrated, rooted in the cultural soil of this nation, with me as the main subject and for my use, can the cultural innovation of the Chinese nation be realized, and the national music culture become a kind of music that can be enjoyed by people. culture, thereby gaining people's recognition and promoting the development of national music.

The development and changes of the times affect the update of the audience’s musical aesthetic concepts. They demand that national folk music rise to a new level. This is the combination of national folk music and modern music expression techniques. Composers strive to be innovative in their programs and create works with a modern style based on national and folk music.

6. Conclusion

Ethnomusicology is a discipline that combines ethnology and musicology. As Merriam emphasized, “Ethnomusicology usually consists of music and music. Ethnology consists of two different parts. It can be considered that its main task is not to emphasize either side, but to adopt a characteristic method that takes both sides into consideration and integrate them. "So, we must use a cultural perspective. , anthropological methods to study ethnomusicology, and use cultural perspective and global perspective to conduct ethnomusicology research. Ethnomusicology has its own special research methods. These understandings are correct, and it is precisely because ethnomusicology has such Only the special methods define its research fields and objects, that is, the objects and fields suitable for research using these methods. Therefore, the research objects of ethnomusicology are not infinitely broad, but can and must be delimited.

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