Life is full of vegetation and autumn is the song "Everyone grows old sometimes".

"Everyone Gets Old" is a new MV sung by Wang Xi. On November 16, 2016, it was broadcast for the first time in the newly created songs with the theme of the Chinese Dream on CCTV-3 "China Music Television". The work is composed by Hong Bing and lyrics by Shi Shunyi. On April 13, 2017, Wang Xi, the singer of this song, was a guest on the CCTV talk show Art Life and sang "Everyone Gets Old" live.

Lyrics: My old father is very lonely, so I often have a drink with him. My old mother is very lonely, so you always have to take a walk with her. The grandpa next door walks slowly, and I often have to smile and nod. When a strange mother-in-law falls to the ground, you always step forward to help her. As the saying goes, life is full of grass and trees. Who doesn't have time to grow old? Maybe I am 18 or 19 years younger today.

Perhaps you are full of energy now, but have you ever thought about whether twenty years from now, thirty years from now, or fifty years from now, my temples will be stained with frost, and your hair will be white as snow, would you like a warm heart? Does the human heart have a pair of supporting hands?

The creative background of "Everyone grows old"

The lyrics directly face the problem of aging. Loneliness and lack of care are not problems faced by individual elderly people, but by society as a whole. A problem faced. The pace of social development is getting faster and faster, and people who are in a hurry often tend to ignore the people around them, and practicing filial piety is something that cannot be delayed. Composer Hong Bing said that the issues raised in the song are very representative and that everyone will feel and scream after listening to it.

Aging is a relatively heavy topic, and Hong Bing chose a three-beat format to express it, making people feel more relaxed when listening. The melody of the previous verse is simple and has a sad beauty. In the chorus part, the melody goes up and down, in a cycle, with both the high-spiritedness of youth and the low hesitation of growing old.

At the end of the chorus, Qie Jun’s question is raised: Twenty years later, thirty years later, fifty years later, the tone gradually becomes stronger, and at the end it smells like a shout, with the intention of warning the world.