1. Read the music carefully. For beginners, the first thing to do is to read the music correctly. The correctness of reading music is the prerequisite for smooth practice and performance of music. Every note, the duration of the rest, and every musical term marked by the composer in the score contains profound thoughts. The composer also strives to accurately convey musical information to the performer through notation. For beginner pianists, their cognitive ability is limited, which will inevitably lead to some omissions in reading music. This requires the patient guidance of piano teachers to help them understand the various markings on the shop: the notes What is the position of the time value on the keys; what fingering should be used to play; what speed and strength to use; what expression marks are on the shop; where are the rests, how long are the rests; what are the requirements in sound and syntax, etc. Only by correctly reading the information such as clefs, time signatures, notes, rests, tempo marks, various emoticons, and other explanatory symbols provided on the screen can we enter into orderly in-depth analysis and actual sight-reading.

2. Score shape memory. Score shape memory is the main basis for using music scores as memory. Every shop floor has its own unique "shape". In the process of repeatedly looking at the score and reading, you will subconsciously remember the distribution of each section of the music, the order of printing and typesetting, the basic structure of the music, and the content of the sections. Emotions and even certain musical details, this is the basic part of visual memory mentioned in this article. This kind of piano score that is memorized due to repeated visual practice is a direct reflection of the notes by the brain, which is a profound method of memorizing the score. Many pianists can remember everything recorded on the score in their minds, can "write" the score silently, and can "see" everything on the score during performance. Therefore, you should strive to have a deep memory of the notes and the positions of various musical symbols in the score.

3. Inner visual memory. In the process of learning the staff, the ups and downs of the staff are like a map. You can find the corresponding notes on the keyboard, and then separate the correspondence from the piano. The feeling turns into an inner visual memory in the mind. During the training process, we should pay attention to breaking the orderly arrangement of high and low notes on the staff, and pay attention to two-way corresponding memory. That is, for the notes on the staff, you can see the corresponding notes on the keyboard in your mind, and for the notes on the keyboard, you can see the corresponding notes on the staff. Corresponding to the position of the notes, this kind of learning and understanding of the staff is relatively solid.