1, double-string flutter and sliding method. Put the middle finger of the right hand outside the bow, press the bow rod together with the index finger to make the bow shaft rub the outer string, and hook the arch hair inward with the ring finger to make it rub the inner string, so as to play double strings or bend the middle finger and the ring finger downward to press the arch hair, and flatten the arch hair to make it rub the inner and outer strings at the same time. This is used to make horses scream.

2, insider's continuous decline method. It is a rapid continuous bow in which two or three fingers of the left hand slide from the high grip position to the extremely high pitch, the middle finger or ring finger of the right hand tightly hooks the arch hair inward, the left hand is pulled close to the inner chord, and then it is pulled from the middle bow to the arch tip, and then the left hand makes a small downward sound. This is used to play the neigh of a horse.

Extended data:

Playing skills:

In horse racing, we don't use too many special techniques. Pay attention to emotional enthusiasm, smooth bow and full timbre when playing. The whole song is coherent and natural. But at the key points of the song, some techniques are quite distinctive:

1. Bow spray: Mr. Zhao Hanyang defines bow spray in his works, and thinks that bow spray means that the bow that turns around should be suddenly and violently lifted like a volcanic eruption, which is completed by the instantaneous shaking of the right wrist. The opening words of horse racing use bow method to show the warm scene of horse racing in Inner Mongolia grassland.

2. hand shake: also called play, it is a left-handed technique. When playing the local sound, you can tap the second or third sound above the local sound continuously and quickly with your fingers, thus making a sound similar to snapping your tongue when playing an instrument. The actual effect is that 32 tones and high notes are repeated alternately.

Tremolo has a strong decorative function, which can make the melody produce various color changes. It is often used in music describing the theme of Inner Mongolia grassland to imitate Ma Touqin's playing style. The second paragraph of the horse race used vibrato, which played a strong Mongolian style.