Twelve-tone creation technique:
1. The so-called twelve-tone creation technique refers to arranging all twelve semitones in a specific sequence and strictly following this sequence in music works. The purpose of this is to get rid of the limitation of the traditional tonality system and create a more free and unique music language.
2. It is very important to understand the construction method of twelve-tone array first. A twelve-tone array can be constructed by randomly selecting twelve semitones, or by some specific sequences.
3. Secondly, it is necessary to understand the concept of phonology. Phonetic lines refer to arranging twelve-tone arrays in a specific order, and constructing music based on this sequence in music works. In a sound line, each sound can be used once, but it can be repeated in any order. The order of phonetic lines can be processed forward, backward, inverted, inverted and then forward, etc., and it is not necessary to use them in the original order. ?
4. It is also necessary to use the skills of semitone combination. By using chromatic combination, the composer can use more chromatic scales in his music works and create more modern and unique music effects. Choosing a harmonious semitone combination can bring a unique harmony effect and make the work more layered and expressive. At the same time, variation technique is also one of the commonly used techniques in twelve-tone creation.
5. Finally, the cultivation of aesthetics is also the key to the application of twelve-tone creation techniques. Twelve-tone technique is a relatively novel method of music creation, which requires a higher aesthetic standard for composers. Therefore, composers need to listen to and learn modern music, and practice and try again and again, and gradually cultivate their understanding and appreciation of twelve-tone creation techniques.
What is twelve-tone composition
Twelve-tone composition is one of the composition techniques of modern western music; Also known as the twelve-tone system, it is a technique of composing music by taking the twelve semitones in an octave as equal members, thus abolishing the existence of the central tone.