1. Specific concept

As the name suggests, Peking Opera is the fusion of Peking Opera and songs. As a very popular literary and artistic form, it specifically uses modern music elements to express the singing and singing of Peking Opera. Melody and program. Adding modern pop music elements to Peking Opera to express lingering emotions or majestic scenes is not only a breakthrough and innovation of Peking Opera in the new era, but also another development trend of modern songs. The representative works "Hometown is Beijing" and "Ode to the Pear Blossom" are excellent products of the perfect combination of Peking Opera and pop music [1].

2. Development process

As an important branch of opera and opera, Beijing opera first appeared in my country in the late 1980s and developed rapidly after entering the 1990s. . In the early stages of development, Peking Opera simply added elements of some popular songs to Peking Opera. Later, Peking Opera performances were also put on the stage. However, with the continuous burst of creative enthusiasm of our country's musicians and the continuous improvement of music creation skills, Beijing Ge, which has developed in its later stages, has moved closer to modern pop music, and its audience has gradually expanded, especially when Beijing Ge spread to Hong Kong and Taiwan region, with the efforts of outstanding musicians such as Jay Chou and Leehom Wang, by creatively combining elements of Peking Opera with elements of European and American pop music, Peking Opera has become more and more popular among young people.

2. The artistic characteristics and charm of Beijing songs

1. The structure of the banqiang style highlights the narrative charm of Beijing songs

With the song "Hometown is Beijing" For example, in this Beijing song, from beginning to end it can be divided into prelude, first aria, interlude, second aria, interlude and finally ends with a aria. Although there are three arias in the work, the style of each aria is quite different, which is the structural feature of the "banqiang" in Peking Opera arias. The song begins with a Sanban, which coincides with the way Chinese Peking Opera likes to use the Sanban before a long section of singing. Then, by using a large number of eighth notes and string accompaniment, the work changes from a simple Sanban to As the rocker of "beating hard and singing slowly", this switch slows down the rhythm of the work, and is used to better display the strong emotions contained in the work, allowing the author to fully demonstrate his pride and admiration for his hometown, Beijing. .

For example, in the second aria, the work uses the precise singing style of Peking Opera, and performs "Wangfujing", "Beihai", "Siheyuan" and other very distinctive Beijing operas in sequence.

of classics and narratives of things. The work adopts a straightforward narrative

at the beginning, that is, listing the names of various scenic spots, and then slowly transitions from a board style to a blank board, which further enhances the work. To render and express emotions, this Beijing song fully demonstrates its powerful narrative ability by utilizing the structure of the Beijing opera's melodies, making the Beijing song unique. Artistry and emotional impact are heightened.

2. Unique tonal characteristics enhance the singing ability of Beijing songs

The unique tonal characteristics of Beijing songs are not only an important part of its artistic features

, and it is also one of the important ways to show the powerful artistic charm of Jingge