1. The old classic arias of Jingdong Dagu include "A Mouse Reports a Cat", "Wang Po scolds a chicken", "Guo Ju buries his son", "Yang Eighth Sister's Spring Outing", "Seven Sons and Eight Son-in-laws Full of Beds", "Borrowing Umbrellas at the Lake", "Song of Xiangzi", "Going to Yangzhou", "Dismantling the West Chamber", "The Great West Chamber", "Fighting for the Lamp", "Whip the Reed Flowers", "The Little Sister", "The Little Girl", " "Lanqiao Hui", "Zhu Maichen Divorced His Wife", "The Legend of White Snake", "Huarong Dao", "Gucheng Hui", "Thatched Boat Borrowing Arrows", etc.

2. Jingdong Dagu originated in the rural areas of Xianghe and Baodi in Hebei Province. It is a Han folk art drum book and drum music gradually developed based on Han folk minor tunes and combined with local language tones. form. Jingdong Dagu is popular in parts of Langfang, Chengde, Baoding and Tangshan.

3. The singing form of Jingdong drum is basically the same as that of iron drum and single-qin drum. The performance form of Jingdong drum was originally played with wooden boards, and later changed to iron sheets and copper plates. The singer plays the book drum with his right hand and the wooden board with his left hand while standing and singing; the string player plays the big three-stringed string instrument for accompaniment. Later, dulcimer accompaniment was added. Two forms of accompaniment, namely three-stringed accompaniment and three-stringed dulcimer accompaniment, coexist.

4. Jingdong Dagu only has one pattern and one pattern. Artists often use techniques such as speed changes and compressed vocals to make up for the monotony of the board style. Jingdong drum music often appears in 4th tones, and forms a tonal transition similar to that of Qing Jiao Weigong, but it is mostly one or two sentences and does not constitute the entire section of modulation. In stage practice, string masters still regard the open string of the outer string of the third string as l, so it can be regarded as a chromatic tonal change.