The characteristics of Wong Kar-wai's music. When "Premiere Magazine" visited Wong Kar-wai in Taiwan in 2017, Wong Kar-wai revealed some explanations about his music. In terms of image and sound, Wong Kar Wai describes "feelings" in his film music. ?Music has become a part of life, so music has reminded you of the environment and era you are in. In my own film, I would first understand what the environment would be like, including the geography and what sounds the place would make. So music often becomes part of the environment. Sometimes I have a music inside me that I simply cannot explain. It is the direct realization that drama should be atmosphere.

(1) The sense of moisture in the music, you sing softly, I float slowly, the wind of those years, the loose memories of youth, the warm past, are like your light heart. It should be said that Wong Kar-wai is moist, and his light and shadow art permeates the flavor of humid midsummer or lonely and warm winter. The hot and narrow alleys and the hazy and ambiguous halo, a little bit of irritability sighing in my dream? The man's indifference and sentimentality, the woman's helplessness and madness are like the puzzle pieces in his mirror, without logic and order, just Debris and music rippling like the wind, transforming into positive or negative emotions. Music and light and shadow are the two wine-making stones that Wong Kar-wai keeps in his pocket.

In "In the Mood for Love," Wong Kar-Wai included three Nat King Cole songs in the movie. According to him, Nata King Cole was his mother's favorite artist. The magnetism and vicissitudes of the male voice are just like Maggie Cheung, and the gorgeous cheongsam swings on the strings, touching the softest part of people's hearts. "Quizas? Quizas? Quizas", as a representative, was played repeatedly when Chow Mo-wan and Su Lizhen met, implying that the two were wandering between emotions and ethics, and in the end they could only boil down to "maybe". As one of the masterpieces of amphibious star Zhou Xuan in the 1930s and 1940s, the special sound quality of vinyl records makes her sweet voice easier to hear.

Erotic tones, loose singing, a little deep and moist, MoMo and calm, infatuation and infatuation, no reason, no explanation, just flowing quietly, the palm-sized space is filled with a touch of confusion, Breeding love, career and pursuit.