must exist. However, shrimp has taken such a road, regardless of copyright, first attracting users, cultivating habits, generating groups, expanding influence, and then producing promotion effects. They cleverly "evaded" copyright disputes through the channel of uploading resources by netizens. It means that shrimp is just a network platform, and the songs are transmitted by netizens themselves, which is their personal behavior, and it has nothing to do with us. We are just service providers. If your work is found to be infringed, I'm sorry it's not our behavior, but you can inform us to help you delete it. Some people or record companies may be interested in this promotion benefit, so they lower their posture, turn a blind eye to copyright, "mutually benefit" with shrimp, and use shrimp to promote new records, and shrimp also uses these resources to make money (or attract traffic). This is probably the sorrow of the recording industry and musicians. The shortcomings of the market and the quality of domestic listeners have deformed the domestic recording industry that has not yet gone on the right track. As a result, the contradiction between the existence of musicians and the realization of self-worth has become unmanageable, which is mainly characterized by musicians' numbness and even dependence on digital media, as well as their inability to deal with the copyright and profit problems of digital media forms, and the platform as hot as shrimp is the breeding ground for all this. Since I got involved in the hip-hop craze and rock music 2 years ago, I have usurped several bands in the years since I went to live in Europe from high school in China, and I am staggering along with the rhythm of separation and integration. I have also paid attention to countless talented domestic bands, and it is rare to finally float on the water. I feel sorry for every young man who is obsessed with music. At the same time, I also deeply feel the necessity of the revolution in China's record industry. From the beginning when I was a student, I didn't have the money to scrimp and save on treasure hunting at the stalls. Now it has been more than 1 years since I bought basically stable genuine records, with 3,+CDs in my possession. All the CD collections are genuine. I think all I can do is to spend at least a penny more on my own ears. China's current music websites, I dare say, are all wet except China Mobile Wireless Music Base.