In the past few years, if we want to say who has been at the forefront of graphics in the animation industry, it is undoubtedly KyoAni. Although now because of that incident, it has been a heavy blow to everyone who likes KyoAni, and it is estimated that we will not see their works again for a long time. But it is undeniable that KyoAni is recognized for its contribution to the advancement of the industry in painting. The "Violet Evergarden" before the accident was absolutely unprecedented in terms of animation quality. This work can also become an epoch-making work: the most sophisticated TV animation of this era.

It is obvious that KyoAni is willing to work hard on the picture, and if this kind of painting madman meets a music-themed animation, what kind of sparks will burst out? This "Sound the Sound!" Euphonium" is a work brought to us by KyoAni across the three major themes of music, animation and emotion. Because the copyright of the second part was bought by others, many people could not watch the first and second parts continuously, which indirectly led to a decrease in popularity. The topic was not even as high as some non-quality shows of the season. However, Bilibili recently acquired all the copyrights for the first and second series, and the author can once again experience the entire "Blow the Sound!" in a coherent and smooth manner. Euphonium" plot, as well as an audio-visual feast.

I never thought that an animation company could put so much effort into music. The biggest problem with integrating music into animation is that the portrayal of musical instrument users must have a very high degree of overlap with the musical works. Otherwise, the music will play its own part, the animation will play its own part, and the audience's viewing and listening will be ignored. It's an uncomfortable feeling to be completely separated. The author vaguely experienced this feeling when watching "LL". How to solve this problem?

KyoAni has provided a solution before. The "Qingyin Girls" they produced is an excellent work of music + girls' daily life, and even opened the era of cuteness. What makes "Girl with Light Music" a god is not only the meticulous daily portrayal, but also the frighteningly fine details of the performance: the rhythm of the drums, the slicing action of the guitar, and the precise positioning of the electronic keyboard with the fingers. Everything proves that KyoAni is confident.

If you don’t have a stainless steel drill, you would never take on a porcelain job. Now that it has a unique solution, KyoAni has once again proven to the industry that it is unique. "Blow it!" Euphonium" contains the details of dozens of people's performances, including daily personal practice, ensemble practice, and live competition performances. No one's performance details are left out, and the majestic ensemble music is presented to fans in the form of animation.

This is an audio-visual feast that only KyoAni can bring to the world!