Who is the youngest female directors in China? Seek an answer
Lee Hung! "The youngest director in the world, and a female directors!" When the media introduced Lee Hung in this way, regardless of gender discrimination, what we saw was the "youngest". It was not easy to direct a long feature film independently at the age of 24, so the young director Lee Hung became legendary in the interpretation of the media. As a result, female directors and Lee Hung appeared in people's different eyes; As a result, my classmate Lee Hung appeared in the text below me ... The first impression is "Ah, you are Lee Hung. I have heard about it for a long time. This is my daughter. She just studied undergraduate this year, and I will not ask you to take care of her in the future!" When you hear such Shanghainese dialect in the corridor of the dormitory of the Film Academy, it must be the freshmen from Shanghai who have reported for duty. In those two years, Lee Hung was still studying in the Film Academy, and she was a senior teacher and sister. Therefore, all the girls who come to the Film Academy from Shanghai, after the application, the mothers always ask Lee Hung to take care of the younger generation, while Lee Hung always smiles and promises. The first time I met Lee Hung, it seemed to be the same. I found a classmate who knew Lee Hung, asked for her address and rushed to the dormitory door to wait for Lee Hung. In autumn, it was raining lightly. After meeting, I was surprised by the beauty and enthusiasm of Lee Hung, and my depressed mood became clear. She invited me to jiaozi to help me find out the news. Sometimes I wonder if I would have the chance to spend three years in the Film Academy if I hadn't met Lee Hung. In my impression, most typical Shanghai girls are reserved and elegant to strangers. There are many people who are proud of the film academy, especially the director department. It's rare that Lee Hung can help foreigners enthusiastically, and it also makes me realize that people can't be divided by regions. Northerners may not be generous, southerners may not be stingy, and everything just depends on personal temperament. It is very hard to make movies on campus. Doing a student's homework (half-hour video short film) makes many boys get tired quickly, and Lee Hung is very thin, so every time he shoots a student's homework, he will be very tired and seriously ill. But she is very stubborn and doesn't flinch for those hardships. In some people's eyes, Li Hong has a good father and brother. Their achievements and status today have virtually opened up many obstacles for Lee Hung. Of course, Lee Hung has more opportunities than others, but Lee Hung's mantra is "everything must be won by ourselves". In the winter of his senior year, Li Hong had to deal with many things, such as TOEFL, taking the postgraduate entrance examination, revising scripts, and preparing graduation homework ..., In the face of graduation choice, Lee Hung may make more efforts than ordinary people, and only those who have experienced it know what kind of life it is. Once I changed the script late at night, it was Far from the Coast. In order to convey the estrangement between the protagonist and his hometown and relatives, and to solve a turning point in narrative, Lee Hung pondered over it until three o'clock, and it was impossible for Lee Hung to muddle along and be lazy. When writing is tired and reading is tired, Lee Hung will wear a big scarf, perform a Song Dandan-style sketch for a while, or plug a pillow to play Qiu Ju, which is silly and rustic. There is a wolf in Lee Hung, with long hands and long feet, which can make people hug, and it is also a good tool for everyone to feel tired. Lee Hung is good at tango with the wolf in his arms. The wolf's tail is swaying and the wolf's head is shining, just like a sexy beauty intoxicated in her boyfriend's arms. Lee Hung's dance steps are not inferior to Li Rong's. Their performances of the partners always win countless laughs, which makes the exhausted night leave many memorable memories. Happy family "Hello, I'm looking for director Li". "Who's director Li?" This is a conversation between the guest and Lee Hung's mother, and it is also a classic joke of Li Hongjia's family, because Lee Hung's father is the director, that is, Li Xiepu who once directed founding ceremony and Burning Harbor; Lee Hung's elder brother is also a director, that is, Xin Li who directed Romance and My Blood and My Feelings. The three Li directors were nicknamed "Da Li, Lao Li and Xiao Li". People who have seen the American soap opera Happy Family will be moved by the unrestrained happiness, and Lee Hung's family life can be made into a China version of Happy Family. Lee Hung's mother is an enthusiastic educator. Lee Hung said that when I was a child, my mother would stand on the stool before the birthday cake was eaten, and read aloud the poems she improvised for her child's birthday with the applause of her children. This westernized expression was a bit unreal. After a Chinese New Year meal, while talking and laughing, Mama Li asked Lee Hung to play the piano. Amid the music, Mama Li got up and presented a new poem to the people present. Her voice was clear, with some sweet endings in Shanghai Mandarin, and the poem felt very youthful. The whole night was happy and healthy, as beautiful as the English afternoon tea in Osmetin's novels. Sitting aside, watching Lee Hung's happy smile, thinking that I don't know who said "pain is the source of art", his vision is too narrow. Perhaps it is growing up in such a loving environment that Lee Hung's artistic expression is slender and sensitive, and it also forms the creative concept that Lee Hung considers audience's favorite rather than individual award-winning when making movies, and is more considerate and caring for others. The slender and sensitive viewpoint of women is the consistent quality of Lee Hung's works. Lee Hung's series of works since he was a student have a similar theme, that is, to determine the position of self and seek the value of self, which is essentially like a story, that is, growth. And this is the author's own confusion and thinking, which marks the author's position: just set foot on the society, everything can happen in confusion and uncertainty, but the conviction of finding a position is unshakable. Formally, these works (except Just Dancing) all use computer animation, which seems to be Lee Hung's preferred method, so that something with vague meaning, not necessarily symbolic or metaphorical, runs through the film, just like the fireball in mikhalkov's Burning in the Sun, a faint existence makes the whole film have a different flavor, as if wandering between dream and reality, which is also one of Lee Hung's temperament. Lee Hung said: "I am proud that I am a woman, so I have different perspectives on observing the world." The subtlety of narrative entry point, the pondering of film language, the creation of poetic atmosphere and the construction of images can all show women's unique vision. I remember reading Hou Xiaoxian's "The Man from the Wind Cabinet" with Lee Hung, and I was filled with tears with excitement. There was a detail that made us "sad". The boy came to Taipei and sat at the window in the afternoon to write a letter from home, but he couldn't write it out. He just drew a circle around the body of an insect on the paper, circle after circle.