1. The timbre of the guqin is characterized by being subtle, rich, unobtrusive, and lingering. The sound is wrapped, bound, and restricted. Fingering techniques such as chanting, 猱, Chuo, and Zhuing are performed by pressing the strings. Various changes in the left hand produce different rhymes, making the music sound restrained and full of tension. It is particularly suitable for expressing the subtle inner world and strong emotions of the piano player, and also adds diversity to the theme of the music. method of tracing.

2. The acoustic effect of the guqin is mainly determined by its material and craftsmanship, but the unique charm of the guqin comes from its unique charm. The charm of the guqin is based on its material and craftsmanship through playing techniques. Created.

3. Yin, 猱, Chuo, Zhu and other techniques create a restrained intensity in the phonology. The profound connotation of the music and the thoughtful and sincere feelings of the qin player are all based on the phonology of the guqin. It is precisely because of the unique charm caused by the acoustic characteristics of the guqin and the changeable playing techniques that the guqin can not only have strong musical expression, but also be able to complete the difficult task of conveying and deepening the deep life experience of the qin player, becoming a professional player from generation to generation. A Taoist utensil favored by qin people and Confucian scholars.