Wang Zhenhu, the representative inheritor of national intangible cultural heritage, is an extremely important scholar in the inheritance of prestige gongs and drums. He used to be the deputy director of Linfen District Cultural Bureau and the president of Gong and Drum Association. It has played an important role in the good inheritance of prestige gongs and drums. His works include "majestic gongs and drums", which is the first book to introduce majestic gongs and drums; The development of majestic gongs and drums focuses on the present situation and existing problems of majestic gongs and drums in the past 30 years after the reform and opening up, and sorts out the important information collected. Books such as Linfen Folk Art Series and Gong and Drum Art Research Series have been edited and published 10. ..
Shan Honglong's important work is "A Study of Xufeng gongs and drums in Shanxi" published by China Drama Publishing House, which mainly discusses the social, material and morphological composition of music. In the last chapter, he reported in detail the contents of his previous visit to nearly 20 villages, among which he collected many precious drums that were about to be lost, especially the collection and arrangement of manuscripts of folk symbols of Xufeng gongs and drums, which became the crowning touch of this book.
Zhang Yong is one of the inheritors of provincial intangible cultural heritage. Apart from sorting out and collecting drum music, he has also made great contributions to magnificent gongs and drums, which are mainly reflected in his creations, including The Soul of the Dragon, The Song of Wei Yun, Ode to Yimeng, Mu Tian Tian Men Array and The Soul of the Yellow River. The flute and drum Yaoxiang Ballad was created by him. In 2005, Brave Wind on the Yellow River won the highest prize of folk art "Mountain Flower Award". In 2008, Linfen Du Yao Dancer Culture Media Co., Ltd. was established, which effectively created a set of methods to inherit the majestic gongs and drums, including the excavation and arrangement of Qupai, the arrangement of performances and the innovation of Qupai. 20/0/0 At the invitation of Los Lagos University 20 10 went to Chile in South America to teach "Magnificent Gong and Drum", which made "Magnificent Gong and Drum" spread abroad for the first time.