At the beginning, the master played Bach's "Partita BWV826 in C minor", with complicated structure and changeable rhythm. The pure timbre of the master flows on the keyboard, the adagio sings softly, and the dance music is lively and brisk. In the process of music, the timbre changes from bright to dark, breathing calmly, and the transition and connection are very natural.
Mozart's Piano Sonata No.9 No.2 in D major is a mature work of Mozart. The melody of the work is rich and colorful, the rhythm is light and beautiful, with Mozart's unique "golden light", naive, fantasy and full of hope. The rapid movement of the master's fingers, without the slightest moment of breathing, but every sound is still clear and bright, full of particles. Slow motion is gentle and lingering, sticking to the heart like water waves. The contrast between phrases is obvious but not abrupt. Mozart's favorite "lace" decorative sound is crystal clear and dazzling.
Brahms in my mind is always a bit heavy. It is difficult to connect his works with "performing arts", but this variation on the theme of Paganini written by him is an exception. The work uses 14 variation to expand and interpret the theme. Every mutation has different changes and is very individual. It is really an amazing challenge to do so many variations on the same theme so that the audience will not get bored. This requires amazing creativity and solid creative skills. Brahms writes with great care, and the pianist plays better. The change between each phrase is full of imagination. Following the rhythm of his fingers, he doesn't feel monotonous at all. On the contrary, he will be full of expectations for his next sentence.
I just talked to my friend about the movie Lilac the other day, which describes Rachmaninov. I heard the master play "Moment of Music" tonight, and the scenes in the movie came back to my mind. Melodious melody is broad and heavy in the blood of the Russian nation, with a little melancholy temperament. The first four capitals of Moment of Music are written in minor, and unclear colors are undercurrent in the wave triplet. Beautiful and gorgeous music, pianist's subtle touch of keys one after another, all tell Rachmaninov's complex feelings. And the fast running of the fourth left-handed note 16, after entering the climax, set off the main theme well. The sonorous voice makes people excited.
Tonight's highlight is the Nutcracker Suite played by the master. It is said that he is the best performer of this song in the international music world today. The lively and lovely "Little Overture" immediately brought us to the dance scene. Beautiful melody, delicate timbre, just like finger ballet on the piano. Beating notes, like toes, are naughty and lovely, but beautiful and elegant. With the advance of music, we heard a dramatic interpretation, and every scene was vivid. The piano vividly shows the innocence and enthusiasm of children, as well as the dance of elves, which is full of dreamy colors.
The piano is in the hands of a master, just like a band. All the parts cooperate perfectly, and under his command, they play the human movement together. The expression and change of voice are smooth and beautiful, and the tone color switching is leisurely and effortless. I am fortunate to hear the master's interpretation tonight, and my ears are blessed!