In One Servant and Two Masters, Zhang Jiayi, as a middle-aged single father, still works hard for his daughter who is a repeat student in senior three. When communicating with her rebellious daughter, Zhang Jiayi showed her unique sense of humor as a "Beijinger", which made the whole play exceptionally brilliant in dialogue. In addition, in the opposite play with Yan Ni, Zhang Jiayi also tried Shaanxi dialect for the first time, and the funny index of the whole play soared.
Compared with his early dramas, Zhang Jiayi is more relaxed in this kind of relaxed and life-oriented drama, and he also has his own unique secrets in shaping his characters. However, looking at Zhang Jiayi's plays of the same type in recent years, whether it is A Servant and Two Masters, Emergency Doctor or Mine! The physical education teacher, Zhang Jiayi's role image is too homogeneous, that is to say, Zhang Jiayi has played three TV series with one role as an example. Although the plot of each TV series is lively, grounded and attractive, if this continues, it will definitely make the audience lose their freshness.
This TV play is unique in script conception. Compared with the youth idol drama in which small fresh meats gather to show their love, "One Servant and Two Masters" bases the plot subject on the unique romantic sentiment of middle-aged singles, which not only retains passion and impulse, but also adds a responsibility and entanglement. From a lifetime together to a brief encounter, the weight of the oath is no longer as understated as the phrase "hold your hand and grow old with your son". In particular, the role of the man is the father of a daughter of 18 years old, and remarriage involves practical problems such as the daughter's "stepmother" getting along with her mother and daughter. These preconditions make the plot closer to life and more attractive.
The values of the story are very correct, there is no money worship, no rebellious tendency, and no dark plot that hurts each other. Every character is looking for happiness on the right path and has his own ideas. Love words about love, life and small fresh meat have become lifelong commitments in the love of middle-aged people. As the lyrics of the TV series say: "Wait in the wandering, find love in the waiting, until you meet the right person, she is your best accident."
The interpretation of love in the script is very cautious, which conforms to the mainstream concept of society and has certain educational significance. Both male and female protagonists are excellent, and both have suitors. In the process of choice and temptation, they constantly seek the true meaning of love. After ten years of mutual companionship, Tang Hong committed suicide and Poplar was seriously ill, and both of them knew that their true love was just around the corner.
In order to highlight the daily life of Beijingers, director Liu Jin added a lot of Peking Opera gongs and drums to the background music, which matched the scenes of Beijingers' daily life and the humorous lines of the actors, making the rhythm of the plot relaxed and long, without vigorous conflicts and emotional sadism, only rooted in the happiness and beauty of life.
Generally speaking, the production level of this TV series starring Zhang Jiayi is excellent, and both the actor configuration and the script selection are full of sincerity.
Among them, the theme values about love and shaping life are a little more realistic about living temperature and grounding gas than a group of young romantic films with small meat, and both young and middle-aged audiences can get the harvest about "love" from them.