Many friends just started to learn to sing Qin opera, and learned two paragraphs at home with CDs. I wonder if they sang correctly. Try singing in the self-help class. Seeing the band makes me nervous. In some places, the rhythm is not well grasped, and there may be some experienced teachers who often talk about the problems of "board" and "eye" of Shaanxi opera. At this time, you may feel that you don't understand it, and it's a bit foggy.

This is because, as the skeleton and soul of Shaanxi Opera, it is not clear in a few words. Only through systematic theoretical study and continuous experience and exploration in the practice of learning to sing can we master it step by step.

So, how do you know the "banyan tree" of Shaanxi Opera? In my last post, I have recommended relevant learning materials to you, and also introduced some ways and methods of learning.

In fact, there are many experts in our forum, such as Hu, Sun Mengqi, Qin Zhiren, Northwest Suifang, Zhang, Hot Spring Guliu, Emperor Master, James Li Lengwa, Huang Chihe, Ao and so on. There are also many mysterious masters who dive silently and occasionally show their glory. They are in "Knowledge of Traditional Chinese Opera" and "Liyuan"

As long as we can calm down and study these articles and posts carefully, it is also very helpful for us to learn the basic knowledge of Shaanxi Opera. As for myself, I'm just a fledgling girl, and I know very little about Shaanxi opera, so I teach fish to swim.

First, the "board" is the rhythm law of Shaanxi opera music. This has been basically made clear in front. With the constant change of drama plot, the rhythm of Shaanxi opera singing also changes. Sometimes slowly lyrical; Sometimes a mild narrative; Sometimes it is a sad cry; Sometimes angry reprimands. These changes in singing mood are manifested by the changes in singing rhythm. Therefore, there is an adagio with 4/4 beats in the singing method of Shaanxi Opera. Second and sixth plates based on 2/4; 1/4 beat and 1/8 beat are the main replacement boards, as well as free-beat sharp boards and rolling boards (no boards and no eyes).

Second, "board" is the name of Qupai for singing, that is, the name of the disc. The qupai mentioned here is not the same as the qupai of the background music of Shaanxi Opera (such as Liu Shengya and Xiao Taohong), but refers to the name of the plate of Shaanxi Opera singing. Such as: flexible board, second board, substitute board, sharp board, rolling board, second guide board, etc. In fact, the names of these arias are also the rhythm types used in this aria.