The first time grandma and grandpa met was on the day of grandma’s wedding. Grandpa was a famous sedan bearer. According to local custom, bearers will torment the bride on the way to the wedding. During the process of carrying the sedan chair, the camera was shaken to give people a sense of dizziness and at the same time make the audience empathize deeply, highlighting the disasters and restlessness that that era brought to people, allowing the audience to be integrated into the movie. Another characteristic of the outdoor shooting style of this film is that it zooms in from near to far, often ending with the endless sorghum field in the distance, allowing the audience to understand the environment in which the characters' actions and psychology are presented, and highlighting the theme. At the same time, the transition method of stacking in and out is used to make the top and bottom coherent and vivid.

The video is cleverly used, and the voice narration perfectly presents the sound of the suona and makes people scream; the aerial shots make you feel the beauty and ugliness of the sorghum fields in Northeast Gaomi Township; You feel dizzy and scream for that era. Grandma dares to love and hate. She is so admirable to me. Her life is both glorious and embarrassing. Grandma is such a representative of a great woman and a rare pioneer of that old era. It was the sorghum field that told us such a profound story. That lovely yet hateful sorghum field.