1. Peking Opera Knowledge
The minimum price is 0.27 yuan/day to become a member of Baidu Library, and you can view the full content in the library> Original publisher: Longyuan Journal Network The last line is referred to as "Mo".
Most of the people in this profession are middle-aged men. In fact, the last line is responsible for the function of leading the show, such as the one who leads the show.
Subsidiary: A role that is smaller than a supporting role. Most of them play characters such as soldiers, government servants, followers, and members of the public.
Don’t think these people are unimportant, especially on the battlefield. The four supporting characters represent thousands of troops. They often carry various flags and run up and down according to the needs of the plot (so Also called walk-on). With this run, a grand atmosphere emerged on the battlefield.
Wenchang: The orchestra that accompanies Peking Opera. The instruments mainly include Peking erhu, Yueqin, Xianzi, flute, sheng, suona and other instruments that do not need to be struck. Ugliness is referred to as "ugly".
Ugly behavior can be divided into literary ugliness and martial ugliness. According to the animal zodiac, ugliness belongs to the cow, and cows are stupid by nature, so ugliness is synonymous with stupidity.
But the Wu Chou on the stage is also called an open-mouthed jumper. He can speak and dance, and performs a lively and smart character who is good at performing martial arts. This is completely different from the ugly and stupid nature of Niu. Banyan: The term for opera music is the beat.
Because the beat in Peking Opera is controlled by a drum board, and you hit the board when you encounter a strong beat, so this beat is called "ban". You beat the drum or press the beat with your fingers on the strong and weak beats. They are called "middle eyes" and "small eyes", and together they are called "ban eyes". Wuchang: The percussion band that accompanies Peking Opera. The instruments mainly include drum boards (single-skin drums and sandalwood boards), big A, cymbals, and small gongs.
2. Basic knowledge of Peking Opera
Singing, chanting, acting and fighting
The four artistic techniques of Peking Opera performance are also the four basic skills of Peking Opera performance.
"Sing" refers to singing, and "Nian" refers to musical recitation. The two complement each other and constitute "song", one of the two major elements of the singing and dancing Peking Opera performing art; "doing" refers to dancing. "Dai" refers to the physical movements of martial arts and falling skills. The combination of the two constitutes "Dance", one of the two major elements of Peking Opera's singing and dancing performance art.
Painting a person's face with a certain color to symbolize the person's character and traits, role and destiny is a major feature of Peking Opera and can help understand the plot. To put it simply, red face has a positive connotation and represents loyalty and bravery; black face is neutral and represents fierce wisdom; blue and green faces are also neutral and represent reckless heroes; yellow face and white face have derogatory connotations and represent ruthlessness and viciousness; gold face has a derogatory connotation and represents ruthlessness and viciousness. The silver face is mysterious and represents gods and demons. Masks originated from religious and dance masks in ancient times and are still used today.
Chinese drama, the "quintessence of China" and national drama, has a history of 200 years and is well-known at home and abroad. Also known as "Pihuang", its musical material consists of two basic tunes, "Xipi" and "Erhuang". It also sings some local tunes and Kunqu operas. It was formed in Beijing around 1840 and became popular in the 1930s and 1940s. It is still a major drama with world-class influence. With its comprehensive range of functions, mature performances and magnificent momentum, it is the representative of modern Chinese Han opera. In addition, "Beijing Opera" is also an Internet term, which means the same as "fear".
3. Please provide knowledge about Peking Opera
The origin of Peking Opera Peking Opera is the quintessence of our country and one of the important operas popular throughout the country.
It has a history of more than 200 years. In the 55th year of Qianlong's reign in the Qing Dynasty (1790), four Anhui tune troupes, namely Sanqing, Sixi, Chuntai and Hechun, which were originally performing in the south, came to Beijing to perform one after another, cooperating with Han tune artists from Hubei and influencing each other. , it also accepted some repertoires, tunes and performance methods of Kun Opera and Qin Opera, as well as some folk tunes, and gradually integrated and evolved into Peking Opera.
Its music basically belongs to Banqiang style, and its singing style is mainly based on Erhuang of Anhui tune and Xigua of Han tune, so it was called "Pihuang" in the old days. There are also Xipi anti-tune (i.e. "anti-Xipi"), Erhuang anti-tune (i.e. "anti-erhuang"), as well as Nanbangzi, Sipingdiao, blowing tune, high plectrum, Nanluo and other singing tunes.
The main accompaniment instrument is Jinghu, supplemented by Erhu, Yueqin and Sanxian. Some singing and music are accompanied by suona, flute, etc.
Percussion instruments include single-skin drums, sandalwood boards, large gongs, small gongs, cymbals, tanggu, xingzi, etc. Peking Opera performance pays equal attention to singing, reading, acting and fighting. It often uses virtual movements, attaches great importance to the blending of scenes and the blending of voices and emotions.
Since its birth, Peking Opera has had many names, such as "Luan Dan", "Huang Diao", "Jing Huang", "Jing Er Huang", "Er Huang (Er Huang)", "Daxi" ", "Ping Opera" (Beijing was once called Peking), Peking Opera, etc. There are thousands of traditional Peking Opera repertoires, the popular ones include "The Harmony of Generals", "The Meeting of Heroes", "The Empty City Strategy", "The Drunken Concubine", "Sanchakou", "Picking up Jade Bracelets", "Fishing and Killing", etc. The formation of Peking Opera The formation of Peking Opera takes about 150 years.
In the fifty-fifth year of the Qianlong reign of the Qing Dynasty (1790), the famous Hui Troupe "Sanqing Troupe" from the south of the Yangtze River came to Beijing to celebrate the 80th birthday of Emperor Gaozong of the Qing Dynasty (Emperor Qianlong). Anhui troupe refers to a troupe that performs Hui tunes or Hui operas. It was very popular in the south in the early Qing Dynasty.
Following this, many Anhui troupes came one after another, the most famous of which are Sanqing, Sixi, Chuntai, and Hechun, which are known as the "Four Anhui troupes".
They each have their own characteristics in performance. Sanqing is good at performing the entire drama; Sixi is good at Kunqiang opera; Chun Tai is mostly young child actors; and He Chun Wu Opera is outstanding.
After 1828, a group of Han opera actors entered Beijing one after another. Han Opera, also known as Chu Diao, now known as Han Opera, mainly uses Xipi and Erhuang tunes, with an emphasis on Xipi. It is a local opera popular in Hubei.
Since the two operas of Hui and Han are closely related in terms of vocals and performances, most of the Han opera actors participated in the Hui troupe's collaborative performances after coming to Beijing, and some became the main actors of the Hui troupe, such as That's it for Yu Sansheng. The Hui tunes are mostly Erhuang tune, Gaobizi, blowing tune, Siping tune, etc., and occasionally Xipi tune, Kun tune and Yi tune; while Han tune actors perform Xipi tune and Erhuang tune.
The Hui and Han troupes cooperated and the two tunes merged. After a period of mutual integration and absorption, coupled with the transformation of Beijing music, and continuous nutrition from Kun Opera, Yi Opera and Qin Opera, a new tune was finally formed. Type of drama - Peking Opera. The first generation of Peking Opera actors matured and was recognized around 1840.
Peking Opera has had many names since its inception. The categories include: Luantan, Huantiao, Jinghuang, Jingerhuang, Pihuang (Pihuang), Erhuang (Erhuang), Daxi, Pingju, Old Opera, Chinese Opera, Peking Opera, Peking Opera, etc.
What are the characteristics of Peking Opera music? The singing style of Peking Opera is a variation of Ban style, with Xipi and Erhuang as the main singing styles. The melody of Xipi is more ups and downs, the rhythm is compact, and the singing voice is smooth and bright, which is suitable for expressing cheerful and persevering emotions; the melody of Erhuang is relatively stable, the rhythm is slow, the singing voice is dignified and vigorous, and it is more suitable for expressing depressed, sad and angry feelings.
Little knowledge about opera 1. What was the name of the plane donated by the famous performing artist Chang Xiangyu during the War to Resist U.S. Aggression and Aid Korea? Answer: Xiangyu Drama club number. 2. What does the music structure of Yu Opera belong to? Answer: Plate cavity.
3. Please name the five famous actors in Henan Opera and one of their representative plays? Answer: Chang Xiangyu, "The Matchmaker", "White Snake", "Mulan"; Chen Suzhen, "Universe Front", "Spring and Autumn Match"; Cui Lantian, "Peach Blossom Temple", "Qin Xianglian"; Ma Jinfeng, "Mu Guiying Takes the Command" ”, “Flowers in the Palace”, “Flower Spear”; Yan Lipin, “Qin Xuemei”, “Cang Zhou”. 4. Who is the first actor to win the "Plum Blossom Award" in our province? Answer: Tang Yuying.
5. What are the basic skills of opera? Answer: Singing, chanting, doing, playing, hands, eyes, body, method, and steps. 6. What are the martial arts gongs and drums of Peking Opera? Answer: Four-stroke head, emergency wind, small four-stroke head, horse leg, skewer, etc.
7. What is the name of the Henan Opera "Running to Bianjing"? Answer: "Eight Pieces of Style" or "Pair of Embroidered Shoes" 8. What is the challenge in opera? Answer: The actor’s hint to the drummer before starting to sing. 9. What profession does the "Little Cangwa" in "The Mat" belong to? Also called what? Answer: Ugly behavior; also known as "three-faced face".
10. Who is the screenwriter of the Henan Opera "Mulan"? Answer: Chen ***. If you want to know more details, you can visit the following website
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