In the years when Tayu Lo left, Democratic Progressive Party was founded, Jiang Jingguo died and martial law was lifted. Taiwan Province Province experienced the most drastic political and economic structural transformation after the war.

The system of the recording industry also expanded to an unprecedented scale during this period. The popularity of Midi has driven many record studios, Hong Kong stars have come to Taiwan on a large scale, and the popularity of youth idols has made the record market younger in all directions, and the whole record industry is developing in the direction of "entertainment industry". All these make it seem that the gap between gay lovers and their families is not just four years, but a whole era.

Extended data:

In Home, the attempt to "jump out of the box and create a different pattern" was only halfway through, and it was finally completed by Comrade Lover after more than four years of painstaking brewing. Unlike the "black age" when the Japanese were hired to arrange music, Tayu Lo had mastered MIDI at this time.

It also has absolute dominance over the arrangement. The violent rock music styles of Unrequited Love and Gay Lover, the rich lyricism of love song 1990 and your appearance, and even The Yellow-faced Woman and Night in Beijing are magnificent, layered and terrifying, and have repeatedly demonstrated their ability to arrange music freely.

This album's handling of musical elements once brought great shock to insiders, and once again set a new benchmark for the possibility of recording production concept. It is not only known as the best album of the year, but also another masterpiece that is hard to surpass so far. In the writing of lyrics, Tayu Lo tried to integrate human voice into the arrangement and play the role of an instrument, instead of always standing at the forefront as a tool of "reasoning".

So we heard many hymns composed of syllables. Pay special attention to the music effect, so that the meaning of words is no longer so clear and easy to understand, and often have to be appreciated together with melody arrangement to understand the mystery.

This change makes it difficult for many old fans to adapt, thinking that Tayu Lo has "defected". But looking at it from another angle, I believe that the hazy and dense portrait in your appearance, or the shocking power of the four-word overlapping and long sentences in "A Night in Beijing" are not written by the angry young black-haired boy in his early years.

Whether this album is successful in presenting the overall situation of the yellow race is a matter of opinion. However, this concern continued into the era of "Music Factory" and became the central theme of all Tayu Lo's future creations.