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The King of Lanling·Bingzi Sends Spring, Liu Chenweng, what music should it be paired with?

The King of Lanling·Bingzi Sends Spring, Liu Chenweng, with music "Serving the Country with Loyalty".

"Lanling King·Bingzi Sends Spring" is a lyric work by Liu Chenweng, a litterateur in the late Song Dynasty. The whole word is three pieces. The upper column describes the decline of Lin'an after the fall and the poet's feelings. Zhongqing writes about the pain of national subjugation suffered by the monarchs, ministers and common people of the Song Dynasty after the return of spring. The lower column writes thoughts about the homeland, implying that the Song Dynasty was over and there was no hope of recovery.

On the surface, this word refers to spring, but in fact it symbolizes the Southern Song Dynasty. "Send spring" is to mourn the demise of the Southern Song Dynasty. In the words, the author describes the decline of his motherland after its fall, reflecting the various sufferings experienced by the survivors of the Southern Song Dynasty and the author's infinite grief. It is extremely sad and full of suspense.

"Lanling King" is a long tune in the poem, and it is divided into three sections. The first paragraph of this poem describes the ruined scene after the fall of Lin'an and the poet's feelings. "Spring leaves the world and there is no way out" is the theme sentence of the whole poem. Therefore, each paragraph in the poem begins with "spring is gone", and is developed from different aspects around this center. "Outside the swing, the grass stretches to the sky, but who sends the wind and sand to darken Nanpu", using contrasting techniques to write different scenes before and after the fall of Lin'an.

"Fragrant Grass" and "Swing" describe the scene before the Yuan army fell into the city. "Fragrant grass" also implies farewell. The "grass" in this poem is not a metaphor for separation, but a farewell to a dynasty and the emperors and ministers of the Southern Song Dynasty who fled south. The Han dynasty rushed south in a hurry, and their homeland was no longer there. They couldn't control their misery. "The wind and sand darken Nanpu" means the devastation and trampling of the Yuan army after they captured Lin'an, and also symbolizes the dangerous prospects of the ministers who fled south.

The word "Nanpu" complements "Spring has gone and there is no way out in the world". The writer of "Reminiscences of Haimen Feixu" was thinking about the monarchs and ministers of the Song Dynasty, imagining that they were wandering like catkins with nowhere to return. The author first wrote about "Haimen", which shows that he placed his hope on Duanzong who fled south. It also reflects that the author has the desire to follow Duanzong on his southward journey, but there is no way to pass because of the wind and sand.

The three lines of "The Crows Pass" describe the reality before us, showing the dilapidated and decaying scene of the Lin'an sect: the noisy Crow Lord flies over the decaying city, the Beidou loses its direction, and the city collapses; on the eve of the Lantern Festival, this book The capital should have been illuminated by lanterns, but by now it was completely dark and no trace of the lanterns could be found. Lin'an fell in February, and when spring came, the Lantern Festival lantern scene could be seen. By March, when spring returned, the Southern Song Dynasty was dead, so it is said that "the place where the lights were tested when it came was nowhere to be seen."