Beijing Opera and Japanese Kabuki are national art forms called "national quintessence" and "national treasure" by China and Japan, and they are one of the most representative traditional classical operas in the two countries. Beijing opera music and Japanese kabuki music are the main means to express the artistic styles of these two operas, and they are integrated into the two operas, which are indispensable and important components of Beijing opera and Japanese kabuki art. Beijing opera art is formed on the basis of mature voice and drama, and singing is the foundation in its singing, reading, doing, playing and dancing. "Singing" is the main part of Beijing opera music, and its history of formation and development is also the history of "singing music". The communication between the actors and the audience is centered on "singing opera" and "playing opera". The formation history of Japanese kabuki art is like the epitome of the whole development history of China opera. It started with singing and dancing, and gradually developed into a mature opera form with "Bai Ke" through the continuous development of several times, such as "Female Kabuki", "Wild Kabuki", "Lu Yuan Kabuki", "Maruben Kabuki" and "New Kabuki". "Acting" and "dancing" are the main means of expression of role actors, and their accompaniment music is the main object of music research. Kabuki's main accompaniment music is Chang (? ), "Chang Pan", "Qingyuan Festival", "Yi Taifu" and "Zi Yue" borrow Nenglie. In addition, there is so-called "neighbor music" in "shady". These music are also important contents of Japanese Sanwei Line music. The close relationship between Japanese traditional opera music and other traditional music is also rare in the world. " Dragon (? ), "Changpan Festival", "Qingyuan Festival" and other forms of kabuki music accompaniment are not only the main body of kabuki music accompaniment, but also developed with the prosperity of kabuki art. Understanding Japanese traditional opera music and Japanese kabuki music is very beneficial to correctly understand Japanese traditional music and accurately understand Japanese modern music.

Speaking of the female form of Japanese kabuki. The art of this nation created its art, and it still does. Women played by female characters are more feminine than women. Although they have no breasts, they will make the audience fantasize about how sexy and beautiful women they are. This is the charm of female modeling. The charm of body and eyes. Let people think that he is a woman.

China male Dan emphasized the role of women. They knew in their bones that they were seven feet tall. The charm of a woman's figure lies in treating herself as a woman! Even if you are not on the stage, you should act like a woman. Pay attention to your female language when talking to men. In this way, when performing women on the stage, we can eliminate gender differences and play a good drama of love between men and women.

But there are many similarities between them. Grandpa Mei said it when he visited Japan that year. In short, both are beautiful, and both are artistic beauty extracted from life. As an oriental culture, it should be passed down in the world.