[four questions! ] National Instrumental Music What are the sad instrumental music (flute, flute, guzheng) tracks that Chinese traditional musical instruments refuse to copy?

Sad songs, such as "Leng Jiang Canxue" and Erhu "Two Springs Reflecting the Moon"

Qinqu Guangling San and Meihua Sannong; Pipa music house of flying daggers and sunset flute and drum; Zheng Music "Fishing Boat Singing Late" and "Western Western jackdaw Playing in the Water"; Suona music "A Hundred Birds Facing the Phoenix" and "Open the Door"; Flute "Bangzi" and "Partridge Flying"; Erhu music "Two Springs Reflecting the Moon" and so on are all excellent solo tracks.

Ensemble with pure percussion instruments such as gongs and drums, with rich timbre and strong sense of rhythm, is good at expressing warm, lively and light life interest. For example, preface to the Eight Immortals (gongs and drums in eastern Zhejiang), 18642 (beating southern Jiangsu), kite turning (Guagua Society in Shaanxi) and starling bathing (Tujia people in western Hunan).

Suo Le, composed of various stringed instruments, is good at elegance, lyricism, simplicity and elegance, and is suitable for indoor performance. For example, sixteen boards (thirteen sets of strings), high mountains, flowing water (Henan Bantouqu) and so on.

The combination of wind instruments and stringed instruments plays the music of silk and bamboo, and the playing style is meticulous, showing lively emotions, such as March 6, walking through the streets (bamboo in the south of the Yangtze River), rain beating banana, walking horse (Guangdong music), eight horses, plum blossom exercise (Fujian Nanyin) and so on.

Percussion is composed of wind instruments and percussion instruments, with rough playing style, suitable for outdoor playing and good at expressing warm and cheerful emotions. Such as your legend (playing in southern Jiangsu), Dayuanmen (gongs and drums in eastern Zhejiang), Putian Music (advocated by Shandong) and Double Bite Goose (gongs and drums in Chaozhou). There are many kinds of percussion instruments, and stringed instruments are used in bands, so the music has the characteristics of silk and bamboo music, such as Fang (played in southern Jiangsu) and Wu (played in Fuzhou). Generally speaking, percussion music popular in the north emphasizes "blowing" and has high playing skills; The popular percussion music in the south emphasizes "beating", and gongs and drums play an important role in percussion music.

Traditional instrumental music performance is mostly combined with folk customs such as weddings, funerals, festivals, court ceremonies and religious ceremonies. , and rarely take the form of pure instrumental performance. The practicality of national instrumental music makes many instrumental music tracks change because of different occasions.

Traditional national instrumental music has a title, which is divided into two categories: standard name and standard meaning. The false name only gives a name to the music to show the difference between A and B, and it has no direct connection with the music content, such as Gong Shang Zhi, Si Duan Jin, Jiu Lian Huan and Ten Scenes of Gong and Drum. Symbolic titles use song titles, section titles, problem solving, etc. to express the content of music, such as running water, disarming the overlord and winning the dragon.

Attachment: Ten famous folk songs in China.

1, Liang Zhu (guzheng solo)

2. Horse racing (erhu solo)

3. Golden Snake Dance (Folk Music Ensemble)

4, beaming (folk music ensemble)

5. Happy Songkran Festival (Folk Music Ensemble)

6, colorful clouds chasing the moon (folk music ensemble)

7. Herdsmen's new songs (flute solo)

8. Cuihu Xiao Chun (Folk Music Ensemble)

9. Yi Dance Music (Pipa Solo)

10, Spring Festival Overture (Folk Music Ensemble)

Are you satisfied with the above answers?