The song "Three Lane of Plum Blossoms" should reflect the temperament and character of "comely" and "pure" plum blossoms.
In "Three Lanes of Plum Blossom" arranged by the performer Qiu Ji, the music is explained as follows: "In playing, we should not only pay attention to absorbing the aesthetic concepts such as' heaven' (overtone),' earth' (empty string) and' man' (sliding sound) in the guqin, but also keep the timbre and playing characteristics of the guzheng, so as to achieve' you are in the middle'.
The background of the whole piece of music is deep and open, and you need to relax and even breathe. The word "open space" is reflected in Qin Jiaxiang's "Three Lane of Plum Blossoms".
The Cultural Background of the Extended Information of "Three Lane of Plum Blossom"
Three Lane of Plum Blossom is also known as Plum Blossom Introduction and Jade Princess Introduction. It has been playing since the Jin and Sui Dynasties. It was originally a flute played by Huan Yi in Jin Dynasty, and was transplanted into a piano piece by Yan Shigu, a famous pianist in Tang Dynasty. The title of the song comes from the melody that represents the image of plum blossom appearing three times in different paragraphs, which is called "three lanes of plum blossom".
Flowers, trees, mountains and rivers have always been natural motifs that people are willing to praise and chant. People praise people's "virtue" and "ambition" with flowers, trees and rivers, and express their inner ideological ambitions and spiritual aspirations by chanting natural things. This is reflected in painting, music and other art forms.
Similarly, whether painting or music, we should not only pay attention to the description of the image close to the original appearance, but also reflect its aesthetic significance and value through "vivid", that is, by expressing its spiritual temperament and implication. The musical work "Three Lane of Plum Blossoms" is a typical example.