Simple symbols have their advantages, but they also have their disadvantages. For example, reciting a chorus is not as clear as the staff, and reciting a piano score is almost impossible. In the past, some people thought that notation was simple and unscientific, thus denying the important role of notation in real music life, which was wrong. It should be admitted that notation has made great contributions to the popularization and promotion of music. For a long time to come, notation will continue to play its positive role and serve the cause of socialist culture.
Due to the lack of relevant information, it is impossible to accurately introduce the emergence and development of notation. Garin (1786- 182 1) and Chevrolet (1804-1864) in France; Glanville (1785- 1867) and Gewen (18 16- 1880) in Britain have studied and sorted out the notation system. The symbol of our country comes from Japan. This system is different from that of Chevrolet. According to the Chevy system, the short lines of eighth notes and sixteenth notes are added to the notes.
However, when Japanese notation came to China, especially in the last decade after liberation, many changes and developments have taken place. Now, only the current symbols are briefly introduced as follows.
In the notation system, the relative height of sound is represented by seven * * * numbers. The relationship between these sounds, except for 3 4 and 7 i semitones, is full tone.
Label: 1 2 3 4 5 6 7 i
Singing method: do ri mi fa sol las do
Adding a dot at the top of the note means singing an octave higher, and adding two dots means singing two octaves higher; On the contrary, adding a dot below means singing an octave lower, and adding two dots means singing an octave lower.
In order to accurately represent the absolute height of sound, key signature mark should be applied. The key signature mark is represented by 1=F, 1 = g, etc.
In order to avoid adding too many points up and down the notes, in chorus and ensemble music, the method of up and down octaves is often used to record bass or treble. For example: tenor, bass, pipa, low Hu Yong and high octave notation; Bangdi and banhu were recorded in a low octave.
The length of a note is indicated by adding a short horizontal line behind or below the note.
Affixes are also used in symbol systems. But only to the quarter note. Longer notes, such as binary notes and whole notes, continue to be represented by adding short horizontal lines.
All bets with dots: 1-
Dotted binary note: 1-
Dotted line quartered note: 1.
Dotted line eight notes: 1.
Dotted line sixteenth note: 1.
The basic symbol of sound pause is 0. To indicate pauses of different lengths, you can mark them by increasing the number of zeros and adding a connection point to the right of the zero. The rest are commonly used as follows:
Complete rest: 00000 Appendix Complete rest: 0 0 0 0 0 0
Dichotomy rest: 0 0 Dichotomy rest with dot: 0 0 0
Rest at four o'clock: 0 with four o'clock rest: 0.
Eight rest: 0 with eight rest: 0.
Sixteen-point rest: 0, plus sixteen-point rest: 0.
32-point rest: 0 (there are three horizontal lines below) 32-point rest: 0 (there are three horizontal lines below)
For pauses of several bars, you can use a long pause number. Write it on the bar, and the number above indicates the number of rest bars.
A sound with only a length without a certain height is represented by X, and the length of the sound is marked by adding a short horizontal line behind or below X. ..
There is no clef in the notation system. Its pitch is expressed by notes and key signature.
The time signature in notation, like the staff, is marked by the music score, which is recorded at the lower left of the music name together with key signature, and the time signature is recorded after key signature. The name of the songwriter is at the lower right of the music name.
Speed markers and expression terms are recorded above the beginning of the first line of music.
In multi-part notation, bar lines are mostly separated, and each part is recorded separately. However, the bar lines of some instrumental music are connected according to the grouping of instruments. The bar lines of each voice should be aligned up and down, whether it is partials or not.
Pay attention to the spatial distance of notes when recording music, so that the distance between bars and beats is roughly equal, and write fewer notes within one beat; Write more notes tightly. Various notes with less than quarter notes, > >
Question 2: What do you think of piano notation? Look, there are only two lines. The top one plays with one hand, and so does the bottom one. Arc means to play together and not break in the middle.
Use it, dear. You can ask me again if you have any questions. I just passed Grade 5 when I was learning piano last year.
Question 3: How to play the piano while reading the music? Playing while watching music is technically called "sight-reading".
The strength of sight-reading ability directly reflects the comprehensive quality of players, so it is very necessary to improve their own sight-reading ability.
Sighting and playing ability is nothing more than two aspects of ability, one is "seeing", that is, reading music, and the other is "playing", that is, playing ability.
It is very important here that the relationship between sounds can be instantly reflected, for example, the relationship between adjacent lines or spaces is three degrees, and then four, five, six, seven and eight in turn. The same is true for playing double tones or * * *. You can tell how to put your hand by the shape. We should not count them one by one, but know them clearly.
In playing, besides playing accurate notes, it is also very important that we must not ignore all kinds of music scores and musical terms, including fingering, which will directly affect the musical expressive force of playing. Without these things, music is dead, and with these things, music will live.
In addition to the additional items on the spectrum, there are also the players' own sensitive reactions to music. For example, music can gradually become stronger when going up and weaker when going down.
In addition, psychological quality is also very important, which plays a positive or negative role in the effect of visual expression to a certain extent. For example, some people feel calm and carefree when watching videos, and can actively mobilize all available resources in the brain memory bank, so as to behave freely and receive good video effects; Some people are nervous when they see the difficulty of composing music, and their eyes are in a hurry, so they can't relax and look at the music, which leads to the failure of the music.
Finally, it is necessary to have extensive cultural accumulation as a support, to get in touch with music works of different nationalities in different periods, to understand composers, to understand the style characteristics of works, and so on, in order to convey the deep meaning of works more accurately in the process of sight-playing.
Practice hard and wish you success.
Question 4: How to read the piano score number of the staff? The # and B on the right are called key signature, and the two # are in D!
Using that phoneme as the first key is commonly used in piano teaching and many music majors! The result of playing is the same!
Because whether it is the first key or the fixed key, the two rising tones of D key are the same! Just a different name!
Fixed tuning method in D major: re mi #fa so Lars #do re.
Do the hot rice method, so Lars does it.
Contrast voice name: D E #F G A B #C D
Question 5: Can I play the piano by reading the music? What's the effect? What's the difference between reading staff? Yes, on condition that you can accompany the piano. Make a metaphor! I went out to perform and just got a song with only the soundtrack and lyrics. If a singer wants to sing this song, the piano player, bass player, drummer and fiddler have to accompany the song themselves. It's like what you just said, watching music and playing the piano. I'm just a little ignorant, which makes the landlord laugh. Don't laugh too loudly.
Question 6: When playing piano etudes, should we look at the score or the keys? In this exercise, you should look at the music bullet normally. Only when you think the bullet is wrong or there are more complicated places, you should look down at the keys to correct it. You know, when many musicians play in real time, they may not have played that song when they get the soundtrack. At this time, it is impossible for a pianist to play keys first. This is why the tutor should practice slowly at the beginning when asking students.
By the way, you are a beginner, aren't you? People often have some difficulties when you start to touch this instrument (except for a few talented people). It may be a bit frustrating to say this, but it is impossible to play everything close to beauty without any pain. Since everyone has decided to learn, please stick to it. It takes time to practice hard. If you work hard, I believe the result will be clear.
The above is only a personal opinion, I hope it will help you.
Question 7: How to play the piano with both hands? What do you think of piano accompaniment? I have been watching simple music with one hand. How to play with your hands? Simple music? This will not work. You must have an employee.
Question 8: How to play the piano according to the notation? Mainly left hand and rotation. Well, how long have you been learning piano? I don't know why you play the piano by notation, but one thing is very important. . . . . Accompaniment in notation is called impromptu accompaniment. Impromptu accompaniment is a subject.
The accompaniment of the left hand is based on the melody of the right hand, and there is no fixed requirement. Expand the left tonic into a * * * tone according to the melody color. You can go to the bookstore to buy a book to study this, or people with excellent sense of music can play it at will.
Question 9: Why do some piano players pop out as soon as they see a tune, and they are very skilled? How long have you studied music that you haven't practiced? I can watch and play some relatively simple music slowly, but I envy those who are better than me, but these are all accumulated over the years.
Question 10: How to play the piano according to the notation? First of all, what is the key, that is, what will be written in front of the spectrum as 1=?
If it is 1=C, it is a natural key, which is the most common C major.
If there is a point above the number, if it is 1, then there is a point above the treble Do and a point below the number is the bass Do.
0 is a rest, yes, but it also depends on his score, that is to say, how many beats.
As for the lines you mentioned, the most common lines in notation are ligatures or sustain.
Having said that, I suggest you consult a teacher or someone who knows music theory in person.