The top ten must listen to classical guzheng music: Fishing Boat Singing Late, Mountain Flowing Water, Autumn Moon in the Han Palace, Lotus Out of Water, Shooting Drum in Xiangshan, Dong Dance Music, Western jackdaw Playing in the Water, Fighting Typhoon, Snow Mountain Spring Dawn and Lin Chong Running at Night.

1. Fishing Boat Singing Late

This is a famous guzheng solo composed by Lou Shuhua, which occupies a very important position in the guzheng repertoire. The music depicts the beautiful scene that the fishermen are carefree and the fishing boats are drifting away with the waves under the setting sun. This piece of music is the most widely circulated and influential piece in China since 193s, and it is one of the required pieces for guzheng players.

2. Running Water in the Mountains

The music of the guzheng song "Running Water in the Mountains" is very different from that of the guqin music, and it is also based on "Bo Ya's piano-beating thanks". There are many schools of music, and the most widely circulated and influential one is Zhejiang Zheng Qu, which is elegant in melody and meaningful in charm, and has the appearance of "majestic mountains and flowing water".

3. Autumn Moon in the Han Palace

This is a famous song of Shandong Zheng School, which is compiled from the flower-shaped scale music that has been circulated for many years, and is handed down by Mr. Zhang Weizhao, a famous Zheng scientist of Shandong Zheng School. The song pays great attention to the left-handed skills such as singing, rubbing, pressing and sliding. The melody is simple and elegant, and the music style is sad and lingering. The tragic experience of the oppression of ancient ladies-in-waiting was vividly portrayed, and their feelings of sadness, resentment and helplessness about the injury of the moon and the longing for the moon were vividly portrayed.

4. "Water Lotus"

This is a famous piece of Zheng music in Chaozhou music, and it is a must-play for Zheng musicians. "Water Lotus" is an ancient tune in Zhongzhou. It is played by the traditional sixteen-string steel wire Zheng, with simple tone and elegant style. The whole song vividly depicts the expression and temperament of water lotus with various rich expressions.

5. Shooting drums in Xiangshan

This is a musical composition of Shaanxi Qin Zheng, which was composed by China Zheng player Qu Yun in 198. With a deep, intrinsic melody with strong Shaanxi local style, it shows the pious and lofty and illusory artistic conception of pilgrims, as well as the bustling activities of drums, singing and roaring, and people going to worship in the mountains. It is one of the representative tracks of Shaanxi Zheng School.

6. Dong Dance Music

was written by Professor Jiao Jinhai of Xiamen University in 1983. In the process of deepening life, the author felt the love of the broad masses of Dong people for life and their profound musical style, so he created this classic work of Zheng altar.

7. "Western jackdaw Playing in the Water"

This is a famous Chaozhou Zheng song, and it is one of the top ten suites of Chaozhou music. This song has a beautiful melody, fresh style and unique charm. It is called Chaoshan "State Song" (Chaoshan, roughly referring to Chaozhou House), and it is the most poetic of the ten major songs of Chaozhou string poem "Soft Set". With its unique, beautiful melody, fresh style and unique charm, the whole song is lively and ups and downs, which shows Western jackdaw's carefree and playful pursuit in the water.

8.

The Battle of the Typhoon was written in 1965 by Wang Changyuan. By describing the scene of dock workers fighting against the typhoon, they showed their dauntless, brave and heroic spirit and belief in winning in the future.

9. Spring Dawn on Snow Mountain

This is a guzheng solo composed by Fan Shang 'e and Ge Sang Daji in 1981. It is a piece of music with the characteristics of Tibetan ethnic areas. Rich in skills and beautiful melody, it has high appreciation value and performance value.

1.

This song, written by Wang Xunzhi and Lu Xiutang in 1962, is a guzheng solo with some Kunqu elements, and it is one of the representative guzheng tracks of Zhejiang Zheng School.