First, he wrote the string test with the sentence "Three or two times when the string is plucked by the rotating shaft", and then praised "There is love before the tune is formed", highlighting the word "love". The following six sentences of "The strings cover the sound and the sound is thought" summarize the playing process of "Initially "Neon Shang" and then "Liu Yao"". "Tiao" describes the attitude of playing, and also uses "like complaining about her life's failure" and "telling all the infinite things in her heart" to summarize the thoughts and emotions expressed by the pipa girl through the music.

In the next fourteen sentences, when describing music with the help of the phonology of language, various vivid metaphors are also used to enhance its image. "The big strings are noisy like the pelting rain", which not only imitates the sound with the overlapping word "caocao", but also uses "like the pelting rain" to visualize it.

The same is true for "little strings sound like whispers". This is not enough. "Noisy and chaotic bombs" has reproduced the interlaced appearance of the two melodies "Like a pelting rain" and "Like a whisper", and then compared with "Big beads and small beads falling on a jade plate", the visual image and the auditory image It was revealed at the same time, which was dazzling and overwhelming.

The melody continues to change, with two artistic conceptions appearing first "slippery" and then "astringent". The sound of "Jianguan" is brisk and fluent, and this sound is like "the voice of warblers at the bottom of flowers". The beauty of the visual image strengthens the beauty of the auditory image. The sound of "throat" is sad and choked, and this sound is like "spring flowing under the ice". The coldness of the visual image strengthens the coldness of the auditory image.

From "cold" to "condensed", it is a process of "the sound gradually stops". The poet describes it with the beautiful line "Don't be sad and resentful. At this time, silence is better than sound." The artistic realm of lingering sounds and endless meaning is amazing. By this point, I thought it was over. Unexpectedly, the "sorrow and hatred" accumulated infinite power in the process of "the sound gradually stopped" and could not be suppressed. Finally, it was like "a silver bottle was broken", water and slurry rushed out, like "an iron cavalry protruding", and swords and guns roared, The undercurrent of "condensation" suddenly reaches a climax.

The climax is reached, and the painting ends abruptly. Although the song ends, the soul-stirring and thrilling charm of the music has not disappeared. The poet also used the environmental description of "The boats in the east and west are silent, only the white autumn moon in the heart of the river can be seen", leaving readers with a broad space for aftertaste.

The ever-changing musical images are reproduced so vividly that we cannot help but admire the author's artistic talent. But the author's talent is not only reflected in reproducing musical images, but more importantly, through the ever-changing musical images, it shows the ups and downs of the Pipa Girl's heart, which provides a musical rendering for the following story of life.

Just like after the "invitation to meet", the details of the invitation to play the pipa are omitted; after the end of the song, the inquiry about life experience is also omitted, and two sentences describing the portrait are used. Transition to "talking to herself": The "moaning" look is obviously related to the inquiry, which reflects her inner conflict between wanting to speak and giving up.

A series of actions and expressions, such as "letting the plucking", "instruting the strings", "straightening the clothes", "rising up" and "condensing the face", show her psychological activities of overcoming contradictions and expressing her joy. Following "Self-talk", with a lyrical style of resentment, admiration, and weeping, it composes a gripping tragic song for Pipa Girl's half-life experience. It complements the music of "Telling the Infinite Things in My Heart" and completes the story of Pipa Girl. The image creation of the protagonist.

The image of the heroine is extremely vivid and realistic, and is highly typical. Through this image, it profoundly reflects the tragic fate of musicians and artists who were insulted and damaged in feudal society. Faced with this image, how could we not shed tears of sympathy!

Extended information:

This poem is touching with emotion, narrating events and describing characters all full of lyrical color. The farewell section includes "autumn greetings", "tragic farewells" and "moon dipped in the vast river", creating a sad atmosphere for the environment. The pipa girl played for the first time. When the poet described the pipa girl's playing technique and melody, she let her emotions and hatred run through it.

The self-narration of life experience is the source of "sorrow and hatred", and is full of all kinds of sadness caused by the characters' past prosperity and present decline. The poet laments his own experience, and uses the environment to set off his own emotions, fully describing the sadness of being homeless.

In the last paragraph, the mournful strings and crying echo each other, which fully expresses the poet's grief. There are very few allusions used in the whole poem, and the language is concise and clear. Not long after the poet's death, Li Chen, Emperor Xuanzong of the Tang Dynasty, wrote a poem in memory of him, saying: "A boy interprets and chants the song "Eternal Sorrow", and a Hu'er can sing "Pipa"."