1. Interesting knowledge about Peking Opera
The lowest price is 0.27 yuan to become a library member and view the full content> Original publisher: Longyuan Journal Network The last line is referred to as "the end".
Most of the people in this profession are middle-aged men. In fact, the last line is responsible for the function of leading the show, such as the one who leads the show.
Billing: A smaller role than a supporting role. Most of them play characters such as soldiers, government servants, followers, and members of the public.
Don’t think these people are unimportant, especially on the battlefield. The four supporting characters represent thousands of troops. They often carry various flags and run up and down according to the needs of the plot (so Also called walk-on). With this run, a grand atmosphere emerged on the battlefield.
Wencheng: the orchestra that accompanies Peking Opera. The musical instruments mainly include Peking erhu, Yueqin, Xianzi, flute, sheng, suona and other instruments that do not need to be struck. Ugliness is referred to as "ugly".
Ugliness can be divided into literary ugliness and martial ugliness. According to the animal zodiac, ugliness belongs to the cow, and cows are stupid by nature, so ugliness is synonymous with stupidity.
But the Wu Chou on the stage is also called an open-mouthed jumper. He can speak and dance, and performs a role that is lively, smart, and good at performing martial arts. This is completely different from the ugly and stupid nature of Niu. Banyan: The term for opera music is the beat.
Because the beat in Peking Opera is controlled by a drum board, and you hit the board when you encounter a strong beat, so this beat is called "ban". You beat the drum or press the beat with your fingers on the strong and weak beats. They are called "middle eyes" and "small eyes", and together they are called "ban eyes". Wuchang: The percussion band that accompanies Peking Opera. The instruments mainly include drum boards (single-skin drums and sandalwood boards), big A, cymbals, and small gongs.
2. Ten Peking Opera questions and answers
Uh-huh.
1. What are the roles of Peking Opera? Answer: There are five major professions: Shengdan, Jingmo, Chou. 2. What personality traits do the different colors of Peking Opera facial makeup represent? Answer: In terms of color, the current Peking Opera masks include red, purple, black, white, blue, green, yellow, old red, tile gray, gold, silver and other colors. This is an exaggerated description of the natural skin color of the characters, developed into The allegorical color used to symbolize character.
Generally speaking, red depicts the character's loyalty, righteousness and bravery; purple symbolizes wisdom, courage and righteousness; black reflects the character's noble character of loyalty and integrity; water white implies the character's treacherous nature and vicious methods. Face; oil white expresses conceited and domineering character; blue symbolizes strength and bravery; green outlines the character's chivalrous spirit; yellow means cruelty; old red mostly expresses respected and loyal veterans; tile gray symbolizes old heroes; gold, The two colors of silver are mostly used for gods, Buddhas, and ghosts to show their golden faces and bodies, symbolizing a sense of illusion. 3. When did Peking Opera begin to spread widely or be regarded as the quintessence of the Chinese nation? Answer: Fifty-five years of the Qianlong period.
4. What are the four major factions of Peking Opera? Answer: Meicheng Shangxun. Famous works include: Mei Dafangping and Yongrong's "The Drunken Concubine", "Farewell My Concubine" and "The Goddess Scattered Flowers"; Shang Lingli and bold "Zhaojun Leaving the Wall", "Mulan" and "Mo Lingjia"; Cheng Qimei's euphemistic "Suolin Bag" and "Spring Boudoir". "Dream" and "Green Frost Sword" Xun's playful and deft "The Matchmaker", "The Golden Jade Slave" and "The Red Mansion" 5. The glory and heyday of Peking Opera? Answer: One is the Tongguang period, which is the time of Empress Dowager Cixi.
But it was during the Republic of China, the period of Mei Lanfang. 6. What is the description of the color of the costumes? The colors of costumes are very particular. First, they show rank. Emperors wear yellow, officials from the first to fourth ranks wear scarlet, and officials below the fifth rank wear blue and green. Second, they express customs. They wear luxurious colors for festive occasions, and prisoners on the execution ground. Wear red, and the mourning clothes are white; the third is to express the scene, Lin Chong runs in black at night, highlighting a "night"; the fourth is to express the spiritual temperament, Guan Yu has a red face and green robe, showing that he is capable of both literary and military skills, wisdom and bravery; It shows the overall beauty of the stage. The marshal is promoted to the tent, and a group of generals wear red, green, white and black uniforms.
7. What is the historical name of Peking Opera? Answer: There are: Luantan, Huantiao, Jinghuang, Jingerhuang, Pihuang (Pihuang), Erhuang (Erhuang), Daxi opera, Ping opera, old opera, Chinese opera, Beijing opera, Peking opera, etc. (laughing) ……………So many~ It’s so troublesome… Do I need to continue talking? 8. What are the basic skills for learning Peking Opera? Answer: The basic skills of Peking Opera include singing, chanting, and fighting (1) Peking Opera singing is highly lyrical. When dramatic conflicts are intense and characters are emotionally excited, long sections or sets of singing are often used to give full play to their full potential; in addition, in narratives, scene descriptions, arguments, and reprimands, On other occasions, with the help of singing skills, artistic appeal can also be enhanced.
(2) Recitation The recitation of Peking Opera has a certain sense of music and rhythm. It is an artistic language of processed form, which is easy to coordinate with singing. (3) Doing is a general term for dance-like body movements, which are life movements that process forms. Through the flexible use of hands (gestures), eyes (eyes), body (body), steps (footwork), etc., the characters' movements are made The image and temperament are more glorious.
In Peking Opera, when the dramatic conflicts intensify and the characters' emotions fluctuate, the scope of the work increases and the display of the work becomes more exaggerated. (4) Fighting Fighting is a dance version of traditional martial arts, used to express fighting life or specific life situations, such as falling, struggling, fainting, etc.
Anyone who fights or dances alone with ancient weapons such as swords, guns, swords and halberds (known as "Ba Zi") is called "Ba Zi Gong"; those who roll and fall on the blanket are called "Blanket Kung Fu". There are also complete sets of continuous martial arts techniques, such as "Qiba", "Walking", "Horse", etc., which are generally used to exaggerate the fighting atmosphere and the mental outlook of heroic figures. ………… 9. The English name of Peking Opera.
(Don’t force me~...) jīngjù Beijing Opera (Pekese opera) - Peking Opera. Pekinese is from Beijing, now it is Beijing, opera means opera.
10. Songs about Peking Opera. Wait~ (I really can’t find it~...) I have a lot of reference materials plus my own~...
3. Basic common sense and some knowledge of Peking Opera
Sorry, I only found these concepts. Are they useful?
Peking Opera: Also called "Beijing Opera", it is one of the most popular types of opera in the country. It has a history of more than 200 years. Since the 55th year of the Qianlong reign of the Qing Dynasty (1790), four Anhui tune troupes, namely Sanqing, Sixi, Chuntai and Hechun, which originally performed in the south, have successively entered Beijing to perform. They cooperated with Han tune artists from Hubei and influenced each other. It also accepted some repertoires, tunes and performance methods of Kun Opera and Qin Opera, as well as some folk tunes, and gradually integrated, evolved and developed.
"Four Skills and Five Techniques": the collective name of the four performance skills of opera actors "singing, chanting, doing and fighting" and the five technical methods of "hands, eyes, body and steps" (some say "mouth, hands, eyes, body and steps") . This is the basic accomplishment of an opera actor.
"Character": In traditional opera, character types are divided according to the different gender, age, identity, personality, etc. of the characters in the play. For example, men are generally called Sheng or Mo; elderly women are called Lao Dan; men with a rough personality are called "Fairy Faced" (Fujing), etc. Each has different characteristics in performing arts. From the perspective of the history of opera, the division of roles has gradually changed from simple to complex. Most of the modern opera genres take Sheng, Dan, Jing, Mo and Chou as the basic types, and each has a more detailed division. Rusheng is divided into Laosheng, Xiaosheng and Wusheng; Dan is divided into Qingyi, Huadan, Laodan, Wudan, etc. Actors often specialize in one type of role, thus forming various specialized professions. Traditionally, roles and professions are common.
"Bangtoucai": an opera term. As soon as the actors come out of the curtain, the audience responds with enthusiastic applause, which is commonly known as "bangtoucai".
Enthusiasts: opera and folk art terminology. It is a general term for non-professional opera, folk actors and musicians. It is said that in the early years of the Qing Dynasty, the Eight Banners disciples used the "Dragon Ticket" issued by the Qing court to sing their disciples' songs and engage in publicity in various places without getting paid. Later, amateur actors who did not get paid were called "fans". The fan organization for fans is called "Box Office". Performances performed by fans are called "ticket plays". Fans who turn into professional actors are called "going to the sea".
The Four Xu Sheng
Refers to the four Peking Opera Xu Sheng (Laosheng) actors who became famous in the 1930s, namely Ma Lianliang, Tan Fuying, Yang Baosen, and Xi Xiaobo
Four Little Famous Dancing Actors: In 1936, Beijing's "Li Yan Bao" held a public voting election to select Peking Opera dancing actors Li Shifang, Zhang Junqiu, Mao Shilai and Song Dezhu who were still in college or had not yet completed their studies as the "Four Little Famous Dancing Actors". In 1940, under the influence of the four famous Dans, the above four were re-elected as the "Four Little Famous Dans".
The Four Famous Dancing Actors: Four Peking Opera Dancing Actors who became famous in the 1920s. They are Mei Lanfang, Shang Xiaoyun, Cheng Yanqiu and Xun Huisheng.
"Wuchang": refers to the percussion in musical instruments. Such as large gongs, small gongs, cymbals, drums, etc. in Peking Opera. In the past, it also referred to percussion musicians
"Wenchang": Refers to the various orchestral instruments played, such as Huqin, Nanxianzi, Yueqin, Dizi, Suona, etc. In the past, it also referred to the musicians and flute players who played these instruments.
4. Basic knowledge of Peking Opera
The four artistic techniques of singing, reading, acting and playing are also the four basic skills of Peking Opera performance.
"Singing" refers to singing, and "reading" refers to singing. Musical narration, the two complement each other, and constitute "song", one of the two major elements of the singing and dancing Peking Opera performing art; "doing" refers to dance-like physical movements, and "fighting" refers to martial arts and falling skills. Combining "dance", one of the two major elements of Peking Opera's performance art of singing and dancing, painting a person's face with a certain color to symbolize the person's character and traits, role and destiny is a major feature of Peking Opera that can help understand. Plot.
To put it simply, red face contains praise and represents loyalty and bravery; black face is neutral and represents fierce wisdom; blue face and green face are also neutral and represent reckless heroes; yellow face and white face contain The derogatory meaning represents deceit and evil; the golden face and the silver face are mysterious and represent gods and demons. Masks originated from religious and dance masks in ancient times and are still used today. , has a history of 200 years and is well-known at home and abroad. Its music material consists of two basic tunes: "Xipi" and "Erhuang". It also sings some local tunes and Kunqu operas.
It was formed in Beijing around 1840 and became popular in the 1930s and 1940s. It is still a major opera with world-class influence.
With its comprehensive range of functions, mature performances and magnificent momentum, it is the representative of modern Chinese Han opera. In addition, "Beijing Opera" is also an Internet term, which means the same as "fear".
5. For those who are interested in Peking Opera, do you have any interesting questions and answers about Peking Opera~
100 Peking Opera Questions and Answers 1. In which year were the "Four Famous Dandans" born? of? What plays are they participating in? 1. In 1927, Mei’s (Taizhen Gaiden), Shang’s (Modern Flail Girl), Cheng’s (Red Buddha’s Biography), and Xun’s (Danqing Yin).
2. Which four actors are referred to as the "Four Famous Actors" in the film industry? 2. Jiang Junjia, Zhu Qinxin, Lin Junfu, Zang Languang. 3. Which artists do the "Four Great Kundan" and "The Four Great Kundan in Jiangnan" refer to? 3. Xue Yanqin, Zhang Liyun, Xin Yanqiu, Hu Bilan.
Hua Xiangrong, Yun Yanxia, ??Zhang Wenqin, Han Suqiu. 4. Which actors do "Four Little Famous Dan" and "Four Little Famous Dan" refer to? 4. Li Shifang, Zhang Junqiu, Mao Shilai, Song Dezhu.
Chen Yongling, Xu Hanying, Li Jinhong, Yang Ronghuan. 5. Which actors do the “Four Great Kunlings” and the “Four Little Kunlings” refer to? 5. Yan Huizhu, Tong Zhiling, Li Yuru, Hou Yulan.
Zhang Manhua, Gao Yuqian, Wang Zhihua, Wang Qiuhua. 6. Which four artists do the “Four Famous Dandies” in the South refer to? 6. Zhao Junyu, Xiao Yang Yuelou, Liu Xiaoheng, Huang Yulin.
7. Which four actors are referred to as the “Four Famous Actors” in Northeast China? 7. Rong Lijuan, Qin Youmei, Wenjunyu, Wu Guoying. 8. Which four actors are referred to as the “Four Famous Dancing Actors” in Tianjin? 8. Hu Bilan, Ma Yanyun, Xu Dongxia, Jin Youqin.
9. Which four actors do the “four jade” of the Chinese Drama School refer to? 9. Hou Yulan, Li Yuru, Bai Yuwei, and Li Yuzhi. 10. Which four artists are referred to as the Four Masters of Jiangnan Wusheng? 10. Li Chunlai, Zhang Dejun, Zhang Guixuan, Gai Jingtian.
11. Which four actors were known as Mei Lanfang in Hankou, Nanjing, Sichuan and Shandong respectively? 11. Nan Tiesheng, Yang Wannong, Guan Liqing, and Wang Zhenzu. 12. Who do the “Four Major Bearers” in the voting world refer to? 12. Xi Xiaobo, Guan Shaohua, Mo Jingyi, Tao Weichu.
13. Who are Taiwan’s “Four Great Beards”, “Four Great Famous Dandies” and “Four Great Famous Chou”? 13. Zhou Zhengrong, Li Jintang, Hu Shaoan, Ha Yuanzhang. Qin Huifen, Zhang Liyun, Liang Xiujuan, Ma Shuxian.
Zhou Jinfu, Yu Jinhua, Wang Mingzhao, Wu Jianhong. 14. Who were the "Four Kings" of the Tianjin ticket industry back then? 14. Wang Junzhi, Wang Songchen, Wang Yusheng, and Wang Zhusheng.
15. What class names did each of the "Four Famous Danes" choose when they began to choose classes independently? 15. Mei (Chenghua Society), Shang (Xieqing Society), Cheng (Minghe Society), Xun (Liuxiang Society). 16. Who was the first disciple accepted by the "Four Famous Danes"? 16. Mei Lanfang (Wei Lianfang), Cheng Yanqiu (Xun Lingxiang), Shang Xiaoyun (Zhang Diefen), Xun Huisheng (Ye Shoumei).
17. What role did the "four famous actors" play in Wu Sheng's opera? 17. Huang Tianba. 18. Which four are the "Four Anhui Classes"? Where are the main activities of each class? 18. Sanqing, Sixi, Chuntai, Hechun, Anqing, Suzhou, Anhui (some say Hubei), Yangzhou.
19. Who was the famous Wuhua-faced man in Shanghai who was called "Four Profit"? 19. Liu Chunli, Liu Yongli, Wang Yongli, and Li Yongli. 20. Which four plays does Wang Xiaonong’s masterpiece "Four Curses" refer to? 20. Cursing Yama, Mao Yanshou, An Lushan, and Ji Mu scolding the palace (one saying "cursing Wang Lang" and "crying the ancestral temple" is called "five curses and one cry").
21. Harlequin's "Four Thieves and One Steal" Which four plays do the "four thieves" (some say "five thieves") refer to? 21. Stealing armor, stealing hooks, stealing king's tombs, and stealing silver pots. 22. What are the four plays of "Four Pieces of White" starring Ma Chao? 22. "Anti-Xiliang", "Fighting Weinan", "Fighting Jizhou", "Defrauding Licheng".
Twenty-three, what tune does Siping Tune come from? What role is not used? And what role is the anti-siping tone only for? 23. Blow tune, painted face, dan horn. 24. At that time, Xun Huisheng’s group was known as the “Four King Kongs” before and after them. Which artists were they referring to? 24. Zhao Tongshan, Jin Zhongren, Ma Fulu, Zhang Chunyan.
Zhu Binxian, Chen Xixing, Fei Wenzhi, Shen Manhua. 25. Who are the "Four Heavenly Kings" in Yang Xiaolou Class Club? 25. Qian Jinfu, Wang Changlin, Chi Yueting, Xu Deyi.
26. Who are the “Four Famous Musicians” of early Peking Opera mentioned by Mr. Xu Lanyuan? 26. Mei Yutian, Sun Zuochen, Lu Yanting, and Wang Yunting. 27. Which artists do the "Three Immortals" and "Four Tigers" in Xiaosheng refer to? 27. Xu Diexian (Xiaoxiang), Wang Lengxian, Cheng Jixian.
Jiang Miaoxiang, Yu Zhenfei, Ye Shenglan, Gao Weilian. 28. Which three artists were known as the "three outstanding artists" in the late Qing Dynasty? 28. Qian Baofeng, Qingchunpu, Huang Runfu.
29. Which three artists are referred to by the "Three Masters" of scandalous behavior? Which three artists are the three most famous artists in the Kun class? 29. Xiao Changhua, Ci Ruiquan, Guo Chunshan. Song Fengyun, Yi Douchou, Liang Huanong.
30. What three special actors did the "Three Eccentrics of the Liyuan" refer to back then? 30. Shuang Kuoting, the "blind old student", Wang Yifang, the "dumb martial artist", and Meng Hongshou, the "lame clown". 21. Which three plays do the "three breakthroughs" in the colorful-faced play refer to? 31. "Break into the tent", "break into the shed", "break into the hall".
22. What three plays does the "three stages" in Hongsheng's play refer to? 32. Block Cao, block Liang, block You. 23. What are the three most remarkable skills of Hua Dan? In which three plays is it applied? 33. Plate Kung Fu, Fan Kung Fu, and Carrying Zi Kung Fu.
Xiaoshangfen, Hongmei Pavilion, Yinyang River. 34. What three plays are the "Three Trials" that Peking Opera practitioners mainly focus on reading? 34. Interrogating Pan Hong, interrogating assassins, and interrogating heads.
35. Which plays do the "Three Meetings and One Investigation" and "Three Tuo Zhao" in Xiaosheng's dramas refer to? 35. "Qunying Meeting", "Linjiang Meeting", "Odd Double Meeting" and "Tanzhuang Meeting". "Luo Cheng Tuo Zhao", "Xiao Gan Tian", "Night Party? Back to the Tower" 36. Which three plays do the "three old officials" (three eunuchs) in the Jingbai Opera in the Painted Face Opera refer to? Who are the "three senior officials" mentioned in the play? 36. Famen Temple, attack Qidong, Zhongxiaoquan.
Liu Jin, Yi Li, Wang Zhen. 37. In Peking Opera, what three plays are performed in the "Changchang Zhan" (also called "Changchang Zhan")? 37. Taiping Bridge, Taoless Spear, and Jia Fu’s Duochang Ji.
Thirty-eight. What are the specific names of the "Three Thorns" and "Three Kills" plays in Beijing and Kunming for Dan roles? 38. "thorn beam", "thorn tiger", "thorn soup". "Kill Xi", "Kill Shan", "Kill Sister-in-law".
Thirty-nine, the "three monks" in Harlequin refer to.
6. Knowledge of Peking Opera
The Origin of Peking Opera Peking Opera is the quintessence of our country and one of the important operas popular throughout the country.
It has a history of more than 200 years. In the 55th year of Qianlong's reign in the Qing Dynasty (1790), four Anhui tune troupes, namely Sanqing, Sixi, Chuntai and Hechun, which were originally performing in the south, came to Beijing to perform one after another, cooperating with Han tune artists from Hubei and influencing each other. , it also accepted some repertoires, tunes and performance methods of Kun Opera and Qin Opera, as well as some folk tunes, and gradually integrated and evolved into Peking Opera.
Its music basically belongs to Banqiang style, and its singing style is mainly based on Erhuang of Anhui tune and Xigua of Han tune, so it was called "Pihuang" in the old days. There are also Xipi anti-tune (i.e. "anti-Xipi"), Erhuang anti-tune (i.e. "anti-erhuang"), as well as Nanbangzi, Sipingdiao, blowing tune, high plectrum, Nanluo and other singing tunes.
The main accompaniment instrument is Jinghu, supplemented by Erhu, Yueqin and Sanxian. Some singing and music are accompanied by suona, flute, etc.
Percussion instruments include single-skin drums, sandalwood boards, large gongs, small gongs, cymbals, tangs, xingzi, etc. Peking Opera performance pays equal attention to singing, reading, acting and fighting, often using virtual movements, emphasizing the blending of scenes and the blending of voices and emotions.
Since its birth, Peking Opera has had many names, such as "Luan Dan", "Huang Tiao", "Jing Huang", "Jing Er Huang", "Er Huang (Er Huang)", "Daxi" ", "Ping Opera" (Beijing was once called Peking), Peking Opera, etc. There are thousands of traditional Peking Opera repertoires, the popular ones include "The Harmony of Generals", "The Meeting of Heroes", "The Empty City Strategy", "The Drunken Concubine", "Sanchakou", "Jade Bracelets", "Fishing and Killing", etc. The formation of Peking Opera The formation of Peking Opera takes about 150 years.
In the fifty-fifth year of the Qianlong reign of the Qing Dynasty (1790), the famous Hui Troupe "Sanqing Troupe" from the south of the Yangtze River came to Beijing to celebrate the 80th birthday of Emperor Gaozong of the Qing Dynasty (Emperor Qianlong). Anhui troupe refers to a troupe that performs Hui tunes or Hui operas. It was very popular in the south in the early Qing Dynasty.
Following this, many Anhui troupes came one after another, the most famous of which are Sanqing, Sixi, Chuntai, and Hechun, which are known as the "Four Anhui troupes". They each have their own characteristics in performance. Sanqing is good at performing the entire drama; Sixi is good at Kunqiang opera; Chun Tai is mostly young child actors; and He Chun Wu Opera is outstanding.
After 1828, a group of Han opera actors entered Beijing one after another. Han Opera, also known as Chu Diao, now known as Han Opera, is mainly composed of Xipi and Erhuang tunes, with an emphasis on Xipi. It is a local opera popular in Hubei.
Since the two operas of Huizhou and Han Dynasty are closely related in terms of vocals and performances, most of the Han opera actors participated in the Huizhou troupe's cooperative performances after coming to Beijing, and some became the main actors of the Huizhou troupe, such as That's it for Yu Sansheng. The Hui tunes are mostly Erhuang tune, Gaobizi, blowing tune, Siping tune, etc., and occasionally Xipi tune, Kun tune and Yi tune; while Han tune actors perform Xipi tune and Erhuang tune.
The Hui and Han troupes cooperated, and the two tunes merged. After a period of mutual integration and absorption, coupled with the Beijing accent, and continuous nutrients from Kun Opera, Yi Opera, and Qin Opera, a new tune was finally formed. Type of drama - Peking Opera. The first generation of Peking Opera actors matured and was recognized around 1840.
Peking Opera has had many names since its inception. The categories include: Luantan, Huantiao, Jinghuang, Jingerhuang, Pihuang (Pihuang), Erhuang (Erhuang), Daxi opera, Ping opera, old opera, Chinese opera, Beijing opera, Peking opera, etc.
What are the characteristics of Peking Opera music? The singing style of Peking Opera is a variation of Ban style, with Xipi and Erhuang as the main singing styles. The melody of Xipi has greater ups and downs, the rhythm is compact, and the singing voice is smooth and bright, which is suitable for expressing cheerful and persevering emotions; the melody of Erhuang is relatively stable, the rhythm is slow, and the singing voice is dignified and vigorous, which is more suitable for expressing depressed, sad and angry feelings.
Little knowledge about opera 1. What was the name of the plane donated by the famous performing artist Chang Xiangyu during the War to Resist U.S. Aggression and Aid Korea? Answer: Xiangyu Drama club number. 2. What does the music structure of Yu Opera belong to? Answer: Plate cavity.
3. Please name the five famous actors in Henan Opera and one of their representative plays? Answer: Chang Xiangyu, "The Matchmaker", "White Snake", "Mulan"; Chen Suzhen, "Universe Front", "Spring and Autumn Match"; Cui Lantian, "Peach Blossom Temple", "Qin Xianglian"; Ma Jinfeng, "Mu Guiying Takes the Command" ”, “Flowers in the Palace”, “The Flower Gun”; Yan Lipin, “Qin Xuemei”, “Cangzhou”. 4. Who is the first actor to win the "Plum Blossom Award" in our province? Answer: Tang Yuying.
5. What are the basic skills of opera? Answer: Singing, chanting, doing, playing, hands, eyes, body, method, and steps. 6. What are the martial arts gongs and drums in Peking Opera? Answer: Four-stroke head, emergency wind, small four-stroke head, horse leg, skewer, etc.
7. What is the name of the Henan Opera "Running to Bianjing"? Answer: "Eight Pieces of Style" or "Pair of Embroidered Shoes" 8. What is the challenge in opera? Answer: The actor’s hint to the drummer before starting to sing. 9. What profession does the "Little Cangwa" in "The Mat" belong to? Also called what? Answer: Ugly behavior; also known as "three-faced face".
10. Who is the screenwriter of the Henan Opera "Mulan"? Answer: Chen ***. For more details, please visit the following website.
7. Ten Peking Opera questions and answers
1. What are the four major professions in Peking Opera?
Answer: Sheng, Dan, Jing, Chou.
2. What are the four major schools of Peking Opera’s female roles?
Answer: Mei, Shang, Cheng, Xun.
3. Who are the "Four Famous Dandies"?
Answer: Mei Lanfang, Shang Xiaoyun, Cheng Yanqiu, Xun Huisheng
4. In the Peking Opera "Yutangchun", what profession does Su San belong to?
Answer: Tsing Yi
5. In the Peking Opera "The Case of the Guillotine", what profession does Li Yongqi belong to?
Answer: Net angle
6. Which Peking Opera excerpt "Island Ice Wheel First Turn" comes from?
Answer: Peking Opera "The Drunken Concubine"
7. Which Peking Opera excerpt "The Storm Outside the Spring and Autumn Pavilion" comes from?
Answer: Peking Opera "Suolin Bag"
8. Who are the "Five Little Cheng Dan" in the Peking Opera world today?
Answer: Li Haiyan, Zhang Huoding, Chi Xiaoqiu, Li Peihong, Liu Guijuan.
9. Who is the protagonist of the Peking Opera "The Drunken Concubine"?
Answer: Yang Yuhuan.
10. Who is the protagonist of the Peking Opera "Suo Lin Nang"?
Answer: Xue Xiangling.
8. Basic knowledge of Peking Opera
The lowest price is 0.27 yuan to become a library member and view the full content> Original publisher: Longyuan Journal Network The last line is referred to as "the end".
Most of the people in this profession are middle-aged men. In fact, the last line is responsible for the function of leading the show, such as the one who leads the show.
Sidekick: A role that is smaller than a supporting role. Most of them play characters such as soldiers, government servants, followers, and members of the public.
Don’t think these people are unimportant, especially on the battlefield. The four supporting characters represent thousands of troops. They often carry various flags and run up and down according to the needs of the plot (so Also called walk-on). With this run, a grand atmosphere emerged on the battlefield.
Wenchang: The orchestra that accompanies Peking Opera. The instruments mainly include Peking erhu, Yueqin, Xianzi, flute, sheng, suona and other instruments that do not need to be struck. Ugliness is referred to as "ugly".
Ugliness can be divided into literary ugliness and martial ugliness. According to the animal zodiac, ugliness belongs to the cow, and cows are stupid by nature, so ugliness is synonymous with stupidity.
But the Wu Chou on the stage is also called an open-mouthed jumper. He can speak and dance, and performs a lively and smart character who is good at performing martial arts. This is completely different from the ugly and stupid nature of Niu. Banyan: The term for opera music is the beat.
Because the beat in Peking Opera is controlled by a drum board, and you hit the board when you encounter a strong beat, so this beat is called "ban". You beat the drum or press the beat with your fingers on the strong and weak beats. They are called "middle eyes" and "small eyes", and together they are called "ban eyes". Wuchang: The percussion band that accompanies Peking Opera. The instruments mainly include drum boards (single-skin drums and sandalwood boards), big A, cymbals, and small gongs.
9. All basic knowledge of Peking Opera
1) Stage and time and space methods. In the past, there was no big curtain on the Peking Opera stage, and the audience could see the entire stage clearly at a glance.
There is usually only one table with a "table surround" and two chairs with a "chair cover" on the stage, which is called "one table and two chairs". The table surrounds and chair drapes have decorative embroidery.
Sometimes there is nothing on stage. Later, a large curtain was added in front of the stage, which was used to cover the stage before performances.
Sometimes during the performance, another curtain is pulled up, called the "second curtain", which is used to block the preparation work such as setting up tables and chairs and actors changing costumes behind the scenes, while actors can perform in front of the curtain at the same time. , making the Peking Opera performance more compact. The time and space of the Peking Opera stage are very free, and it is not restricted by the time and space of real life.
After the curtain opens, and before the actors come on stage, the stage does not indicate any time or place. The time and space of Peking Opera dance are determined by the activities of the actors.
For example, after a character in Peking Opera comes on stage, he can indicate that the stage is his study by speaking and singing. But the study no longer exists after he comes off the stage, and then another character comes on. Through his physical performance, it can be shown that the stage is a rugged mountain road.
When a person is sitting idle at home and wants to visit a friend's house, he walks in a circle (called a "circle") on the stage, and his home is transformed into his friend's home. . For another example, when a character in a play is shocked when he hears unexpected news, this is a momentary psychological reaction, but in order to portray the character, it can take a long time to sing.
On the contrary, processes such as writing letters, reading letters, and drinking wine originally require a certain amount of time, but for the sake of simplicity, they only need to perform gestures and play a suona tune at the same time, and it is completed. Therefore, when appreciating Peking Opera, the audience needs to use their imagination along with the actors' narration, singing and performance, so as to understand the time, place and environment in the play.
(2) Role types The role types of Peking Opera are commonly known as "businesses", which are mainly divided according to the gender, age, identity, status, personality, temperament, etc. of the characters in the play. The business division of Peking Opera is derived from ancient operas such as Kunqu Opera and Huihan Opera.
In the beginning, there are ten roles: Sheng, Dan, Mo, Wai, Jing, Chou, Za, Shangshou, Xiashou, and Popular. Later, due to the development of performing arts and the richness of the repertoire, the strict boundaries of the professions were broken, and the four professions of Sheng, Dan, Jing and Chou were integrated.
Each line contains several different character types. In Rushengxing, there are: Laosheng (mainly playing the role of emperors and elegant middle-aged and elderly people.
Some military commanders who are both singing and fighting, such as Hua Yun, Yue Fei, Huang Zhong, etc., are "relying on Laosheng") , also belongs to Laoshengxing), Wusheng (brave warriors or green forest heroes), Xiaosheng (mainly playing heroic and suave characters, such as Zhou Yu, Lu Bu, and handsome young characters), Hongsheng (such as Guan Yu, Zhao Kuangyinyi) Children-like characters), children-like characters in the play are called dolls. The Dan line includes: Zhengdan (or Qingyi) (a dignified and quiet woman), Huadan (an innocent and lively girl or a woman with a fierce personality), Wudan (a heroine, a green forest warrior, a fairy in mythology, etc.) , Lao Dan (elderly woman), Caidan (a cheerful and funny woman or a stubborn evil woman, etc.).
Jing (also known as "painted face") line includes: Zhengjing (a solemn and dignified loyal minister and good general), Fujing (a hero in the green forest and grassland or a powerful minister and traitor), Wujing (a fierce warrior or in mythology) fairies, monsters, etc.). Chou (also known as "little painted face" or "three-faced face") has different professions: Wen Chou (a smart, funny or cunning character), Wuchou (a smart, capable and humorous hero and martyr), singing and reading. , production, fighting, clothing, makeup and other aspects have their own characteristics.
Within the same line of work, there are several schools, each based on its own conditions and understanding of art. Carry out innovation and creation to form distinctive style and characteristics.
(3) The main singing accompaniments of Peking Opera are "Xipi" and "Erhuang", referred to as "Pihuang". The general term for tunes, they are divided into several "ban styles".
These ban styles are all developed based on a tune. Xipi and Erhuang have "original ban", "adagio", "Kuai Sanyan", "Scattered Board", "Shaking Board" and other board styles, Xipi also has "Erliu", "Liu Shui", "Allegro"
Similar styles of Xipi and Erhuang. There are both connections and differences between these patterns. The difference lies in the strength and dispersion of the beat, the density of the rhythm, the speed of the tempo, and the complexity and simplicity of the melody.
These patterns are both different. It can be formed into separate sections or connected into a set. Different patterns express different emotions. In singing, singing is an important means of shaping the character.
In addition to Xipi and Erhuang, Peking Opera also has tunes such as "Siping Tune", "Nan Bangzi", and "Gaopouzi". Peking Opera music is also stylized, and various tunes and patterns can be used repeatedly (of course, they are not copied completely. ).
For example, Su San in "Nu Qi Jie" sang "Xipi Adagio", and Liu Yingchun in "Fenhe Bay" also sang "Xipi Adagio". This is absolutely not allowed in operas.
Therefore, to appreciate Peking Opera, you need to carefully distinguish the differences in singing. In order to match the performance, describe the environment, and enhance the atmosphere, some instrumental music is often played.
These. There are long and short tunes, some are played with suona, flute, and some are played with huqin. Each has its own purpose. For example, the marshal plays "Shuilongyin" when he raises his tent, "Gongchishang" is played when greeting guests, and "Weeping for the Emperor" is played in the mourning hall. " etc.
Gongs and drums play an important role in Peking Opera, and they are inseparable from singing, reading, and playing.
It is characterized by strong sound and distinct rhythm, which is used to strengthen the rhythm and create an atmosphere.
For example, battle scenes would be unimaginable without the accompaniment of gongs and drums. There are many gong and drum ideas in Peking Opera gongs and drums, which are called "Gongs and Drums Sutra".
It has a certain style of play, but also flexibility. "Gongs and Drums Sutra" is mainly divided into opening gongs and drums and posture gongs and drums.
The opening gongs and drums are the gongs and drums played before singing, as a guide to the singing. Figure gongs and drums are gongs and drums that are used in conjunction with performances and martial arts.
Peking Opera gongs and drums also have a special function, which is to unify various means of expression. All transitions between singing and chanting, as well as adjusting the speed of the stage rhythm, are all accomplished by gongs and drums.
Therefore, gongs and drums are used throughout the play. The recitation of Peking Opera is also very distinctive.
It is different from the language of daily life, but an artistically processed and musical stage language. The narration in Peking Opera is mainly divided into "Jingbai" and "Yunbai".
Jingbai is.