(1) Slippery performance is mainly to learn from the playing techniques of China national musical instrument Erhu and imitate the singing of Yue Opera, so as to enhance the special expressive force of music. Slip marks can be divided into four types, namely, upward sliding, downward sliding, in-situ back-and-forth halftone erasing and long-distance sliding.
(2) Typical guzheng sounds and playing methods have been successfully used for reference. The 32-minute notes are played flexibly and smoothly, and the 8-minute notes with 8-degree jumps should be played with the bow roots that violins are good at, playing as crisp as plucking, showing the scene of Liang's brotherhood and laughing.
(3) The syncopated chords with continuous stress and the continuous double tones of the lower bow skillfully imitate the "strike" and "sweep" of the pipa (the upper bow of the violin is like a strike and the lower bow is like a sweep). Starting from the sound effect, syncopated chords are played continuously, and the bow segment should use the natural center of gravity of the bow root and be close to the fingerboard, so that the chords can be pronounced at the same time. This kind of Rafah is close to European Baroque, with fast bow speed and low bow pressure. However, here, the performers don't need to control the volume, but focus on the scene where Zhu Yingtai resolutely resists marriage.
(4) scattered board, elastic rhythm, tight pull and slow singing, improvisation, etc. It is a common technique in China folk opera and folk music, and it has become a means of expression with strong national characteristics. The upward and downward motives of this cadenza can be handled as follows: slowly rising-gradually accelerating-gradually slowing down to show Liang Zhu's reading and playing scenes and lyrical scenes.
Legend of Liangzhu
During the three years in Yuezhou, Liang Shanbo and Zhu Yingtai were inseparable, studying together during the day and sleeping together at night. Zhu Yingtai secretly admired Liang Shanbo, but Liang Shanbo's character remained unchanged. He never knew that Zhu Yingtai was a woman, let alone her mind. On one occasion, when Tomb-Sweeping Day had a holiday, they went to visit Jinghu Lake. Zhu Yingtai hinted at the scenery to Liang Shanbo many times, but Liang Shanbo didn't understand it at all, and even made fun of Zhu Yingtai for comparing himself to a woman. Finally, Zhu Yingtai had to tell Liang Shanbo directly that Liang Shanbo had an epiphany.
But all this was known by Ma Wencai who was watching, and Ma Wencai also knew that Zhu Yingtai turned out to be a woman. Later, his family wrote to urge Zhu Yingtai to go home. Before he left, Zhu Yingtai left a letter telling Liang Shanbo that "the 28th, 37th and 46th are fixed", which means that Liang Shanbo will go to Zhu Fu to propose marriage ten days later, but Liang Shanbo thought it was three days together.
So I didn't propose until a month later. When Liang Shanbo came to Zhujiajian in high spirits, I realized that Ma Wencai had proposed first and got the dowry. Liang Shanbo had to leave sadly, and Zhu Yingtai sent him on his way.