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What are the famous poems of Huang Tingjian?
1) Peach, plum, spring breeze, a glass of wine, it has been raining in the Jianghu for ten years. -Huang Tingjian's "Send the Yellow Number Back"

In the spring breeze, I watched peaches and plums drinking wine together, but now I'm down and out. I have been away for ten years, and I often miss you in the autumn rain in the lonely lamp.

2) Qian Shan has a vast ocean and a bright moon in Chengjiang. —— Huang Tingjian's "Deng Express Pavilion"

Leaves fall on the mountains, making the sky more spacious, and the clear lake water becomes clearer because of moonlight.

3) Six or seven miles on the mountain, there are wing springs and drunken pavilions. -Huang Tingjian's "Ruihe Xianwei Chushan"

The mountains are winding and the roads are winding. There is a pavilion with four corners inclined, like a bird spreading its arms and perching by the spring. This is Zuiweng Pavilion.

4) Yao He Bichun entered Wulingxi. —— Huang Tingjian's "Water Regulation Course Tour"

Yao grass is greener, and spring comes in Wuling Creek.

5) Huang Ju Branch was born in Xiaohan. —— Huang Tingjian's Partridge Days and Meishan's History of Seclusion ...

When the chrysanthemum blossoms are full of branches, it is the Double Ninth Festival, and it is already cool in the morning.

6) Gu Si Mountain is exposed to water and light, and it is fragrant for ten miles. -Huang Tingjian's Book of Ezhou South Building

Standing on the south building, leaning against the railing and looking around, I saw the mountains and the water together. On the vast surface of the water, the water chestnut lotus blooms and smells fragrant.

7) Riding an ox and piccolo blowing through the village thousands of villages away. -Huang Tingjian's The Shepherd's Poetry

Riding a cow far away from the village, I heard a faint flute on the fence.

8) yellow flowers and white hair hold hands and look at them coldly when giving them away. —— Huang Tingjian's Partridge Days, Sitting in Meishan, Hidden Guest History.

Yellow flowers refer to young people, and white hair refers to old people. Young people and old people hold hands with each other and let others say whatever they want.

9) There is no breath of spring. —— Huang Tingjian, "Where is Qingping Lechun"

No one knows the traces of spring.

10) I live in the South China Sea of the North Navy, so I can't send books by goose. -Huang Tingjian's "Send the Yellow Number Back"

I live on the northern seashore and you live on the southern seashore. I want to send a book to Hongyan, but it can't fly to Hengyang.

Recommend several classic poems by Huang Tingjian, entitled "Fangzheng Picture Clip".

Hui Chong returned home in misty rain, sitting in my Xiaoxiang Dongting.

I want to call the boat back to the cloud, just say it's Dan Qing.

idyll

Riding cattle and piccolo blowing through the village thousands of villages away.

How many Chang 'an fame and fortune guests, organ failure is not as good as jun.

Ps: Pass this poem on as Huang's seven-year-old work.

It's just Jingjiang Pavilion's illness.

The old Fu Bo of calligraphy, the sick Vimo of Bodhi Square.

There are no seagulls and herons in the water near people, and sometimes cows have their noses floating.

Close the door and find a way to say that Chen has no selfishness and spends money on his guests.

I don't know if I have enough food and clothing, but the west wind blows tears and Gu Teng.

Wang Chongdao sent fifty daffodils.

Fairy Ling Bo gave birth to dust socks. She walked lightly on the water.

Who recruited this heartbroken soul and planted it as a cold flower to send sorrow?

Sweet body wants beauty, and mountain alum is the younger brother.

Sitting is really annoying, and I laugh when I go out.

Dengkuaige

Silly children don't do official business, and they rely on yat sen villa for quick things.

Qian Shan has a vast sky, and Chengjiang has a bright moon.

Zhu Xian is already a beauty, and her young eyes are chatting with wine.

Wan Li returned to the ship to play the flute, which is why we made an alliance with Bai Ou.

Send yellow a few times.

I live in Junnanhai, Beihai, and I can't send geese to deliver books.

Peach and plum spring breeze, a glass of wine, ten years of night rain.

Governing a family has four walls, and governing a country is not a matter of three fold.

I think my reading head is white, and the ape across the stream is crying and smoking.

Climb Yueyang Tower and see Junshan in the rain.

one

I was born in Qutang, I was born in Qutang.

Jiangnan smiled and stood in front of Yueyang Tower to Junshan.

Secondly,

The wind and rain in Mitsue leaned against the railing, tying the ladies' twelve buns to the ladies.

It's a pity that I can't face the lake, but I can only see Junshan in the Yinshan pile.

Two chess pieces gradually appeared.

one

Occasionally no official business, a bottle of 300 dead chess.

Sitting in seclusion, I don't know the joy of the rock, Tan Shengli, the layman's words.

Books and books accumulate dust, and cars and horses flock to the door.

If you overcome arrogance and doubt, you will fail. Sure enough, you will eventually defeat the enemy soldiers.

Secondly,

Occasionally, when I have nothing to do, I will talk about two games of military school chess.

My heart is like spider silk swimming in the blue sky, and my body is like dead branches.

I wish to die in the east, and the world can be divided.

Who said I still love the sun? I never know.

Happy satrap Bi Chao scattered into politics.

Fame and fortune are two horns, and it is difficult to have a cup.

The concept of hundred bodies is an illusion, and all people fight for it first.

Sitting in the building at night doing nothing.

Standing in the south of the city, leaning against the railing, I saw mountains and water connected together, and water chestnuts and lotus flowers were in full bloom and fragrance on the vast water surface.

The breeze and bright moon are unattended, and the south is cold.

Qingming Festival

Every holiday season, I miss my parents, and the peaches and plums smile, and the Noda wilderness is only sad.

The thunder stung the snake, and the grass trees in the suburbs were soft after the rain.

It's unfair for people to sacrifice my arrogant concubine and wife, but it's unfair to burn them.

Smart fools have known who it is for thousands of years, and their eyes are full of Artemisia.

Hsinchu

When they started planting bamboo, they used their spines to form a fence, carefully protecting the growth of Hsinchu, which was shaded by trees and rippled in the water.

The summer breeze blows across the ground, as if autumn is advancing into the sky, and the sun is high in the sky, without feeling the heat at noon.

When you untie the reed, you hear the rustling sound. When you put the tip, you see the shadow leave.

I want to come here often when I have time, but I still teach you everywhere.

Tit Zhu Shi herding cattle

The wild age is small and majestic, and the secluded lean on the green.

A Tong's three-foot pestle is a way to resist the old man.

Wu Shi likes it very much, so don't send cows to grind their horns.

The horn is good, and the cow fights me.

Huang Tingjian's poem "Sending Yellow Several Times" has rich meanings. Please briefly analyze the thoughts and feelings in the poem in combination with the poem. Huang Tingjian's Send Yellow Several Times expresses the author's deep thoughts and feelings for his distant friend Huang Jifu.

Send yellow a few times.

Huang tingjian

I live in Junnanhai, Beihai, and I can't send geese to deliver books.

Peach and plum spring breeze, a glass of wine, ten years of night rain.

Housekeeping, but with four vertical walls, does not cure diseases.

I want to study, my head is white, and apes cry over streams.

[Appreciation]

The first couplet of this poem, "I live in Beihai, Nan Jun Sea, and I can't thank you for your letter", expresses my feelings for my distant friends. At that time, the poet was in charge of Deping Town in Dezhou (now Shandong), and his friend Huang Jie was the magistrate of Sihui (now Guangdong). They all live in coastal areas. Zi Chu said to Qi Huangong in Zuo Zhuan, "You are in the North Sea and I am in the South China Sea", which shows that the sea and the sky are the same. Communication is not easy. The ancients said that wild geese spread books with their feet, and that Hongyan flew south to Hengyang, and Sihui was in the south of Hengyang. Therefore, I wanted to ask Hongyan to send a letter, but it was also rejected.

Zhuan Xu's "A glass of wine with peaches and plums, a lamp for ten years after a rainy night in rivers and lakes" recalls the joy of being together in the past, and further expresses the deep yearning for leaving for ten years. At that time, when the spring breeze blew, we raised our glasses and drank under the blooming peaches and plums. I have been wandering in the Jianghu for ten years. Whenever the night rain is falling and the lights are dim, I can't help but miss my friends far away. The huge contrast between the scenes described in these two sentences forms a strong contrast, which further highlights the feelings of missing.

Necklace Association "housekeeper but has four walls, it is not difficult to cure diseases." It praised its friends for their honesty and integrity, and their political management.

The couplet "I want to see my head turn white when I study, and the ape cries vine across the stream" praises my friends for their hard work and tireless efforts. The poet imagined that his friend was now white-haired and rustling, and his reading sound came from wild vines through a miasma-filled stream with the cry of a tragic ape. There is quite a feeling that bosom friends are in the wild and can't reuse grievances.

The main artistic features of this poem:

Huang Tingjian was the founder of Jiangxi Poetry School in Song Dynasty. His poetry has a fresh, innovative and thin artistic style, and he is good at using allusions. He transformed and transformed the words in ancient books and absorbed them into his own works, thus making the meaning of poetry richer and the emotion more subtle. Therefore, his poems show profound knowledge and are full of bookishness. This poem embodies this artistic feature.

Peach and plum spring breeze, a glass of wine, ten years of one-night rain.

Huang Tingjian's Poem Qingming

Author: Huang Tingjian

Every holiday season, I miss my parents, and the peaches and plums smile, and the Noda wilderness is only sad.

Thunder stung dragons and snakes, and the original vegetation in the suburbs was soft after the rain.

It's unfair for people to sacrifice my arrogant concubine and wife, but it's unfair to burn them.

Smart fools have known who it is for thousands of years, and their eyes are full of Artemisia.

Qingpingle, where does spring return?

Author: Huang Tingjian

Where does spring come back? Lonely, no road. If anyone knows where spring went. Call back and live together.

There is no breath of spring. Unless you ask an oriole. Nobody can solve it, because the wind flies over the roses.

Pa express Guan

Author: Huang Tingjian

Silly children don't do official business, and they rely on yat sen villa for quick things.

Qian Shan has a vast sky, and Chengjiang has a bright moon.

Zhu Xian is already a beauty, and her young eyes are chatting with wine.

Wan Li returned to the ship to play the flute, which is why we made an alliance with Bai Ou.

Send a few replies to Huang

Author: Huang Tingjian

I live in Junnanhai, Beihai, and I can't send geese to deliver books.

Peach and plum spring breeze, a glass of wine, ten years of night rain.

Housekeeping, but with four vertical walls, does not cure diseases.

I want to study, my head is white, and apes cry over streams.

, shepherd boy poem "

Author: Huang Tingjian

Riding cattle and piccolo blowing through the village thousands of villages away.

How many Chang 'an fame and fortune guests, organ failure is not as good as jun.

Water diversion course trip

Author: Huang Tingjian

Yao Cao, He Bi, entered Wulingxi in spring. There are countless peach blossoms on the stream and orioles on the branches. I want to find my way among the flowers, go straight into the depths of white clouds and show my rainbow. I'm afraid that scarlet flowers will wet people's clothes.

Sit on the jade, lean on the jade pillow and brush the gold badge. Where is the fallen fairy? No one to accompany me. I am ganoderma lucidum, not a red face. What is a long whistle? Drunk dancing down the mountain, the bright moon belongs to everyone.

Climb Yueyang Tower and see Junshan in the rain.

Author: Huang Tingjian

Pass on the desolation of the edge through the death of the temple, and now live outside Qutang Gorge in Yan Guan.

Jiangnan smiled and stood in front of Yueyang Tower to Junshan.

The wind and rain in Mitsue leaned against the railing, tying the ladies' twelve buns to the ladies.

It's a pity that I can't face the lake, but I can only see Junshan in the Yinshan pile.

Yu Meiren-Zhou Jianmei building

Author: Huang Tingjian

There is also a letter from the end of the world. Meihua knows that spring is near. The wind in the middle of the night is very good and fragrant. I don't know, it blooms everywhere and branches south.

Yutai will be jealous when she talks about pink flowers. Float to the eyebrows. May the cup be deep in my life. Going to the countryside for ten years is old and childish.

The Book of Ezhou South Building

Author: Huang Tingjian

Standing in the south of the city, leaning against the railing, I saw mountains and water connected together, and water chestnuts and lotus flowers were in full bloom and fragrance on the vast water surface.

The freedom of no one to watch the cool breeze and bright moon, and the moonlight melts into the wind blowing from the south, which makes people feel cool and comfortable.

The representative work of Huang Tingjian's poetry is Qing Ping Le. Where does spring return? Loneliness has nowhere to go. If anyone knows where to go in spring, ask him to come back and live with him. Who knows if spring will disappear? No one can solve it unless you ask the oriole, because the wind flies over the roses. On a partridge day, a branch of Huang Ju gave birth to Han Xiao, so don't let the glass dry in your life. In front of the wind, the flute blows obliquely, and the drunken hairpin hangs upside down. Live, eat, dance, and enjoy the song board. Yellow flowers and white hairs are holding hands, and people look at them coldly when they give them. Look at the smoke trees in the west of Jiangdong River, but see Jiangdong Road. Thinking that only dreams come and go, I am not afraid to live in the river. There are countless books written in front of the lamp, so no one handed them around. It's still autumn when you look for geese to reward you.

Huang Tingjian-the pride of fishermen

For 30 years, I have been blind and fascinated several times.

I went to school as soon as I saw the peach blossom.

The main point of presentation is that the stringed piano is monotonous.

It is especially important to look at flowers when picking leaves and finding branches.

In the future, people want to know.

Non-mysterious, Lingyun was laughed at by Peach Blossom.

Appreciate:

What are the representative poems in Huang Tingjian? 1, "Qingping Music, Where Will Spring Return?"

Year: Song Author: Huang Tingjian

Where does spring come back? Lonely, no road.

If anyone knows where spring went,

Call back and live together.

There is no breath of spring. Who knows?

Unless you ask an oriole.

No one can solve it,

Because the wind blows over the roses.

2. "Partridge Day Huang Juzhi Born Han Xiao"

Year: Song Author: Huang Tingjian

Huang Juke gave birth to Han Xiao. Don't let the glass dry in life In front of the wind, the flute blows obliquely, and the drunken hairpin hangs upside down.

Live, eat more. Dancing skirts and singing boards are full of joy. Yellow flowers and white hairs are holding hands, and people look at them coldly when they give them.

3. "Bodhisattva, the breeze blows away the smoke."

Year: Song Author: Huang Tingjian

The breeze dispersed the thick smoke. The cold pond is raining every day. Residual embroidery is not in the mood. Birds sing and flowers sing. Sadness is hard to control. Young and nice, swear. Loneliness closes the door. Luo Yi's tears are empty.

4. "Partridge, I heard that there is a Cui E in your family."

Year: Song Author: Huang Tingjian

It is said that you have Cui E in your family. You can't have too much powder. Hide pearls and shoes when you talk behind people's backs, and be a jade shuttle when you are ashamed.

Drag out the headland and shear the wave. When is it better to pass on wine than songs? What I wrote for you is Huang Ting, not a Taoist in Yin Shan.

5. "Egrets fly by the side of Mount Cisse"

Year: Song Author: Huang Tingjian

Egrets fly on the side of Mount Cisse. Peach blossom and flowing water mandarin fish fertilizer. The imperial court is still looking for Xuanzhenzi, where there are many poems now. Green bamboo hat, green hemp fiber. There is no need to return to the oblique wind and drizzle. There is no wave in the world, but there is wind and rain at twelve o'clock a day.

What are the poems written by Huang Tingjian? Yu Meiren 1

Wang Ping likes living in rivers and lakes. Seagulls and herons have nowhere to go. Jiang nan Jiang Bei shui yun Lian don't laugh and sing and dance. This is a slap in the face. Thank you, distinguished guests and friends. The door can't be repaired. Ashamed poems are clearer and more resonant.

2. Fisherman's pride

Qian Shan came to this land. Ben Di Yin Shin Wu Chuanliang. Who cares about me? Go to hell. The river head is dark and folded into a long reed crossing. Nine years to see the second ancestor. One flower and five leaves are extra. Go back to Green Ridge. Do you know that?/You know what? Obviously forgot where you came from.

3. Fisherman's pride

For 30 years, I have no loopholes. A few times, my eyes were still fascinated. I went to school as soon as I saw the peach blossom. Introduce the main points of the law. The Zen Capital Tone on String Piano. Picking leaves and finding branches are half-aged. Flowers are especially important for young people. In the future, people want to know. Not mysterious. Lingyun broken peach blossom laughed.

4. The two pieces appear as a gradual process.

Occasionally, when I have nothing to do, I will talk about two games of military school chess. My heart is like spider silk swimming in the blue sky, and my body is like dead branches. I wish to die in the east, and the world can be divided. Who said I still love the sun? I never know.

5. "Background Emperor Poetry"

Silver candles give birth to red bean-like flowers. Take your things. I have them now. People drunk deep screen, borrow treasure lightly. A gust of white apple wind put out the candles and taught each other. Flowers are fragrant with rain, ice and muscle. Hate to cry, pulley sound dawn. The shore willow blows the residual wine cold. When my heart breaks, I still do. Thin in the mirror.

Background:

Huang Tingjian (1045.8.9-1105.5.24), whose real name is Lu Zhi, a Taoist in the valley, was named Fuweng at night. Born in Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province), Fenning was a famous writer and calligrapher in the Northern Song Dynasty. He is the founder of Jiangxi Poetry School, which is in its heyday. They, Chao and Qin Guan all studied under Su Shi, and they are collectively called "Su Men Four Bachelor". He was as famous as Su Shi before his death and was called "Su Huang" by the world. [ 1]

He is the author of Valley Ci, and Huang Tingjian's calligraphy is unique and is one of the "Song Sijia".

Achievements:

Taking Du Fu, a master of Tang poetry, as the research object, Huang Tingjian constructed and put forward poetic theories such as "turning iron into gold" and "taking fetus as bone", which became the theoretical program and creative principle of Jiangxi poetry school and had a far-reaching influence on later literary creation. As one of the great poets in Song Dynasty, Huang Tingjian's influence on Song poetry even surpassed that of Su Shi, a great writer. Su Shi's poems are full of vitality, vertical in conception, wide in opening and closing, unpredictable, complex in structure and untraceable. Therefore, although Su Shi's achievements were high, there were few teachers and he failed to form a genre. Huang Tingjian's creative ideas are traceable, eloquent and studious, so he has many followers. Huang Tingjian's poems, with rigorous statutes and meticulous reasoning, represent the characteristics of the Song Dynasty. It can be said that Huang Tingjian's poems are the most artistic in the Song Dynasty. Influenced by Huang Tingjian, Jiangxi Poetry School also influenced the poetic style of the Southern Song Dynasty, which had a far-reaching impact on later generations. When Su Shi was a squire, he once recommended Huang Tingjian to replace himself. In the recommendation, there are "magnificent articles, wonderful in the world; The sentence "filial piety, catching up with the ancients" illustrates the importance of recommendation.

This paper discusses the artistic features of Huang Tingjian's poems, which are mainly manifested in the following aspects: (1) The structure of the article is rigorous. Fan Wen, a poet in the Song Dynasty, quoted Huang Tingjian as saying: "Articles must be carefully arranged. Every time I see the post-school, I often tell you that the original road has twists and turns. " Song poetry has a tendency of prose culture, and Huang Tingjian also used the method of writing articles in his poetry creation, demanding that every sentence and paragraph should be arranged properly. However, this "arrangement" is not an attempt to stick to such a rigid format, and the village scholars' "starting, inheriting, turning and combining" is full of twists and turns. "Strange and positive are born together", which is rich in law but impossible to do, and finally reaches the realm of "unintentional writing". When we read Huangshi, we often encounter such a situation: the author's train of thought seems to be suddenly broken, and the upper and lower sentences can't be connected with tenons. This is like a montage technique in a movie. The lens suddenly changes and the scene suddenly changes, but there are still people who are internally related and need our imagination to make up for it. In this way, literature is more concise and poetic.

(2) Pay attention to rhetoric. Huang poetry has its own unique syntax, which was handed down from Du Fu. I like to make awkward sentences. In sentence structure, the order of subject, predicate and object is reversed, or some sentence components are deleted, or two meanings are condensed in one sentence, which makes the meaning of the sentence tortuous and the style ups and downs, leaving a deep impression on readers. For example, the famous sayings "A chicken knows when it rains, and snow and frost are better than fungus to compete for the new year" ("Re-rhyme to send children") and "I don't know the bright moon, and the green trees give me cool autumn" ("Bianan wine gives me yellow seventeen") are all good examples. Huang's poems attach great importance to the refinement of words, "taking one word as the key to closing the door", the third word of five-character poems and the fifth word of seven-character poems require a stable work and a new policeman. The words are powerful, there are "eyes" in the sentence, and the sentence looks steep, which is colored by the whole poem. Function words should be refined, especially the application of function words, so as to make the writing ups and downs.

(3) Pay attention to the tempering of the sentences in the regular poems. Duality, the Tang people have made a lot of efforts, and there are many neat, delicate and well-known antitheses in Tang poetry. If Song people want to spread it, they must establish new laws and innovate their ideas. The antithesis in Huangshi's poems is natural and vivid. Some of them look like prose sentences at first glance, but they are not like duality. However, if you appreciate them carefully, you will find that every word is exquisite and has a unique charm. For example, "Five sheep are a hundred miles away, and cheap children are divided into male teenagers" ("Pei Zhongmou, the second rhyme in the same year"), "Sit still in the spring rain song, and miss the sunset thousands of miles away" ("Answer Wang Huizhi to see you upstairs"). As the saying goes, "the breath of singing is the luck of even sentences."

(4) It has special musical beauty. The rhythm of poetry is consistent with emotion, and the special style needs to be expressed with special rhythm. In Huang Tingjian's regular poems, there are many sentences that do not conform to the "norms", and these sentences are not composed according to the flat and even characters stipulated in the Poetry Law. "The method is to change the word from the current flat word, and it is quite unusual to be angry." This well-used and emotional embarrassing phrase is even more beautiful in disharmony. For example, "It rained for a long time, and the Yangtze River sailed to the sky late" ("The topic falls on Xinglan"), "Talk 10,000 words, look up 300 cups" ("The old topic of crossing Fangcheng to find the seventh uncle") and so on. In this way, Huang Tingjian took great pains, found a new way, deliberately surprised, and formed his own unique artistic style with the writing method of "singularity", the syntactic method of "taking the old as the new" and the dangerous temperament. People call this poetic style "bold innovation" and "old and hard". Huang Tingjian swept away the weak and extravagant poetic style in the Five Dynasties and the early Song Dynasty and made contributions to the development of China's poetry.

On poetry, Huang Tingjian advocated such methods as "no words are passive", "turning iron into gold" and "replacing bones with fetuses", which had a certain influence in the Song Dynasty and even later generations. Jiangxi poetry school advocates thin and hard style and demands that every word has its source. It often imitates the poems of predecessors, making slight changes, thinking that originality is to inherit Huang Tingjian's mantle and strengthen it. Huang Tingjian pays too much attention to the technical form of poetry and ignores the ideological content of his works, which is the most essential thing in literature and art. Therefore, no matter how hard he tries to bring forth the new, practice words and sentences, and strip away the words and stale tunes used by others, he actually just fills his new bottle with the old wine of his predecessors. His writing skills are getting deeper and deeper, and some poems are stiff and eccentric, or too tortuous and obscure, so that they have become antiques that only a few people appreciate.

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