Research achievements of teaching and research personnel:
Monographs:
Chen Tianguo:
Study on Chaozhou Ancient Genealogy, edited by Su, published by Huacheng Publishing House in 2002.
Chaozhou Opera Music (edited by Chen Tianguo Su, published by People's Music Publishing House in 2004).
Research on Ancient Music of Chaoyang Flute Collection, edited by Su, published by Guangdong People's Publishing House in 2006.
China's Painting Spectrum (edited by Chen Tianguo and Su, published by Huacheng Publishing House in 2006).
Thesis:
Chen Tianguo:
1. Chaozhou Fine Music published the Concept of Earth Music and Acoustic Music in Shantou Folk Concert in July 2002 and Guangzhou Music Research in 2002.
2. Praise of Buddhist Music of Chaozhou Opera in South China Sea written for Shantou Cultural Bureau. Chaozhou Ancient Genealogy (Journal of Xinghai Conservatory of Music), the first and second issues in 2002.
3. On Mr. Luo Jiuxiang's Contribution to Hakka Music (Journal of Xinghai Conservatory of Music), the first issue in 2003.
4. The establishment and significance of concepts such as "Earth Music and Acoustic Music" (Xinghai Conservatory of Music). In the first issue of 2004, this article was compiled into "China Experts' Academic Achievements Looking in the Mirror".
5. The Body and Soul of Round Music (Journal of Xinghai Conservatory of Music), No.2, 2004
6. Textual research on Chaozhou Zen and Banfo Music, Denghai, June 2004, 5438+065438+ 10.
7. History of Chaozhou Music, Chaozhou Daily, June 7, 2006.
Wang:
Interview with Lingnan music figures;
1. Postmodernism, National Music, Lingnan Music —— Guest Professor Ellen published in Journal of Xinghai Conservatory of Music.
2. There is a romantic sky-a visit to Yu Qiwei was published in People's Music.
3. The Wandering Muse-An Interview with Professor Huang Jinpei was published in Journal of Xinghai Conservatory of Music.
4. Studying Lingnan Music with "Question Consciousness" —— An Interview with Professor Feng Guangyu
5. "Zheng art reflects ancient sounds, benevolence and wisdom, enlightens eternal life-an interview with Professor Rao Ningxin"
6. Peace of mind is home —— An interview with Professor Gan Shangshi.
Zhou Kaimo:
A study on the sound of "karaoke ceremony" in Paiyao, Guangdong Province. Hong Kong: Adopted by the Defense Committee of the Chinese University of Hong Kong. (2007)
On Hakka Music Culture and Local Inheritance, Guangzhou: Journal of Xinghai Conservatory of Music,No. 1, 2000.
Luo Xiaoping:
In the creation of beauty, let music be reborn —— An analysis of Yu Qiwei's aesthetic view of music performance (No.4, Huang Zhong, 2003) won the fourth literary criticism award of China Federation of Literary and Art Circles.
About the second prize.
Wang Lili:
Comparison and Cause Analysis of Two Kinds of High-pitched Singing in Gan Opera (Master's Degree Thesis)
The relationship between the melody source of Gannan tea-picking drama and the formation history of Hakka clan.
Structural Analysis of Bi-directional High-pitched Qupai in Gan Opera
Study on the Relationship between Bi-directional High-pitched Qupai and Tone in Gan Opera
Comparison of Different Musical Features of Bi-directional Tenor in Gan Opera and Analysis of Its Causes
Participate in national academic exchange activities:
Chen Tianguo:
In September, 2002, he participated in the 12th annual meeting of the Chinese Traditional Music Society, and his thesis "Exploration of Chinese Buddhist Music".
In June, 2002, he participated in the academic seminar of Luo Jiuxiang, and wrote a paper on Mr. Luo Jiuxiang's contribution to Hakka music.
On June 5438- 10, 2003, he went to Beijing to attend the first Sino-Korean Buddhist Music Seminar and wrote a paper "Overview of Buddhist Music in Guangdong".
In 2004, I was unable to attend the second Sino-Korean Buddhist Music Seminar, and the topic of the paper was "Appreciation of Chaozhou Buddhist Music".
In May 2004, an academic lecture on "Chaozhou Music Characteristics" was held in Xinghai Conservatory of Music.
In May, 2005, he went to Hong Kong to attend the Lingnan Music Symposium and served as a special representative.
In September, 2005, Beijing participated in the China Sanxian Academic Seminar and published the paper "The Style, Phase and Application of Sanxian Music".
From June 5, 2005 to 10, Xiamen participated in the third Sino-Korean Buddhist Music Seminar and submitted a paper "Several Related Issues of Buddhist Music on the Stage".
Wang:
In 200 1 year, he participated in the seminar on Luo Jiuxiang's birthday100th anniversary.
In 2003, he participated in the seminar on the 0/00th anniversary of Lu Wencheng's birthday/KLOC-and wrote a paper "Postmodernism and the Innovative Development of Guangdong Music".
In 2003, he participated in the first music seminar of tea-picking drama and wrote a paper "The Survival and Development of Tea-picking Drama in the Postmodern Context".
In 2003, he participated in the first Guangdong Chinese Music Seminar and wrote the paper "Cultural Taste of Guangdong Chinese Music".
In 2005, he participated in the second Guangdong academic seminar on Chinese music, and his thesis was entitled "Inheriting the fragrance of Chinese music and relying on the spirit of Chinese music".
In 2005, he participated in the seminar on the 60th anniversary of Xian Xinghai's death, and wrote the paper "Xian Xinghai's New Music in China from the Perspective of Phenomenology".
Lingnan Music Culture Communication Activities:
Zhou Kaimo:
1998. Establish Lingnan Music and Culture Museum (located in Shahe Campus).
Chen Tianguo:
1. Teach Gongchi notation and musical instrument performance for Ruyuan Buddhist College (for two weeks).
2. Organize a Buddhist orchestra for the Buddhist Association of Guangdong Province, from enrollment and teaching to performance in Huanghuagang Theater on September 16, 2004, and then the audio and video VCD of Guangdong Sanskrit was distributed all over the world.
3. Teach Chaozhou Zen and Banfo music for Lingdong Buddhist College. The first phase was held in 2004 and the second phase was held in 2005, each lasting for three months.
4. Give lectures to middle school music teachers in Guangzhou and teach "Lingnan Music".
5. Organize a performance of Lingnan Zen and Banfo music for the "Zen Cultural Activities" of Shaoguan Buddhist College.
6. Organize two programs for the free clinic of Chinese medicine organized by Zhongshan Buddhist Association, and Taiwan Province Radio made live videos and CDs.
Topic selection of Lingnan music research students' papers
Graduation thesis:
Wu Meimei: Investigation Report on Music Activities of Guangzhou Baiyun Mountain "City Square"
Li Xiaoying: Investigation Report on Music Activities of Folk Music Clubs in Panyu Area
Ruan Meina: A Study of Christian Songs in Panyu
Zheng: A Study of the Violin Concerto "Legend of the Deer Turning Back" by General Manager Jiang and He Dong.
Zhai Yuehan: A Study of Folk Music Factors in Xian Xinghai's Rhapsody of China.
Li Shang: Musical Analysis and Thinking of Gannan Tea-picking Drama "Long Red Belt"
Term paper:
Drum Furnace: A Brief Analysis of Traditional Folk Songs and Song and Dance Music in Panyu, Guangdong Province
Guruzi: A Brief Analysis of Buddhist Music Culture
Chen Xiayang: Joker of Chaozhou Opera
Hong Jiehui: Spiritual Wandering —— A Record of Folk Activities of Music and Taoism (I)
Liu Xi: Summary of the research on the topic "Variation and spread of original ecological folk songs in contemporary social development" since 2000.