China's top ten martial arts movies with the most classic fighting scenes 1 "Hero of Jason Wu" Wu Zhi: Yuan Heping actors: Jet Li and Yasuaki Kurata fans all want to see the fighting between different martial arts, and "Hero of Jason Wu" is the only action movie that can do this. In the first Wushu competition of Japanese class, Zhen Chen used the grasping technique of splitting tendons and breaking bones in China Wushu. Zhen Chen's kick in the gym shows Jeet Kune Do's fast-break charm and volleying consciousness. The contest with Akutagawa embodies China's idea that martial arts should be better with small ones and better with four or two. The match with Hottingen aims to criticize the flashy parts of martial arts. The last battle proved that wisdom is better than strength. But the best part is a contest between Jet Li and Bao Zhaocang Tian. Apart from action, the success of Hero of Jason Wu lies in its inclusiveness, and it has not been swallowed up by narrow nationalism. As the head coach of the Black Dragon Club, Shipu played by Bao Zhao Kurata represents the highest level of boxers. The appearance of this character makes the film's ideological content and interpretation of martial arts completely surpass Bruce Lee's version. Young Zhen Chen insisted that "the purpose of martial arts is to defeat opponents", and Chuanyue told him that "the best way to defeat opponents is to use a pistol". After attending Wushu classes twice, Zhen Chen's understanding of Wushu has reached a new height. From the contest, we can see that Zhen Chen's boxing has almost all the advantages of world-famous boxing, such as the jumping of boxing, the kicking of taekwondo, the grabbing of knees and elbows, the grabbing of China martial arts, and even the kicking of barbs in black martial arts. This is the concept of Jeet Kune Do: everything is inclusive, not everything. Finally, I hit him with the same fist. After the blindfold war, there were many close combat scenes. Zhen Chen used China Wushu to deal with Japanese jujitsu. Finally, the more the ship told Zhen Chen, only wild animals would fight. He who conquers the enemy is strong, and martial arts develops from fighting, but real fighters value more the transcendence of themselves. NO.2 "Huang Feihong 2: Men Should Strive for Self-improvement" Wu Zhi: Yuan Heping Actors: When Jet Li and Donnie Yen made this film, the best martial arts instructor in China and the two best martial arts actors in China were at their peak. Therefore, in addition to its classic position as a martial arts film, Men Be Self-reliant has reached an unattainable height in action scenes. There are two competitions between Jet Li's Huang Feihong and Donnie Yen's Nalan Garden Book. For the first time, Na Lanyuan Shu practiced "getting wet into a stick" with a piece of cloth in the mansion, and Huang Feihong came to visit. Hearing this, he didn't say anything, but suddenly he kicked a Huang Feihong-Bai La shot. Each of them took a long stick and fought among the wooden stakes in the martial arts field. These two former teammates of Beijing Wushu Team used to use four sticks and one Shaolin stick. In their hands, the firm but not hard Bai La stick is like two living white snakes. This stick is hard and soft. Like the Yangtze River, it is unstoppable and pervasive. The code is impenetrable, like a snake spitting a letter, like a line scan, and it is exquisite. Although Nalan Yuanshu is an anti-angle, she is a masculine and upright person, because Nalan Yuanshu is actually a tragic character. Is Huang Feihong's stick contains feminine power, a stick interrupted the stake, on the surface, actually look not to come out, in the final struggle, Huang Feihong interrupted the stubble on the stick with a stick swept NaLanYuan neck, NaLanYuan neck became a stake hit by Bai La. NO.3 "Ma Tiezhong" Wu Zhi: Performer: I'm afraid no one in Donnie Yen is more suitable for performing the stunt of "shadowless leg", and probably only he can kick the leg to the magical level of shadowless leg. Jet Li's shadowless leg is suspended in the air with steel wire, and then kicked continuously with both feet, which basically belongs to the category of freehand brushwork. Donnie Yen's shadowless legs were completely stunned by his real kung fu without any special effects. When Donnie Yen plays Huang Linying using shadowless legs for the first time, it definitely gives people a stunning feeling. At that time, Huang Linying was eating hot pot on the chimney and met four rebellious young monks from Shaolin who came out to do bad things. After hitting four people, Huang Linying suddenly raised his right hand and drew an arc on the ground with one foot. An unlucky young monk rushed up with a dagger, and in the blink of an eye, there were more than a dozen footprints. Donnie Yen kicked the ground with one foot, one foot didn't stop, and his feet fell on the other side like raindrops. Finally, he kicked his opponent down with a high kick. Then he turned his body purely by waist strength, kicked four feet in four directions without landing, and kicked all four people who jumped up. Jet Li had a similar scene in Hero of Jason Wu, but it was much less difficult because he kicked the other foot after landing. In this case, of course, Donnie Yen won't miss his trademark action, that is, leaping into the air and kicking people in three directions, which is really natural and unrestrained. Once upon a time, it was widely rumored that Bruce Lee did this kind of action in "Big Brother in Tangshan", but in fact, only Donnie Yen could do this kind of performance. Donnie Yen's wonderful performance and Yuan Heping's careful design and editing endow Wushu with unparalleled strength and beauty. In fact, all Donnie Yen's martial arts in this film are absolutely wonderful, and it is no wonder that it is very popular in the United States, but the most amazing thing is the movie "Zhen Shi Without a Shadow Leg". NO.4 "Swordsman 2: Dong Fangbubai" Wu Zhi: Cheng Xiaodong Performer: If Jet Li hadn't seen Jet Li's Nine Orphans Sword in "Dong Fangbubai", I'm afraid no martial arts fan would believe that Jin Yong's sword meaning of "winning without recruiting" could become a reality on the screen. Dong Fangbubai can be said to be the source of inspiration for Cheng Xiaodong and the most colorful piece of music in Cheng Xiaodong's works. When Ling Huchong went to Fusang ronin Camp, he used the Nine Swords of Dugu for the first time and was led to the suburbs by Xiang Wentian. Both sides thought the other was a samurai, so they misunderstood. Huashan faction besieged Xiang Wentian with sword array, and was repelled by Xiang Wentian's heavy knife shadow in a blink of an eye. I saw one side of Ling Huchong shouting "Sword", the sword was drawn, and people followed the sword. At the moment, the wind danced pear blossoms, and the shock wave was all over the sky. Jet Li's sword is just like Youlong's artistic conception. Wen Tian was even more surprised. A sword was inserted in his hat, and the veil was shaken off by the sword, revealing a ferocious face. NO.5 "Crouching Tiger, Hidden Dragon" Wu Zhi: Yuan Heping Performers: Yang Ziqiong, Zhang Ziyi I know this is a choice that makes many people shake their heads, but I am determined to take the lead, because it is only a matter of time before Crouching Tiger, Hidden Dragon wins back the status of martial arts classic and action classic in China. The action of Crouching Tiger, Hidden Dragon is not accepted by people because Yuan Heping, who is famous for his masculine style, completely abandons the visual stimulation of violent destruction and adopts the freehand brushwork design that best conforms to Ang Lee's romantic martial arts style and landscape artistic conception, with the intention of conveying a dreamy aesthetic feeling. These action scenes are too popular, but if you still have a childlike innocence, you will be able to calm down and enjoy them carefully. The best way to bring this dreamy style into full play is for Yu Xiulian to chase the Jade Jiao Dragon Tower. The most criticized thing here is that the traces of tightrope walking are too obvious. In fact, even the tightrope walking scene in Yuan Heping's film ten years ago has no trace. It's just trying to take you through a wonderful and beautiful dream. The main background music of this passage is drums, and the passage in which Yu Jiaolong teased the martial arts teacher of nursing college showed the out-and-out beauty of Beijing Opera. Then Yu Jiaolong and Yu Xiulian chased the tower, which is obviously "flying over the eaves" in the eyes of literati. This scene also makes two people fly like images, and you also become a free bird, gliding over the ancient city of Beijing. In fact, this scene has appeared in every child's dream, but some people remember it and others forget it. NO.6 "New Longmen Inn" refers to martial arts: Cheng Xiaodong actors: Donnie Yen, Tony Leung Ka Fai and other good action designs will always be the scenes that match the film style. The most memorable thing about Xinlongmen Inn is the meaningful little gesture designed by Cheng Xiaodong, just like the aesthetic feeling given to Xinlongmen Inn by Zhang Shuping, which is casual and meaningless, only between the seemingly and the not. The success of the action of Xinlongmen Inn lies in the close combination of the beauty of action and the beauty of scenery, just like the faint light oozing from the broken wall of a long knife, like the yellow sand rolled up by the swords of Cao Shaoqin and Zhou Huai 'an. The most thrilling thing is the life-and-death struggle on quicksand at the end of the film. Lonely smoke in the desert, sunset in the long river, four long swords breaking the yellow sand all over the sky. Under the sudden killing of the small Tatar kitchen knife, Cao Shaoqin's sleeve turned into pieces of flying flocs. When he recovered his sword, he found that his hands and feet had become dense bones. Like the projection lens of the hacked person on the wall, it seems to be a horrible aesthetics, showing a chill that goes straight into the bone marrow. NO.7 "Little Brother Going Out" Wu Zhi: Jackie Chan actors: Jackie Chan and Wang Yingxi's martial arts scenes can have a sense of humor in addition to being beautiful and impactful. Jackie Chan's Kung Fu comedy proves this point. If the action is clever, Jackie Chan's small and prancing design is the first. If you have seen Chaplin teasing others with crutches, you will find that Jackie Chan's teacher is actually a comedian (or Keaton) in the silent film era. Jackie Chan's martial arts moves are wonderful and funny, but both of them are outstanding and absolutely enjoyable in length, but this early work of Jackie Chan, Little Brother Out. At the end of the film, Jackie Chan had an epic long struggle with Aikido master Wang Yingxi after performing the Matador March. Wang Yingxi's legs are strange. Jackie Chan was kicked down again and again, but Jackie Chan stood up again and again, letting us know what a "real young man" is. In the words of the off-site instructor, he is not only indestructible, but also never wears away. The most ridiculous thing is that this off-court coach can only talk but can't fight. He found that Wang Yingxi was a "one-legged horse", which provided fresh air for Jackie Chan. He warned Wang Yingxi that "it is illegal to play off-court coach". Finally, he used the old water in a can of hookah to help Jackie Chan win the final victory. But Jackie Chan also paid a heavy price. The last scene of the film shows Jackie Chan saying goodbye to the audience with his bandaged body. If you haven't seen it, go and learn it. It is definitely a martial art that can make you look happy and smile.