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The role and position of polyphony in baroque music period
Polyphony music is a very interesting topic in Baroque, but it is also difficult to do well because there are too many things involved.

First of all, it should be clear that although polyphony is the most important musical texture in baroque music, baroque can be regarded as the temporary end of polyphony. Polyphony, as a creative method, gradually came to an end in the Baroque period, and was replaced by a creative method of main melody music dominated by debugging function system. This great turning point is an important link in the history of western music. Polyphony music did not completely die out, but existed in later creation, but it really revived as the main creative technique in the process of abandoning tonality at the beginning of the 20th century.

Therefore, the article should include the following contents:

Brief development of 1 polyphonic music before baroque. Explain the definition of polyphonic music and its lofty position before Baroque.

In the Baroque period, polyphony was still the main writing technique. List some typical composers and their works, and sort out the common polyphonic music writing, polyphonic music theory, related theoretical research and even criticism and debate in Baroque period.

The application scope and creative characteristics of polyphonic music in baroque period. Emphasize the unique significance of basso continuo and the role of non-polyphonic music in creative practice.

4. Analyze the contribution of two kinds of music creation theories in Baroque period, and why the composer finally chose the melody music creation method and abandoned the polyphonic music that has been used for hundreds of years.

The role and position of polyphonic music in the late baroque and late main melody period.

The information involved is already scary. It is recommended to refer to some original works.

For example, there are two monographs on baroque music, one is Baroque Music by Norton Press (John walter hill) and the other is Music in Baroque Period, from Monteverdi to Bach (Manfred Boukoff).

There are also some works on polyphonic music theory.

Basso continuo (John Saunders) in German and Italian music practice is a thesis, which is hard to find.

The Playing of Italian Double Bass (Julia Knotti)

Baroque Music: Style and Performance (Robert donington)

In addition, it is best to read some works by baroque theorists, such as Mora's harmony acoustics and so on.

Fox's law of composition will help to some extent why melodic music replaces polyphonic music.

There are many other materials that are hard to find in China. There is nothing to enumerate.